Read Complete Works of Rudyard Kipling (Illustrated) Online
Authors: Rudyard Kipling
Complete Works of Rudyard Kipling (Illustrated) (130 page)
6. Handle of small-sized hunting-knife. Blade snapped short. Buck’s horn, diamond cut, with swivel and ring on the butt; fragment of cotton cord attached.
It must not be supposed that I inventoried all these things on the spot as fully as I have here written them down. The notebook first attracted my attention, and I put it in my pocket with a view of studying it later on.
The rest of the articles I conveyed to my burrow for safety’s sake, and there being a methodical man, I inventoried them. I then returned to the corpse and ordered Gunga Dass to help me to carry it out to the river-front. While we were engaged in this, the exploded shell of an old brown cartridge dropped out of one of the pockets and rolled at my feet. Gunga Dass had not seen it; and I fell to thinking that a man does not carry exploded cartridge-cases, especially “browns,” which will not bear loading twice, about with him when shooting. In other words, that cartridge-case had been fired inside the crater. Consequently there must be a gun somewhere. I was on the verge of asking Gunga Dass, but checked myself, knowing that he would lie. We laid the body down on the edge of the quicksand by the tussocks. It was my intention to push it out and let it be swallowed up-the only possible mode of burial that I could think of. I ordered Gunga Dass to go away.
Then I gingerly put the corpse out on the quicksand. In doing so, it was lying face downward, I tore the frail and rotten khaki shooting-coat open, disclosing a hideous cavity in the back. I have already told you that the dry sand had, as it were, mummified the body. A moment’s glance showed that the gaping hole had been caused by a gun-shot wound; the gun must have been fired with the muzzle almost touching the back. The shooting-coat, being intact, had been drawn over the body after death, which must have been instantaneous. The secret of the poor wretch’s death was plain to me in a flash. Some one of the crater, presumably Gunga Dass, must have shot him with his own gun — the gun that fitted the brown cartridges. He had never attempted to escape in the face of the rifle-fire from the boat.
I pushed the corpse out hastily, and saw it sink from sight literally in a few seconds. I shuddered as I watched. In a dazed, half-conscious way I turned to peruse the notebook. A stained and discolored slip of paper had been inserted between the binding and the back, and dropped out as I opened the pages. This is what it contained: “
Four out from crow-clump: three left; nine out; two right; three back; two left; fourteen out; two left; seven out; one left; nine back; two right; six back; four right; seven back.
” The paper had been burned and charred at the edges. What it meant I could not understand. I sat down on the dried bents turning it over and over between my fingers, until I was aware of Gunga Dass standing immediately behind me with glowing eyes and outstretched hands.
“Have you got it?” he panted. “Will you not let me look at it also? I swear that I will return it.”
“Got what? Return what?” asked.
“That which you have in your hands. It will help us both.” He stretched out his long, bird-like talons, trembling with eagerness.
“I could never find it,” he continued. “He had secreted it about his person. Therefore I shot him, but nevertheless I was unable to obtain it.”
Gunga Dass had quite forgotten his little fiction about the rifle-bullet. I received the information perfectly calmly. Morality is blunted by consorting with the Dead who are alive.
“What on earth are you raving about? What is it you want me to give you?”
“The piece of paper in the notebook. It will help us both. Oh, you fool! You fool! Can you not see what it will do for us? We shall escape!”
His voice rose almost to a scream, and he danced with excitement before me. I own I was moved at the chance of my getting away.
“Don’t skip! Explain yourself. Do you mean to say that this slip of paper will help us? What does it mean?”
“Read it aloud! Read it aloud! I beg and I pray you to read it aloud.”
I did so. Gunga Dass listened delightedly, and drew an irregular line in the sand with his fingers.
“See now! It was the length of his gun-barrels without the stock. I have those barrels. Four gun-barrels out from the place where I caught crows. Straight out; do you follow me? Then three left. Ah! how well I remember when that man worked it out night after night. Then nine out, and so on. Out is always straight before you across the quicksand. He told me so before I killed him.”
“But if you knew all this why didn’t you get out before?”
“I did
not
know it. He told me that he was working it out a year and a half ago, and how he was working it out night after night when the boat had gone away, and he could get out near the quicksand safely. Then he said that we would get away together. But I was afraid that he would leave me behind one night when he had worked it all out, and so I shot him. Besides, it is not advisable that the men who once get in here should escape. Only I, and
I
am a Brahmin.”
The prospect of escape had brought Gunga Dass’s caste back to him. He stood up, walked about and gesticulated violently. Eventually I managed to make him talk soberly, and he told me how this Englishman had spent six months night after night in exploring, inch by inch, the passage across the quicksand; how he had declared it to be simplicity itself up to within about twenty yards of the river bank after turning the flank of the left horn of the horseshoe. This much he had evidently not completed when Gunga Dass shot him with his own gun.
In my frenzy of delight at the possibilities of escape I recollect shaking hands effusively with Gunga Dass, after we had decided that we were to make an attempt to get away that very night. It was weary work waiting throughout the afternoon.
About ten o’clock, as far as I could judge, when the Moon had just risen above the lip of the crater, Gunga Dass made a move for his burrow to bring out the gun-barrels whereby to measure our path. All the other wretched inhabitants had retired to their lairs long ago. The guardian boat drifted downstream some hours before, and we were utterly alone by the crow-clump. Gunga Dass, while carrying the gun-barrels, let slip the piece of paper which was to be our guide. I stooped down hastily to recover it, and, as I did so, I was aware that the diabolical Brahmin was aiming a violent blow at the back of my head with the gun-barrels. It was too late to turn round. I must have received the blow somewhere on the nape of my neck. A hundred thousand fiery stars danced before my eyes, and I fell forwards senseless at the edge of, the quicksand.
When I recovered consciousness, the Moon was going down, and I was sensible of intolerable pain in the back of my head. Gunga Dass had disappeared and my mouth was full of blood. I lay down again and prayed that I might die without more ado. Then the unreasoning fury which I had before mentioned, laid hold upon me, and I staggered inland toward the walls of the crater. It seemed that some one was calling to me in a whisper — ”Sahib! Sahib! Sahib!” exactly as my bearer used to call me in the morning I fancied that I was delirious until a handful of sand fell at my feet. Then I looked up and saw a head peering down into the amphitheatre — the head of Dunnoo, my dog-boy, who attended to my collies. As soon as he had attracted my attention, he held up his hand and showed a rope. I motioned, staggering to and fro for the while, that he should throw it down. It was a couple of leather punkah-ropes knotted together, with a loop at one end. I slipped the loop over my head and under my arms; heard Dunnoo urge something forward; was conscious that I was being dragged, face downward, up the steep sand slope, and the next instant found myself choked and half fainting on the sand hills overlooking the crater. Dunnoo, with his face ashy grey in the moonlight, implored me not to stay but to get back to my tent at once.
It seems that he had tracked Pornic’s footprints fourteen miles across the sands to the crater; had returned and told my servants, who flatly refused to meddle with any one, white or black, once fallen into the hideous Village of the Dead; whereupon Dunnoo had taken one of my ponies and a couple of punkah-ropes, returned to the crater, and hauled me out as I have described.
To cut a long story short, Dunnoo is now my personal servant on a gold mohur a month — a sum which I still think far too little for the services he has rendered. Nothing on earth will induce me to go near that devilish spot again, or to reveal its whereabouts more clearly than I have done. Of Gunga Dass I have never found a trace, nor do I wish to do. My sole motive in giving this to be published is the hope that some one may possibly identify, from the details and the inventory which I have given above, the corpse of the man in the olive-green hunting-suit.
PLAIN TALES FROM THE HILLS
Published in 1888, this is Kipling’s first collection of short stories. Out of the 40 stories, 28 of them were originally published in the
Civil and Military Gazette
in Lahore, British India, between November 1886 and June 1887. Many of the stories are set in the Hill Station of Simla and there are also sketches of life in British India. The tales include the first appearances, in book form, of Mrs. Hauksbee, the policeman Strickland and the Soldiers Three (Privates Mulvaney, Ortheris and Learoyd).
The first edition
PLAIN TALES FROM THE HILLS
CONTENTS
THE CONVERSION OF AURELIAN McGOGGIN.
THE ARREST OF LIEUTENANT GOLIGHTLY.
THE ROUT OF THE WHITE HUSSARS.
THE GATE OF A HUNDRED SORROWS.
ON THE STRENGTH OF A LIKENESS.
WRESSLEY OF THE FOREIGN OFFICE.
LISPETH.
Look, you have cast out Love! What Gods are these
You bid me please?
The Three in One, the One in Three? Not so!
To my own Gods I go.
It may be they shall give me greater ease
Than your cold Christ and tangled Trinities.
The Convert.
She was the daughter of Sonoo, a Hill-man, and Jadeh his wife. One year their maize failed, and two bears spent the night in their only poppy-field just above the Sutlej Valley on the Kotgarth side; so, next season, they turned Christian, and brought their baby to the Mission to be baptized. The Kotgarth Chaplain christened her Elizabeth, and “Lispeth” is the Hill or pahari pronunciation.
Later, cholera came into the Kotgarth Valley and carried off Sonoo and Jadeh, and Lispeth became half-servant, half-companion to the wife of the then Chaplain of Kotgarth. This was after the reign of the Moravian missionaries, but before Kotgarth had quite forgotten her title of “Mistress of the Northern Hills.”
Whether Christianity improved Lispeth, or whether the gods of her own people would have done as much for her under any circumstances, I do not know; but she grew very lovely. When a Hill girl grows lovely, she is worth traveling fifty miles over bad ground to look upon. Lispeth had a Greek face — one of those faces people paint so often, and see so seldom. She was of a pale, ivory color and, for her race, extremely tall. Also, she possessed eyes that were wonderful; and, had she not been dressed in the abominable print-cloths affected by Missions, you would, meeting her on the hill-side unexpectedly, have thought her the original Diana of the Romans going out to slay.