Read Come on All You Ghosts Online
Authors: Matthew Zapruder
III
Listening to Neil Young in California
is like throwing away the old pills
that used to cure something and turning
your face towards the day, i.e. the ocean
filling the window with grey boats
floating in totally bright present aloneness.
For several weeks on my laptop
I had a picture of the space shuttle docking.
Then I replaced it with the ravenous
woolly adelgid covering a blighted eastern hemlock.
One branch looks like a limb
destroyed by an improvised explosive device.
Friend whose father is dying,
let us exchange dreams.
I am strong enough for yours
and you can move
down the long boring beige literal corridor
and replace the batteries in the thermostat,
fingering a diamond hair clip.
Today I have the feeling no matter
which way I turn my head I am
into ideas like everyone is freer than me
painlessly bonking whatever
is the mental equivalent of my nose.
My actual one itches, it's the plum
trees shedding invisible sexual particles.
Onto the streets I go and see the horrible
charming Victorians of my new home
San Francisco where I have moved for love.
Like purple plastic wedding dresses
they are ready to be left out imperviously
in the rain. Let's put down the book
about the later phase of Le Corbusier
when he planned the perfect harmonic
Indian city of Chandigarh and pick up
one about makers of an early type
of Japanese kimono called the kosode.
On them sometimes artists painted
landscapes such as
Kosode with Tree
and Flowering Plants
by Sakai H
Å
itsu.
Like the little figures in the picture
through the picture we journey slowly
with our eyes closely observing mountain
formations, a waterfall, trees, a village,
and tiny figures of travelers just like us.
Once the silk over someone's body
rippled, now the kimono hangs
on a wall. Oh lifestyle! Oh cake!
Between my ears is drifting now
the strange translucent golden word
axolotl. Through its whole life it never
grows any older. Through its shoulders
you can see its blood. Thousands of miles
away THE EAST a kingdom covered
by giant clouds. Where was I born? Among
human faces, deep in the sun of a real
young mother, under blowing unmagical snow.
Afternoon, almost
too bright to stare at directly,
also contains dark shapes. Black windows
in the old converted warehouses
filled now with new industry.
Shadows cast by telephone poles. So many
wires everywhere, how is it
I have never truly seen
all the infrastructure and methods
over my head everywhere
in this city I go? I think
they are quite beautiful. Always
the wires are unexpectedly framing
parts of the sky and all
natural and human things it contains,
making transitory paintings the very
subject of which is cloud motion. Truly
I fear animals. Now I am growing
very analytical. A kind of
peacefulness into me carefully
moves like a grasshopper
into a room full of totally believable metal
grass and trees. There is one great bridge
at the edge of the city falling asleep. And another
humming an orange welcoming song.
She asked me how long it will be
until the giant black rose
she has seen in her dreams
bursts out of the ocean just beyond
the walls of the circular city
and drips molten fire on the heads
of likenesses of the smiling gods
who sent a message from outside
our solar system crying
and swearing to protect us
if we built them. Quite
a long time. Probably many
hundreds of years. First we must
build the circular walls,
then the towers and the steps.
Then we must build the satellite array
and send it into the atmosphere.
And we don't have that
technology yet. The scientists
who can dream of building it
have not yet even been born. So
for now I say to her let us live
here in this apartment and make
sounds of love on this futon
while outside the window the orange
extension cable strangles
the white and green flowering branch
and monks cry anciently on the radio.
Today I am going to pick you up at the beige airport.
My heart feels like a field of calves in the sun.
My heart is wired directly to the power source of mediocre songs.
I am trying to catch a ray of sunlight in my mouth.
I look forward to showing you my new furniture.
I look forward to the telephone ringing, it is not you,
you are in the kitchen trying to figure out the coffeemaker,
you are pouring out the contents of your backpack.
I wonder if you now have golden fur?
I wonder if your arsenal of kind remarks is empty?
I remember when I met you you were wearing a grey dress,
that was also blue, not unlike the water plus the sky.
They say it's difficult to put a leash on a hummingbird.
So let us be no longer the actuary of each other!
Let us bow no longer our heads to the tyranny of numbers!
Hurry off the plane, with your rhinestone covered bag
full of magazines that check up on the downfall of the stars.
I will be waiting for you at the bottom of the moving stairs.
I think there was a movie once
where Frankenstein fell in love with a vampire.
A small mummy at first interfered
but later provided the requisite necessary
clarifications. He can only
meet you at night. Her face
is scarred in a permanent expression
of doom, but her bolt glows whenever
she sees you. The rival for the vampire's affections
was a vaguely feminine zombie. Frankenstein
felt not very mysterious. Many different
feelings cycled below whoever's
skin she had been given. Did they even
belong to her? In the many pages
of the book of love this is only one story.
But everyone goes through it once. The main
question is, will you be the one unable
to control your temper, sewed together
as you are from the past? Or the one
who always ends up turning away in search
of another likeness?
In Wichita Kansas my friends ordered square burgers
with mysterious holes leaking a delicious substance
that would fuel us in all sorts of necessary beautiful ways
for our long journey eastward versus the night.
I was outside touching my hand to the rough
surface of the original White Castle. I was thinking
major feelings such as longing for purpose
plunge down one like the knowledge one
has been drinking water for one's whole life
and never actually seen a well, and minor ones
we never name are always across the surface
of every face every three seconds or so rippling
and producing in turn other feelings. Oh regarder,
if I call this one green bee mating with a dragonfly
in pain it will already be too late for both of us.
I am here with that one gone and now inside this one
I am right now naming feeling of having named
something already gone, and you just about to know
I saw gentle insects crawling in a line from a crack
in the corner of the base of the original White Castle
towards only they know what point in the darkness.
Near Geneva the Hadron Collider
lies underground. Almost
complete, whispers the giant
screaming skull. Your species
is obsessed with the search
for tiny links in the chain you do
not know leads to the collar
of an enormous dragon. You
have fallen completely in love
with metal thinking. You are in great
immaculate aluminum vats
that make the tiny workers
in their suits and helmets glint
a ferocious silver cooling
sections of the giant collider
and preparing to send pulses
of proton beams through it
in opposing directions. Detectors
will sort the microscopic
particles searching for the elusive
Higgs boson or strangelets.
For years beneath the sea I have
been dreaming of the proper time
to emerge and signal my ally the Sun
to rain fire down on all
your towers. Together we
with our retarded cousin the Moon
would watch your cities sink
into the boiling oceans. You search
for the grand unified theory
but will find only a tiny black hole
we will all be sucked into.
And now I will never have my revenge!
The idea is simple. Lucretius wanted to rid
the world of death fear by writing
On the Nature of Things.
He says we fear
death only believing the mind somehow
continues even after the skull that holds it
is broken and harmless vapor leaks out
into everything dissolving. It's
true I fear my death, but I fear
the death of others more, because that's
a death without death through which
I must live. Or I fear my death
for the death others will have to live through
without me. That and probably pain
are why people are afraid. Anyway a world
without death fear would be even more scary.
Not that it matters. Death and fear. One
hand of steel, one of gold. Even you
wouldn't know which to cut off or reach
out for first, Lucretius, because it is always
very dark here in the future.
We have some sad news this morning
from Mars. But I'm thinking about lions. Someone
said something salient and my head became
a light bulb full of power exactly
the shape of my head. Sinister thoughts
at the Xerox machine. A chat with a retired
torturer. Now the sharp blade. Apparently
some solar wind pushed a few specklets of actually
not red but grey Mars dust through the seal
into the vacuum where the very tiny oiled hydraulics
of the light from the distant future collector seized.
What was it my brother said to me once? Like
a vampire bat on a unicorn Change rides
every moment. Houston is full of dead elephants
and empty labs experimenting on silence, open any mouth
and out blows some hope in a binary data stream.
in the photograph you are holding a green helmet
and smiling directly into the future
but
the straight and the square rarely advance
a Chinese poet working a minor bureaucratic post
a few miles north of the capital
wrote 1200 years ago
when they called the emperor The Immortal
I know you tried
but a falseness runs through all our dealings
a seahawk is not even a real bird
and somewhere it is still 1976
and I have just lofted
a football over the head of my very cold brother
who turns in his blue down coat
that used to belong to me
and runs with his arms stretched
out as far as he can
towards the pine trees
and I fear when he comes back
he will tell me something everyone knows
In the airport bar the lady singer's
voice reminded him of a blue
praying mantis he had seen
in a painting riding on
the shoulder of a very young
knight into battle. She was
singing about how she felt
always full of emptiness. He could
almost physically grasp what
that meant. Then he did.
Then he knew he would never
be happier than when he was
living in that medium-sized
Midwestern city, writing stories
about the lives of the inhabitants
of its highest skyscraper.
He could see exactly what
it looked like then, shining upward
like an ancient lighthouse
in the snow. He saw a man
with a beer reading a book
called
8 Amazing Things You Do
Not Know.
Now she was
looking at him, singing about flying
in wondering circles above your life.
On the placard it said she was
available for all events except funerals.
Her name was Lady McDust.
I went last night to see a Chinese movie
with an old friend who seems to love
everything. Equanimity I can only
aspire towards like a leaf or a reflection
of a tower in a pond. The entire
movie took place inside a storm
of totally synthesized feelings. A father
and son leave the city on a desultory
journey out into the countryside
for the mystical purpose of dropping
a stone into a well. Periodically they are
assaulted for a time then joined
by monks who guard citadels presumably
filled with riches or ancient instructive texts.
Every time just as I started to like
a character he would be assassinated
right before my eyes by ninjas or meet
some other horrible unjustified fate.
One particularly mild Shaolin monk leaned
against a wall and his shoulder fell off
and his hair attacked his face. Fortune
said the subtitles is a giant dragon
with flowers in its antlers. A widow
in a white dress appeared in the father's
dream then emerged into the actual
world and caressed the face of the child.
They walked off towards the well. The stone
glowed in a close-up. Decades passed.
Then the music suddenly stopped
and I found myself holding an empty
bag of popcorn I don't remember eating.
Goodbye I said to my friend but she
had already long ago gone off into the future
to feed her brand new digital snake
a couple of digital crickets.