Read Cinderella Ate My Daughter Online

Authors: Peggy Orenstein

Tags: #Non-Fiction, #Autobiography, #Adult, #Memoir

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BOOK: Cinderella Ate My Daughter
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As with all of us, what I want for my daughter seems so simple: for her to grow up healthy, happy, and confident, with a clear sense of her own potential and the opportunity to fulfill it. Yet she lives in a world that tells her, whether she is three or thirty-three, that the surest way to get there is to look, well, like Cinderella.

But I’m getting ahead of myself. Let’s go back and begin where all good stories start.

Once upon a time.

W
hen Daisy was three, I lost her. Or, more precisely, I allowed her to get lost. She dashed off into the crowd at a reception after my niece’s bat mitzvah, and I did not stop her. How much trouble could she get into, I reasoned: there were at least fifty Jewish mothers in the room. On the other hand, there was also a steep flight of marble stairs, doors that opened onto a dark parking lot leading to a reedy swamp, and a kitchen full of unattended chefs’ knives. So when twenty minutes passed and she hadn’t checked in, I began to get a little edgy. Okay, I panicked.

I pushed through the crowd shouting her name, leaving riled-up grandmothers in my wake. Then one of my niece’s friends tugged at my sleeve. “She’s over there,” the girl said, pointing to a knot of ten or so teenagers.

I still did not see my child. So I stepped closer and peered over a boy’s shoulder. There was Daisy, lying on the ground, her arms folded corpselike across her chest, her lips pursed, her expression somber.

“What about Isaac?” asked a girl, pushing forward a skinny six-year-old boy.

Without opening her eyes, Daisy shook her head.

“Michael?” a second girl tried. Another terse shake.

“Jeff ?” Again the wordless dismissal.

I asked the boy in front of me what was going on.

“She’s Snow White,” he explained. “She ate the poison apple, and now we’re trying to find the right prince to wake her.”

I had never told Daisy the story of Snow White. I had purposely kept it from her because, even setting aside the obvious sexism, Snow herself is such an incredible pill. Her sole virtue, as far as I can tell, is tidiness—she is forever scrubbing, dusting, nagging the dwarves to wash their filthy mitts. (Okay, the girl has an ear for a catchy melody, I’ll give you that. But that’s where it ends.) She is everything I imagined my daughter would reject, would not, in fact, ever encounter or even understand if she did, let alone embrace: the passive, personality-free princess swept off by a prince (who is enchanted solely by her beauty) to live in a happily-ever-after that he ultimately controls. Yet here was my girl, somehow having learned the plotline anyway, blissfully lying in wait for Love’s First Kiss.

Daisy lifted a hand.
“Harry!”
she announced. “
Harry
has to be the prince.” Two girls instantly peeled off to search for her eleven-year-old cousin, while everyone else remained standing there, gazing at my princess, enthralled.

She was so confident of their presence that she still hadn’t opened her eyes.

God knows, I was a Disney kid. I still have my bona fide mouse ears from 1970, monogrammed with an embroidered, loopy yellow
PEGGY
. I wore out my Close ’n Play on my Magic Mirror storybook records of
Peter Pan
,
Alice in Wonderland
, and even
Cinderella
. But until I had a daughter, I had never heard of the Disney Princesses. As a concept, I mean. It turns out there was a reason for that. They did not exist until 2000. That’s when a former Nike executive named Andy Mooney rode into Disney on a metaphoric white horse to rescue its ailing consumer products division.

I spoke with Mooney one day in his fittingly palatial office in Burbank, California. In a rolling Scottish burr that was pretty darned Charming, he told me the now-legendary story: how, about a month into his tenure, he had flown to Phoenix to check out a “Disney on Ice” show and found himself surrounded by little girls in princess costumes. Princess costumes that were—horrors!—
homemade
. How had such a massive branding opportunity been overlooked? The very next day he called together his team and they began working on what would become known in-house as “Princess.” It was a risky move: Disney had never marketed its characters separately from a film’s release, and old-timers like Roy Disney considered it heresy to lump together those from different stories. That is why, these days, when the ladies appear on the same item, they never make eye contact. Each stares off in a slightly different direction, as if unaware of the others’ presence. Now that I have told you, you’ll always notice it. And let me tell you, it’s freaky.

It is also worth noting that not all of the eight DPs are of royal extraction. Part of the genius of “Princess,” Mooney admitted, is that its meaning is so broadly constructed that it actually has no meaning. Even Tinker Bell was originally a Princess, though her reign did not last. Meanwhile, although Mulan (the protofeminist young woman who poses as a boy to save China) and Pocahontas (an Indian chief’s daughter) are officially part of the club, I defy you to find them in the stores. They were, until late 2009, the brownest-skinned princesses, as well as the ones with the least bling potential. You can gussy up Pocahontas’s eagle feathers only so much. As for Mulan, when she does show up, it’s in a kimonolike
hanfu
, the one that makes her miserable in the movie, rather than in her warrior’s gear. Really, when you’re talking Princess, you’re talking Cinderella, Sleeping Beauty, Ariel, and Belle (the “modern” Princess, whose story shows that the right woman can turn a beast into a prince). Snow White and Jasmine are in the pantheon, too, though slightly less popular.

The first Princess items, released with no marketing plan, no focus groups, no advertising, sold as if blessed by a fairy godmother. Within a year, sales had soared to $300 million. By 2009, they were at $4 billion. Four
billion
dollars! There are more than twenty-six thousand Disney Princess items on the market, a number which, particularly when you exclude cigarettes, liquor, cars, and antidepressants, is staggering. “Princess” has not only become the fastest-growing brand the company has ever created, it is the largest franchise on the planet for girls ages two to six.

To this day, Disney conducts little market research on the Princess line, relying instead on the power of its legacy among mothers as well as the instant-read sales barometer of the theme parks and Disney Stores (Tiana, the much-ballyhooed “first African-American Princess,” was somewhat of an exception, but we will get to her in a later chapter). “We simply gave girls what they wanted,” Mooney said of the line’s success, “although I don’t think any of us grasped how much they wanted this. I wish I could sit here and take credit for having some grand scheme to develop this, but all we did was envision a little girl’s room and think about how she could live out the princess fantasy. The counsel we gave to licensees was: What type of bedding would a princess want to sleep in? What kind of alarm clock would a princess want to wake up to? What type of television would a princess like to see? It’s a rare case where you find a girl who has every aspect of her room bedecked in Princess, but if she ends up with three or four of these items, well, then, you have a very healthy business.” Healthy, indeed. It has become nearly impossible for girls of a certain age
not
to own a few Princess trinkets. Even in our home, where neither Steven nor I have personally purchased a Princess item, several coloring books, a set of pencils, a Snow White doll, and a blow-up mattress have managed to infiltrate.

Meanwhile, by 2001, Mattel had brought out its own “world of girl” line of princess Barbie dolls, DVDs, toys, clothing, home decor, and myriad other products. At a time when Barbie sales were declining domestically, they became instant best sellers. Even Dora the Explorer, the intrepid, dirty-kneed adventurer, ascended to the throne: in 2004, after a two-part episode in which she turns into a “true princess,” the Nickelodeon and Viacom consumer products division released a satin-gowned Magic Hair Fairytale Dora with hair that grows or shortens when her crown is touched. Among other phrases the bilingual doll utters: “Vámonos! Let’s go to fairy-tale land!” and “Will you brush my hair?”

I do not question that little girls like to play princess: as a child, I certainly availed myself of my mom’s cast-off rhinestone tiara from time to time. But when you’re talking about 26,000 items (and that’s just Disney), it’s a little hard to say where “want” ends and “coercion” begins. Mooney was prepared for that concern and for my overall discomfort with the Princesses, who, particularly in his consumer products versions, are all about clothes, jewelry, makeup, and snaring a handsome husband.

“Look,” he said, “I have friends whose son went through the Power Rangers phase who castigated themselves over what they must’ve done wrong. Then they talked to other parents whose kids had gone through it. The boy passes through. The girl passes through. I see girls expanding their imagination through visualizing themselves as princesses, and then they pass through that phase and end up becoming lawyers, doctors, mothers, or princesses, whatever the case may be.”

He had a point. I have never seen a study proving that playing princess
specifically
damages girls’ self-esteem or dampens other aspirations. And trust me, I’ve looked. There is, however, ample evidence that the more mainstream media girls consume, the more importance they place on being pretty and sexy. And a ream of studies shows that teenage girls and college students who hold conventional beliefs about femininity—especially those that emphasize beauty and pleasing behavior—are less ambitious and more likely to be depressed than their peers. They are also less likely to report that they enjoy sex or insist that their partners use condoms. None of that bodes well for Snow White’s long-term mental health.

Perhaps you are now picturing poor, hapless girls who are submissive, low-achieving, easily influenced: the kind whose hair hangs in front of their faces as they recede into the background. I know I have a hard time connecting such passivity to my own vibrant, vital daughter. Yet even can-do girls can be derailed—and surprisingly quickly—by exposure to stereotypes. Take the female college students, all good at math, all enrolled in advanced calculus, who were asked to view a series of television commercials: four neutral ads (showing, say, cell phones or animals) were interspersed with two depicting clichés (a girl in raptures over acne medicine; a woman drooling over a brownie mix). Afterward they completed a survey and—
bing!
—the group who’d seen the stereotyped ads expressed less interest in math- and science-related careers than classmates who had seen only the neutral ones. Let me repeat: the effect was demonstrable after watching
two ads
. And guess who performed better on a math test, coeds who took it after being asked to try on a bathing suit or those who had been asked to try on a sweater? (Hint: the latter group; interestingly, male students showed no such disparity.)

Meanwhile, according to a 2006 survey of more than two thousand school-aged children, girls repeatedly described a paralyzing pressure to be “perfect”: not only to get straight As and be the student body president, editor of the newspaper, and captain of the swim team but also to be “kind and caring,” “please everyone, be very thin, and dress right.” Rather than living the dream, then, those girls were straddling a contradiction: struggling to fulfill all the new expectations we have for them without letting go of the old ones. Instead of feeling greater latitude and choice in how to be female—which is what one would hope—they now feel they must not only “have it all” but
be
it all: Cinderella
and
Supergirl. Aggressive
and
agreeable. Smart
and
stunning. Does that make them the beneficiaries of new opportunities or victims of a massive con job?

The answer is yes. That is, both are true, and that is what’s so insidious. It would be one thing if the goal were more realistic or if girls were stoked about creating a new femininity, but it’s not and they aren’t. The number of girls who fretted excessively about their looks and weight actually
rose
between 2000 and 2006 (topping their concern over schoolwork), as did their reported stress levels and their rates of depression and suicide. It is as if the more girls achieve the more obsessed they become with appearance—not dissimilar to the way the ideal of the “good mother” was ratcheted up just as adult women flooded the workforce. In her brilliant book
Enlightened Sexism
, Susan Douglas refers to this as the bargain girls and women strike, the price of success, the way they unconsciously defuse the threat their progress poses to male dominance. “We can excel in school, play sports, go to college, aspire to—and get—jobs previously reserved for men, be working mothers, and so forth. But in exchange we must obsess about our faces, weight, breast size, clothing brands, decorating, perfectly calibrated child-rearing, about pleasing men and being envied by other women.”

A new banner unfurled over the entrance of Daisy’s preschool when I dropped by one fall morning: a little girl, adorned with a glittering plastic-and-rhinestone tiara and matching earrings, grinned down from it.
WELCOME TO OUR CAMPUS
, the banner read. The image might have irritated me in any case—even my kid’s
school
had bought into the idea that all girls should aspire to the throne—but what was really cringe-making was the fact that this was part of a Jewish temple. When I was growing up, the last thing you wanted to be called was a “princess”: it conjured up images of a spoiled, self-centered brat with a freshly bobbed nose who runs to “Daddy” at the least provocation. The Jewish American Princess was the repository for my community’s self-hatred, its ambivalence over assimilation—it was Jews turning against their girls as a way to turn against themselves. Was this photograph a sign we had so transcended the
Goodbye, Columbus
stereotype that we could now embrace it?

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