Checkmate (10 page)
Authors: Walter Dean Myers
I was thinking that, at the least, Sidney got arrested again over the weekend. Maybe he even died of an overdose.
“Zander, the whole seventh grade is talking about you and Caren going out Friday night, and how you were all over her!” LaShonda said.
“She said that her father caught you messing with her in the hallway,” Kambui said. “That true?”
“Man …”
“She said you were squeezing her hand so hard in the movie she was almost crying!” LaShonda said.
“Man …”
“She called me over the weekend and wanted me to tell you that you and her are through,” Bobbi said. “She said she wanted to save herself for marriage.”
“Man …”
FROM THE DIARY Of ALEXANDER SCOTT
Dear Diary,
Where are the headlines. The whole world is turning upside down every other minute and there’s nothing about it in the papers. One minute my man Sidney is depressed and acting like a stone-cold addict, and the next he’s a thousand miles away from drugs and back to kicking rump on the chessboard. Where were the headlines about that? And how come nobody writes about how rough a game of chess can be? One minute Jamie Pullman is all world, and the next minute he’s being slapped around by his father. Where were the headlines about that? I think it’s the little stuff going on that pushes the big stuff onto the front page. Ashley asked me to put some words together for The Palette, but what I’m thinking is that I need to learn more about what’s shaking before I throw it into the oven. The real deal lies somewhere between what you see on the front pages and the way some people are living their lives.
I can’t get the pictures that Uncle Guy showed us out of my mind. No way. I guess they weren’t important enough to make the news, but they were people, kids just like the ones going to Da Vinci, or Powell, or Boys and Girls. All they are now are a few pictures left for the world to see and somebody’s pain. That is so foul.
And how about that Japanese model who got too skinny to work because she wanted the job so bad and you have to be skinny to look good?
And yo, diary, what’s up with Caren? One minute I don’t want to see her because she’s not even near to being hot, and then I go out with her and she’s looking kind of hot and I don’t like her but I do like her in a way, but just when I decide that I need to drop a dime and tell her that we aren’t happening she tells the world that we’re not happening because I’m Wolfman chasing her in the moonlight or whatever.
Hey, diary, is the world spinning faster than I can think, or is the whole life thing a Big Secret and we’re only dealing with our little corner of it? How come I don’t have the real deal figured out yet? What’s up with that????
H
ere’s how to decipher the hidden chessboard message that appears in Chapter Six. All sixty-four squares that appear on the chessboard are part of the code. Use the code-cracking grid below. Each chessboard square has five numbers. Find the first two numbers in the vertical column of the grid. Find the next three numbers in the horizontal column of the grid. Then find where the vertical numbers intersect with the horizontal numbers to locate the corresponding letter. These letters spell out Sidney’s message.
COMING UP NEXT … THE THIRD BOOK IN THE CRUISERS SERIES
A Star Is Born
Now it’s LaShonda’s turn in the spotlight, where she’s forced to consider what’s more important — worldwide fame and adulation or loyalty to her autistic brother. To find out whether LaShonda gets a standing ovation or the curtain pulled down on her, read the next book in the Cruisers series. Meanwhile, here’s a peek at some coming attractions from that book.
A STAR IS BORN
Y
ou can’t do that, LaShonda Powell!” Mr. Culpepper was already turning a fifth shade of red. “There will be NO nudity involved with any students from Da Vinci!”
“Then you better cancel the whole performance!” LaShonda was getting up close and personal, and Kambui was trying to get in between them.
“This is … this is … the chance of a lifetime, young lady….” Our assistant principal was beginning to sputter and Kambui was practically dragging LaShonda out of the door.
Bobbi McCall was in tears. Yes, tough-as-nails Bobbi was on the verge of a major boo-hoo.
“What’s going on?” I asked Bobbi in the hallway. “I thought LaShonda was doing great?”
“She was,” Bobbi said. “Until they told her that if she took the scholarship they would have to separate her from her brother. No way she’s doing that, Zander. And the Cruisers have to back her up!”
I knew the play we were going to put on would put the Cruisers on the map big-time, especially with all the noise about LaShonda’s costumes. But if we blew it after all the press coverage they wouldn’t be able to dig a hole deep enough for us to crawl in!
When some community activists wanted to do away with Da Vinci for being “too elitist,” the principal, Mrs. Maxwell, called a town meeting to discuss the school. Part of the meeting was a play written by the Cruisers based on
Romeo and Juliet.
But the hit of the play was the costumes — part Elizabethan and part Electric Grunge — designed by LaShonda.
The New York Times
called them “stunning!”
Now LaShonda wants to ditch the whole concept?
WALTER DEAN MYERS
is the critically acclaimed
New York Times
bestselling author of nearly one hundred books for children and young adults. His extensive body of work includes
Sunrise Over Fallujah,
which was named one of the best books of 2008 by
Publishers Weekly; Amiri and Odette: A Love Story; Fallen Angels; Harlem Summer; and Somewhere in the Darkness.
Mr. Myers’s many awards include two Newbery Honors, five Coretta Scott King Author Book Awards, the Michael L. Printz Award, and the 2010 Coretta Scott King–Virginia Hamilton Award for Lifetime Achievement. Mr. Myers lives in Jersey City, NJ.
Copyright © 2011 by Walter Dean Myers
Cover Art Copyright © 2011 By Leo Espinosa
Cover Design By Elizabeth B. Parisi
All rights reserved. Published by Scholastic Press, an imprint of Scholastic Inc.,
Publishers since 1920.
SCHOLASTIC, SCHOLASTIC PRESS, and associated logos are trademarks and/or registered trademarks of Scholastic Inc.
No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without written permission of the publisher. For information regarding permission, write to Scholastic Inc., Attention: Permissions Department, 557 Broadway, New York, NY 10012.
CIP available
First edition, August 2011
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of publisher.
eISBN: 978-0-545-38929-7