Complete Stories (101 page)

I smile at Jerome and fluff my hair a little. I wear it long and black with henna highlights and heavy bangs. Too bad I didn’t happen to shampoo and condition it yet this week. I look sexier when my mane is lustrous.

Jerome thins his lips and shades the outstretched arms of a little man. He’s digging on the excellent twenty-first-century quality of my pencils and the luscious smooth whiteness of apartment dry-wall. Sketching a picture of Harna and me snatching him. Harna looks like a fish as much as a car. She’s surrounded by glow-lines of blue light. Her prey is just now seeing the shape in the sky, he’s holding out his arms with that odd look of non-surprise. His unmade bachelor bed is in the far corner of his room. The vortex from the aeroform is gonna cartwheel him into the arms of a voluptuous dark-haired sorceress. Me!

“You’re cute,” I tell Jerome. He pinches the fingers of one hand at me again, the other hand busy with my pencils. He draws terrifically fast. I’m really glad I bagged him. But I wish he looked a little happier about it.

“Why don’t we get to know each other better?” I say, imagining he might pick up on my tone. I unbutton my baby-doll blouse enough so he can see my boobs—but not the runaway rolls of my stomach. My breasts are a major plus, easily the equal of Pammy Anderson’s. And they’re natural.

But Jerome looks away. It occurs to me that maybe he still thinks this is Hell—which would make me a demoness. I decide to play up to that. I cackle at him and beckon with witchy fingers, the light glinting on my chipped black nails. My fingers are quite shapely, another plus feature. But they’re not bringing Jerome Bosch into my arms.

So I go get him. He tries to escape, racing around the apartment like a sparrow that flew in the window. I shoo him into my bedroom and—
plop
—we’re mixed in with the sheets, magazines, and laundry on my bed.

I give him a wet kiss and pull down my stretchy pants—keeping my top on so as to minimize that troublesome abdominal area. Of course I’m not wearing panties, I’ve been planning this all along. I tug down his sweatpants—and there’s his goodies on display. A twenty-five-year-old fella here in bed with me, the answer to a maiden’s prayer. I roll him on top of me and pull him in. It’s been awhile.

But—just my luck—this turns into a totally screwed-up proposition. He comes, maybe, and then he’s limp, and then—oh, God—he starts sobbing like his heart is going to break.

Poor Jerome. I cuddle him and whisper to him. His sobs slow down, he whimpers, he slides off to one side, and—falls asleep!

I feel down between my legs, trying to figure out if he delivered. What a thing it would be to carry Hieronymus Bosch’s baby! That would tie him to me for sure. I think I’m ovulating today, as a matter of fact. Just for luck, I twist around and prop my feet up on the wall, giving the Dutch Master’s wrigglers every opportunity to work their way up to the hidden jewel of my egg.

Resting there, thinking things over, I can visualize them, pointy-nosed with beating tails, talking to each other in Dutch, enjoying themselves in Glenda-land, on a pilgrimage to my Garden of Earthly Delights.

He keeps on sleeping, and I amble back into the kitchen to make myself a grilled cheese sandwich. I’m happy, but at the same time I have this bad feeling that Harna somehow tricked me. That stuff about wrapping me up and taking me home. Some weird shit is gonna come down, I just know it.

But now here comes Jerome out the bedroom, looking mellower than before. Our little hump and cuddle has helped his mind-set.

“Greetings, Glenda,” he says. “I enjoyed our venery.”

“Likewise.” He looks so cute and inquisitive that I run over and kiss his cheek. And I can’t help asking, “You don’t think I’m too fat?”

“You’re well fed,” he says, cupping my boobs. “Clean and healthy. But do you worship Satan? Your spirit-familiar Harna—surely she is unholy.”

“I don’t know much about Harna,” I admit. “She only appeared today. And Satan? Naw, dog. I’m a Catholic girl.” Fallen away, I don’t mention. I cross myself and he’s relieved.

“I can go home?” he asks, glancing out the window at the quiet street in the noon sun.

“You belong with me,” I tell him. “I’ll give you a baby. You never had one back then. I love your art. You’re mucho famous here, you know. I have a whole book of your pictures.”

I root around the apartment, wanting to show him, but damn it, that book is totally gone. I’m guessing that Harna took it. She was saying something about copying Jerome’s perspective maps so she can—fit our world into a sack? That has to be wack. If only she’s gone for good. Maybe hoping hard enough can make it so. I skip over to Jerome and kiss him again. He lets me.

“I can’t find my book, but we can go to the SJSU library,” I tell him. “It’s just across the campus and they’re open on Sunday. And I think the Art Mart is open today too. I’ll buy you some paint.”

“Buy paint?” says Jerome. “I mix my own.”

“We get it in tubes,” I say. “Like sausage. Ready-made. Here, eat a grilled cheese sandwich , and then we’ll look for Hieronymus Bosch books in the library.”

Well, guess what we find under Bosch, Hieronymus, in the library? Not jack shit. When Harna and I abducted him from the fifteenth-century Dutch town of s’Hertogenbosch and carried him to twenty-first century San Jose, California, we wiped out his role in history. Maybe he finished one or two minor paintings before we nabbed him, but as far as the history of art is concerned, he never lived. Jerome doesn’t really pick up on how weird this is—I mean all he’s seen me do is look at an incomprehensible-to-a-medieval-mind online card catalog, and we nabbed him before he was famous anyway, so he’s not feeling the loss. But me, I feel it bad.

Bosch was a really important artist, you know—or maybe you don’t. Come to think of it, I might be the only one who remembers our world before I changed our history. But take it from me, Hieronymus Bosch was King. The Elvis of artists. His work influenced a lot of people in all kinds of ways over the centuries.

More ways than I’d imagined.

Because now, walking off the campus and getting a coffee, I’m paying attention and I’m noticing differences in our non-Bosch world. There aren’t any ads for horror movies in the paper, for instance, which is way odd.

The Episcopal Church that used to be by the coffee shop is a pho noodle parlor. On a hunch, I look in the yellow pages in the coffee shop, and there’s no Episcopal or Baptist or Proletarian or whatever churches in town at all. With no Bosch, the Protestant thing never happened! The sisters that whipped me through grade school would be happy, but I’m thinking, Dear God, what have I done?

The cars are different too, duller than before, as if Y2K cars could get duller. And every single one of them is cream colored, not even any silver or maroon.

The barrista in the coffee shop who usually wears foundation and drawn-on eyebrows has her face bare as a granola hippie’s. And her hair is all bowl-cut and sensible. Ugh. The world is definitely lagging without the cumulative influences of my man Jerome.

On the plus side, you can smoke in the coffee shop now, and all the cigarettes are fat and laced with nutmeg and clove, which I dig. The Supertaqueria next door isn’t selling tongue anymore, also fine by me. The fonts on the signs are somehow lower and fatter and more, like, Sanskrit-looking. The people in the magazine ads are wearing more clothes, and generally heavier.

Hey, I can live with some change, if that’s what it takes to get Glenda her man.

I buy Jerome a canvas and some acrylics at the Art Mart—putting them on a new credit card that some pinheads mailed me last week. When we get back to my apartment, my Dutch Master sniffs suspiciously at the paint, then prepares to start layering the stuff over the colored drawing on my smaller wall.

There’s a knock on the door. I’ve been expecting this. I peep through the peephole and it’s Harna, looking just like her voice sounds, like a rich old white woman in a flowery dress and a pastel green pillbox hat covered with seed pearls. I don’t want to let her in, but she walks right through the closed door.

“Hello, Glenda and Jerome,” goes Harna. “I have a commission for the artist.” She plumps a velvet sack right down on my kitchen table. Clink of gold coins. Perfectly calculated to get Jerome’s juices flowing.

“What kind of painting do you need, my lady?” asks Jerome, setting down his paintbrush and making a greedy little bow.

“A picture of that,” she says, pointing out the window to Sixth Street and the San Jose cityscape. “With full perspective accuracy. You can paint it—there.” She points to my big blank living room wall.

“How soon would you need it?” asks Jerome.

“By sundown,” says Harna.

“He can’t paint that fast,” I protest.

“I’ll speed him up,” says Harna, with a twitch of her dowager lips. “I’ll return with the rising of the moon.”

Sure enough, Jerome starts racing around the room like a cockroach does when the light comes on. He pauses only long enough to ask me to get him more paint.

When I come back from the Art Mart with a shopping bag of paint tubes, he’s already roughed in an underpainting of the street—the houses with their tile and shingle roofs, the untrimmed palm trees, the dead dingy cars, the vines, a few passersby captured in motion, the tops of the houses in the next block, the houses after them, the low brown haze from the freeways, and beyond that the golden-grassed foothills and the blank blue sky.

He’s all over the wall, and the painting is so perfect and beautiful I can hardly stand it. Every ten seconds, it seems like, he darts over to the window, then darts back. He’s such a nut that he’s putting in every single person and car that goes past, so the picture is getting more and more crowded.

The sun is going down and a few lights come on in the windows outside. Somehow Jerome is keeping up with it, changing his painting to match the world, touching the buildings with sunset gold, damping the shadows into warmer shades, pinkening the sky—and then darkening it.

A fat full moon comes up over the foothills and, quick as a knife, Jerome paints it onto my wall, sprinkling stars all around it.

And then Harna’s in the room again.

“It’s enough,” she says. “He can stop.”

Jerome cranks down to normal speed. I hand him more Oreos and coffee. He slugs down the nourishment, then drinks a quart of water from the sink.

“What happens now?” I ask Harna.

“Like I said before,” she answers, not looking so much like a human anymore. Her pink skin is peeling away in patches, and underneath she’s green. “I’m going to bag you and your world and take you home. Don’t worry, it won’t hurt.”

And then she shoots out of the window and disappears into the distance past the moon.

“We have to stop her!” I tell Jerome, picking up my purse.

“What?” he says. He sounds tired.

“We have to run after Harna.”

Jerome looks at me for a long time. And then he smiles. “If you say so, Glenda. Being with you is interesting.”

The two of us run down the apartment stairs and right away I can see that things are seriously weird. The cars across the street are two-thirds as big as the cars on my side.

“Hurry,” I tell Jerome, and we run around the corner to the next block. The houses on that next street are half the size of the houses on my street. We run another block, which takes only a couple of seconds, as each block is way smaller than the one before. The houses are only waist high. We go just a little farther and now we’re stepping right over the houses, striding across a block at a time.

Another step takes us all the way across Route 101, the step after that across east San Jose. The further from Jerome’s picture we get, the smaller things are.

“Perspective!” exclaims Jerome. “The world has shrunk to perspective!”

We hop over the foothills. And now it gets really crazy. With one last push of our legs, we leap past the moon. It’s a pale yellow golf ball near our knees. We’re launched into space, man. The stars rush past, all of them, denser and denser—
zow
—and then we’re past everything, beyond the vanishing point, out at infinity.

Clear white light, firm as Jell-O, and you can stand wherever you like. Up where it’s the brightest, I see a throne and a bearded man in it, just like in Jerome’s paintings. It’s God, with Jesus beside Him, and between them is the Dove, which I never did get. Right below the Trinity is my own Virgin of Guadalupe, with wiggly yellow lines all around her. And up above them all are my secret guardians, the Powerpuff Girls from my favorite Saturday morning cartoon. Jerome sees them too. We clasp hands. I know deep inside myself that now forever we two are married. I’m crying my head off.

But somebody jostles me, it’s Harna right next to us, pushing and grunting, trying to wrestle our whole universe into a brown sack. She’s the shape of a green Bosch-goblin with a slit mouth.

I turn off the waterworks and whack Harna up the side of the head with my purse. Jerome crouches down and butts her in the stomach. Passing the vanishing point has made us about as strong as our enemy, the demonic universe-collector. While she’s reeling back, I quick get hold of her sack and shake its edges free of our stars.

Harna comes at me hot and heavy, with smells and electric shocks and thumps on my butt. Jerome goes toe-to-toe with her, shoving her around, but she’s starting to hammer on his head pretty good. Just then I notice a brush and tubes of white and blue paint in my purse. I hand them to Jerome, and while I use some Extreme Wrestling moves from TV on Harna, Jerome quick paints a translucent blue sphere around her with a cross on top ¾ a spirit trap.

I shove the last free piece of Harna fully inside the ball and, presto, she’s neutralized. With a hissing, farting sound she dwindles from our view, disappearing in a direction different from any that we can see. I wave one time to the Trinity, the Virgin, and the Powerpuff Girls, and, how awesome, they wave back. And then we’re outta there.

The walk home is a little tricky—that first step in particular, where you go from infinity back into normal space, is a tough one. But we make it.