Could I Have This Dance?

BOOK: Could I Have This Dance?
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COULD I
  HAVE
     THIS
    DANCE?

HARRY KRAUS, MD

Dedicated with compassion and admiration
for all those at risk for
inheriting Huntington’s Disease.

Contents

Cover

Title Page

Prologue

Part One

Chapter One

Chapter Two

Part Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

Chapter Eleven

Chapter Twelve

Chapter Thirteen

Chapter Fourteen

Chapter Fifteen

Chapter Sixteen

Chapter Seventeen

Chapter Eighteen

Chapter Nineteen

Chapter Twenty

Chapter Twenty-One

Chapter Twenty-Two

Chapter Twenty-Three

Chapter Twenty-Four

Chapter Twenty-Five

Chapter Twenty-Six

Chapter Twenty-Seven

Chapter Twenty-Eight

Chapter Twenty-Nine

Part Three

Chapter Thirty

Chapter Thirty-One

Chapter Thirty-Two

Chapter Thirty-Three

Chapter Thirty-Four

Part Four

Chapter Thirty-Five

Chapter Thirty-Six

Chapter Thirty-Seven

Chapter Thirty-Eight

Chapter Thirty-Nine

Chapter Forty

Chapter Forty-One

Chapter Forty-Two

Chapter Forty-Three

Chapter Forty-Four

Chapter Forty-Five

Chapter Forty-Six

Chapter Forty-Seven

Chapter Forty-Eight

Epilogue

Acknowledgments

About the Author

Chapter One

Copyright

About the Publisher

Share Your Thoughts

Prologue

Summer 1973

M
y patient’s scream penetrates the delivery room.

“Slow deep breaths, honey,” the nurse coaches. “Slow deep breaths.”

I sense that she is going to scream again and turn my head toward the door, so I do not see her eyes.

Her voice is high-pitched and shrill, nothing like the softness I’ve heard in it before. Now, each cry is a dagger, finding its mark in my chest.

The room is hot, thanks to a faulty thermostat that I’ve had maintenance look at three times this week. But fixing the temperature won’t make this one any more pleasant for me. My discomfort arises from a whole different level, a dread from the bottom of my gut that doesn’t seem to be responding to the antacid I still taste in my mouth. I roll my tongue, scraping more of the metallic medicine toward the back of my throat. It’s not working. My hands are trembling, and I can’t bear to look into my patient’s eyes.

I’ve never treated a more beautiful woman. I gaze on her writhing form for a moment, studying her in this vulnerable position as if for the first time.

But it is not the first time I’ve seen her like this, exposed and unprotected. Her forehead is beaded with sweat, her lips full and pursed, her breathing quick and shallow. In her face I see pain, and fear, and yet even in this moment of agony, I see her loveliness. I watch her, careful to avoid her eyes. Her eyes, wonderful, innocent blue. Deep pools I wish now I’d never looked into. I cannot bear to see her eyes now. If she catches my gaze, she’ll see my fear—and then she’ll know that I know.

I turn away, desperately trying to recapture the confidence that has carried me through the rigors of a country family practice. I’ve prided myself in being able to handle anything. From earaches to hernia repairs, from colicky babies to depressed, out-of-work farmers, I’ve seen it all. I’ve done it. And while other professionals in the city are specializing, here in
Stoney Creek I’ve stood proud like the docs of the old frontier: I can handle anything, including this routine vaginal delivery. I steal a glance at my patient again. Nothing different about this one. Except—

I interrupt my own thought. I can’t let myself finish it. I cannot let myself think that it might be possible. Certainly the odds are against it. We were always so careful.

Clandestine encounters are supposed to remain a private matter, right? Nothing helpful can be gained by exposure now. I cough nervously and look at the clock on the wall. It’s eleven P.M. and I haven’t eaten since early this morning when I heard the first rumor that she was in labor.

The nurses are moving faster now, as the patient is close to delivery. The contractions come in a slow rhythm separated by only a minute, each one punctuated by a low groan. The patient is mumbling under her breath between contractions. I can only imagine her cursing, as her words are too quiet for me to hear above the room’s clinical noise. Her husband, to my relief, is stationed in a waiting room. I hear that in big-city hospitals up north, they are letting the husbands into the delivery rooms. Well, just try that foolishness down here and we’ll see how long I stay in this business. Thank God saner heads have prevailed in the South.

Since her husband is not here, I am the object of her scorn. I do not hear it in clear words, but I feel it in her moaning. She curses me as if she knows. It is not possible that she should know, but somehow, at a level deeper than mere reasoning, she knows. I am a scientist, not prone to such intuition. Still, I will not look in her eyes.

“How much Demerol has she had?” I can’t stand to see her like this.

A nurse, a veteran named Mollie, wrinkles her nose at me. “A hundred milligrams. It doesn’t seem to have touched her.”

“Give her another twenty-five,” I say, heading for the swinging door. “I’ll be right outside.”

Mollie knows I need to smoke. I always do when I’m nervous. I see her shaking her head in disapproval before I turn away. I let the door swing shut, leaving the commotion behind. In another minute, I’m standing in a small doctor’s quarters inhaling a cigarette in long, deep breaths.

I pace the little room, wondering what would happen if anyone knew the truth about me, the truth about my patient. In the silence, with the smoke curling toward the ceiling, I think about breaches in professional ethics, standing before a state review board, and losing my license. My career could be over if anyone knew. And I vow that no one ever will.

The door pops open, and Ben Jasper, a general surgeon, heaves a sigh. “Hey, Jim. You’re here late.”

I nod. “Labor knows no respect for time. What’s up?”

“I’ve got an appy to do.”

An appy. Not a real person with a real problem. Not even a patient with appendicitis or an appendectomy to perform, but an appy. Dr. Jasper, like most surgeons, abbreviates everything. I find myself wondering if he asks his wife for sup or if he calls his car a caddy.

“One of my patients?” I ask, feigning interest.

He laughed. “Everyone in Stoney Creek goes to you.” He held up a note card. “His name is Billy Burgess.”

I’ve treated Billy for ear infections a few times. His mother works in the McCall shoe factory with everyone else and had a huge melanoma removed from her back three years ago. I’m amazed she’s still alive.

I push my cigarette into an ashtray overflowing from the doctors’ tobacco addictions, an irony that doesn’t escape me. I reach for the doorknob and notice my hands are trembling. “I’ve got to get back to L and D.”

Once there, I slip on a pair of sterile exam gloves. I address my patient in a professional tone that feels forced and inappropriate. “I need to check your progress.”

The nurse coaxes the patient into position. “Come on, honey. Doc needs to see.” Mollie refers to me informally. It’s a rural thing, a small example of a more relaxed way of providing medical care. I wouldn’t want it any other way. Homey. Personal. Part of a one-stop country practice. But nothing seems homey about this. This delivery carries a big-city foreboding. I’m out of my element here. This one seems dark in a way that I can’t articulate.

Mollie sprays an iodine wash onto the patient’s perineum and I insert my glove. The cervix is wide open, completely effaced. I report the findings to Mollie. “Okay,” I add to the patient. “Let’s have this baby.”

The patient’s voice is urgent. “No! Nooo!”

I’m already putting on a sterile gown and a new pair of gloves. “Let’s get her in the stirrups.”

“I need something. It hurts!” she gasps. “Jimmy!”

I wince as the patient yells my name. I’m sure the nurses will think this is odd, but I glance at Mollie’s face, and it doesn’t seem to have fazed her. Labor makes women crazy. They say crazy things. Hopefully Mollie will think this, even if I don’t.

“Get me the pudendal tray.”

A second nurse, a young one who loves to flirt with me, is washing the patient again, this time applying the iodine paint in broad strokes to the thighs, perineum, and buttocks. Mollie opens the pudendal tray and places it on the sterile field, before gowning and gloving herself. She always stands to my left. I never have to tell her what I need; she always hands
me what I want before I ask. Sometimes, I suspect that she is in control and I am assisting her. She directs me in her silence, allowing me to be the leader. I let her, because although I’ve been here hundreds of times, Mollie’s been here thousands.

Quietly, efficiently, we cover my patient’s legs with sterile drapes. I pick up the lidocaine anesthetic that Mollie has prepared, keeping the needle concealed from my patient’s view. It is over six inches in length, enough to frighten a linebacker. I insert the index and long fingers of my left hand into the vagina and palpate the ischial spine. I then slide in an Iowa trumpet which will serve as a needle guide to protect the birth canal from accidental injury. I slip the needle through the trumpet, and puncture the sacrospinous ligament. Slowly, I inject ten cc’s of the clear liquid anesthetic just inside and below the spine I am still touching. All the while, I keep repeating, “Okay, okay, this will make it easier. I’m giving you some medicine to dull the pain.”

“Jimmy, I—can’t—take—this!” My patient’s voice is halted by distress.

“Okay, it’s okay,” I reassure her. “Here’s more medicine.” I change hands and repeat the pudendal nerve block on the other side.

My patient relaxes for a moment between contractions. I cannot. I have to see the baby.

With the next contraction, I see the baby’s head and shudder. The hair is blond and thick. Just like mine.

Two more contractions pass. The patient has shifted into a cooperative mode and follows the nurse’s pushing instructions. She’s determined to get this over with.

I massage my patient for a moment, encouraging the skin to stretch even more. “Bee sting,” I say, before I infiltrate more local anesthetic for an episiotomy. I make the cut in the midline posteriorly.

“One more push …
now!”

I deliver the head and suction the nose and mouth with a bulb syringe. The shoulders come next, and soon, I am holding the screaming infant, a boy, cradling him against my body. For a moment, I am frozen in thought. There is a special energy I feel, holding this infant, an unseen bond as real as anything I’ve seen with my eyes. I cannot describe it beyond that. I am warmed. And frightened. But I cannot reveal it.

I look at my patient, no longer able or willing to avoid her searching eyes. I see her and I am speechless. We communicate without words, the way we did at our first meeting. She knows. I know. But there is no one else who will ever know the truth about this baby.

I break away and see Mollie’s hand, holding up a clamp to cut the cord. How long have I been standing here?

“I—It’s a boy,” I stutter.

Mollie catches my eye, but not my attention. “The baby is too small.”

Following Mollie’s lead, I clamp and cut the cord. I hand the child to the young nurse who wraps him in a soft blanket and lays him upon his mother’s breast.

The mother is restless, still writhing, not enjoying this infant as I think she should. I deliver the placenta with my mind in another room. I am working with my hands following a practiced pattern, but my mind is spinning with a dark memory of secret pleasures and secret lies.

Reality dawns and slaps me to attention as I finally comprehend the nurse’s words.
The baby is too small.
I’m frozen, staring at my patient’s still swollen abdomen. From the way my patient had been carrying this pregnancy, I knew this would be a large baby. I slip my hand onto the patient’s abdomen to feel the fundal height and my heart skips a beat. I clear my throat. “You’re going to have twins,” I say with plastic enthusiasm.

BOOK: Could I Have This Dance?
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