Captured (16 page)

I interrupt my best friend, Liz, in the middle of—something. I realize I’d lost the thread of our phone conversation the minute I spied Zack weaving his way through the maze of indistinct gray cubicles that make up the bull pen of the San Diego FBI Field Office. Save the hair and nine a.m. four o’clock shadow, the man is all spit and polish. Tailored dark blue suit, starched white shirt, blue and gold silk tie, and gleaming black shoes. The hair gives him a distinct edge—dark brown, slightly longer than regulation, no part. It’s swept straight back, accentuating the lines of his square jaw.

I resist the urge to crawl under my desk. “I’ll call you back later. New partner’s here. I’ve got to go.”

“Not until I hear the details. What’s he look like?”

Liz is forever trying to play matchmaker. Ironically, I rely on her spell casting to make sure a match will never happen.

I turn around and lower my voice a notch. “Remember the guy from South Carolina I told you about? The one I was partnered with on that missing person’s case in Charleston last year?”

“Really?” New interest sparks in her voice. “He looks like him?”

“It is him,” I say. “Which you’d think Johnson would have mentioned.”

“So what’s the problem? I’ll tell you now what I told you then. You shouldn’t write off the possibility of a good romp with a guy just because he goes furry a few days every month. Weres have amazing stamina. Hey, did I ever tell you about Walter?”

You name it, Liz has dated it. Being a witch with serious magical talent puts her in contact with a wide variety of supernaturals. A strong advocate for equal opportunity love, she’s currently dating a vampire.

But Walter the werewolf was decidedly not one of her success stories.

“Yeah, Liz. A few dozen times. The problem isn’t Zack’s nature.”

“The FBI has rules about fraternization?”

“No.” I wish they did. I wish it could be that easy. Not that getting involved with a partner is encouraged.

“What, then?”

My eyes squeeze shut. I shouldn’t have given Zack Armstrong a second thought in the last thirteen months, seventeen days. But I have. I’ve thought of him often. Too often.

Gooseflesh appears on my arms; the hair on the back of my neck rises. A sense of dread washes over me. That’s why he’s here. This isn’t a coincidence. It’s a test the Olympians have their hands in. Or, more specifically, one particular Olympian. Demeter. I’m a Siren—one of three. We were banished by Zeus and cursed by Demeter thousands of years ago for failing to protect her daughter Persephone—for failing to rescue her before she was dragged by Hades to the Underworld. It’s for this I atone. For this I pay.

And pay. And pay.

I’m tempted to make something up, but this is Liz. She deserves the truth. “I liked him. More than liked him.”

Her tone turns serious. “You never mentioned that. This could be bad.”

The understatement of the year. Guys I get into meaningful relationships with tend to end up dead, courtesy of my favorite vindictive goddess. Partnering with Zack Armstrong and risking a rekindling of whatever was between us could prove exceedingly dangerous. Even lethal.

For him.

“I’ve got to go.”

I click off, the sound of Liz’s protests ringing in my ear, and concentrate on the familiar six-foot-plus werewolf coming toward me. Deputy Director Jimmy Johnson emerges from his office. “Here’s the memo I promised you about your new partner. Better late than never.”

He may be chronically behind with paperwork, but otherwise Johnson’s tenacious about his job, a real pit bull. And, despite being only five foot six, he’s one of the toughest guys I’ve ever met.

I snatch the sheet from his hand and drop it on my desk. “Why didn’t you tell me it was Armstrong?”

“I thought I did.” His look is quizzical, but it doesn’t stay that way for long. “Zack! Good to see you again.”

The two men greet each other with a hearty handshake.

“Good to see you again, Deputy Director.” The Southern accent is smooth; the cadence of his voice is, as I remember, low and lilting. It was the first of many things that got to me about Zack Armstrong.

Johnson dives in without preamble. “Emma Monroe’s your new partner. I don’t have to waste time with introductions. What’s it been, a year since you worked on that case together?”

“Just over,” Zack answers, flashing a sideways glance in my direction.

What Johnson couldn’t possibly know is that we share more than a past case. We both have secrets—supernatural powers we’ve managed to keep hidden from the Bureau, the world, and, as far as Zack is concerned, each other. Unbeknownst to him, I sensed what he was the instant we met. We never discussed it. He’s never revealed it. But of course he wouldn’t, not to an outsider.

And then there is the other secret we share. Zack and I slept together.

Once.

It was during our last night in Charleston. We’d celebrated wrapping up the case, indulging in a good meal and too much wine. The attraction had been building for weeks, the sexual tension as thick as the South Carolina air. I wish I could say that one thing led to another. That I was impulsively swept away. But I’m not impetuous when it comes to sex. I can’t afford to be. The potential consequences are too high.

We agreed that after, we’d go our separate ways. There would be no telephone calls. No texts. No emails. No contact. Period. With twenty-four hundred miles between us, it seemed safe.

Johnson startles me with a slap on the back. “Show him the ropes. He’s all yours.”

I offer my hand. “Good to see you again.”

Zack takes it.

A woman can tell a lot about a man from his handshake. Zack’s hasn’t changed. It’s confident, firm, and friendly. It’s the handshake of a man who has nothing to apologize for and no regrets.

Johnson is already on his way back to his office. Zack doesn’t seem to notice. His eyes are on me.

“I’m pleased to be working with you again, Agent Monroe.”

Is he? The handshake. The demeanor. Both seem genuine. But, despite the old-world charm, I can’t shake the feeling that something is off.

Maybe coming here isn’t something he wanted at all. Maybe it’s strictly a Bureau-initiated transfer. Maybe he’s merely worried about how I’m going to react. My curiosity has gone into overdrive. The possibilities ricochet through my mind like bullets in a steel barrel. I want to know how he feels. To taste the truth, whatever that may be. And I could. All it would take is lowering the dampening spell that keeps my powers in check. But giving in to temptation like this would be uncharacteristic. Using my gift comes at a price.

“I thought we’d moved past you calling me Agent Monroe,” I say finally. “Emma or Monroe will do fine.”

Zack releases my hand, then subtly breathes in my scent before stepping back to continue his appraisal. His gaze, now cool and calculating, sweeps the length of my body. He’s searching for a reaction, sizing me up. He sees what I want him to see, what he saw when we worked together before, a no-nonsense professional who is dedicated, capable, all about the mission. Denying my powers and disguising my beauty has become second nature to me.

Over the centuries I’ve become an expert at blending in. My dark hair may be long, but it’s never loose. I wear sunscreen. No mascara. No lipstick. No makeup. Period. Today’s suit, like all of my suits, is black and tailored. The white cotton twill blouse is classic, conservative. I don’t accessorize. I don’t wear jewelry. I don’t wear silk where a man can see it.

Zack’s eyes, an intense dark brown, ringed with gold, linger a fraction of a second too long on my collarbone. I can’t help myself. For one, fleeting moment, I remember the feel of his mouth there. Suddenly I’m conscious of the rise and fall of my chest. My throat is dry. I push the memory aside. The last thing I need to be doing right now is dwelling on what happened in Charleston. I know I should say something. I just have no idea what. Zack breaks the ice.

“It’s been a while,” he says.

“Yeah. So, how are you?” Before he has a chance to answer, I add, “I should introduce you to the others.”

Zack lifts his hand in the air and shouts out, “Zack Armstrong, new guy.”

There’s a collective “Hey, Zack.”

He turns back to face me square-on. “I’m itching to get started. What have you got for me?”

I take a step closer and lower my voice. “That’s it? You have nothing else to say to me?”

He matches my tone. “I was hoping to postpone the awkward ‘what are you doing here?’ conversation for as long as possible. At least until lunch?”

Since I’m not anxious to go down that road, either, I gesture to the desk facing mine. “Have a seat. This one’s yours.”

When he sits, I check my reflection in the window behind him. The glamour I rely on is firmly in place. The lock on my powers under control. He shouldn’t be able to see through the wholesome “plain Jane” facade, to discover what’s underneath, what’s real. Thanks to Liz, no one should.

“You heard what the man said.” He leans back in his chair and spreads his arms wide, giving me a glimpse of what I know to be a well-muscled chest under the fabric of his shirt. “I’m all yours.” His look is serious, expectant. “What can I do?”

A thousand possibilities rush through my mind. Not one of them has anything to do with the case.

Focus, Emma.

I pull a sheet from the file and give Zack the rundown. “Amy Patterson has been missing for two weeks. She’s thirty years old, an artist. She lives alone. We got the case this morning.”

Zack pulls a pen and a small notebook from his inside coat pocket. “What kind of artist?”

I quickly scan the report. “Painter, Expressionist, mixed media mostly.”

“Kidnapping gone bad?” he speculates.

“Could be. She’s successful. But there’s no known family and, according to her manager, no request for ransom.”

Zack sets the pen and notebook down, centering them deliberately on the empty desk. “Who reported her missing?”

“The manager, Bernadette Haskell. She’s known Amy for years. Haskell owns the gallery in La Jolla where Amy’s art is exclusively exhibited and handles Amy’s gallery bookings and commissions worldwide. I spoke to her earlier this morning. She said Amy rarely leaves her apartment. She both lives and works there. Plus, she has a huge show coming up in New York. And before you ask, yes, she called there to see if Amy might have gone ahead to check the space out.” I shake my head. “She’s not in New York, either.”

His brow furrows. “Why is the FBI involved in a straightforward missing person’s case? Shouldn’t the local police be handling this?”

I nod. “They should. They are. But Haskell has a friend in the District Attorney’s office and he’s calling in a favor. The relationship between Haskell and Patterson was more than purely business. Over the years Patterson became like a daughter to this woman. SDPD hasn’t made much progress. Officially, we’re just reviewing the casework.”

“Unofficially?”

“The fact that she’s missing hit the papers yesterday. The story is getting a fair amount of press. The DA wants us to close the case. It’s an election year and he’s out to win the hearts and minds of the voters. Something with this amount of visibility, if handled right, could cinch what is sure to be a close election.”

“Politics as usual. Where do you want to start?”

“SDPD already covered the usual stuff. They checked the psych wards, hospitals, and morgues. There haven’t been any recent credit card charges or bank withdrawals.”

“What about login access for things like email, social networks, and other accounts?”

“Nothing for a couple weeks.”

“I almost hate to ask, but could this be a publicity stunt of some kind?”

I remember the sense of urgency and concern in Haskell’s voice when we spoke. “My gut says no, but I don’t think we should rule anything out.”

Zack nods.

“According to Haskell, it’s not unusual for Amy to go incommunicado when she’s finishing a project. But it’s highly unusual that she’d up and leave town without telling her. And Patterson’s car is still in the building’s parking garage.”

“I assume they checked local taxi and car services?”

“Yup. That turned up zip, too.”

“No signs of a struggle in her apartment?”

I push back from my desk. “Not according to the police report. I haven’t personally searched the place yet. It hasn’t been declared a crime scene. No sign of foul play. Haskell said she couldn’t get away from the gallery this morning. She’s the only one there. But she’ll give us the keys so we can check the place out on our own. She’s expecting us.”

He rises. “Want me to drive?”

“Sure. The Haskell Gallery is on Prospect Street. I can give you directions.”

Zack follows me toward the elevator. “I know where Prospect is.” He punches the call button. The doors slide open instantly. He holds them and waits, allowing me to enter first.

He did most of the driving in Charleston, which made sense. We were in his territory. San Diego is mine.

“You aren’t one of those guys who pretends they know where they’re going because they’re too stubborn to take directions from a woman, are you?”

We face forward. The doors close.

“Do I look like one of those guys?”

The elevator makes its descent. Our reflections stare back at us in the polished steel of the panel door. Zack’s expression remains neutral.

“Looks can be deceiving. Sometimes you think you know a person, and then you realize you don’t really know him at all.”

He nods. “I suppose that’s true.” There’s a hint of sadness in his tone. Zack’s shoulders tense—a reaction so brief I doubt he’s even aware he reacted at all. “Everyone has secrets.”

He makes his way toward the exit and I wonder again what really brought him to San Diego. I wonder why he left his pack behind in South Carolina. I wonder if he’s joined one here. Mostly I wonder if he’s been wondering about me.

We walk through the foyer of the FBI building into the light of day. I pause, close my eyes, and tilt my face up toward the sun. How many more days will pass? How many more women will I have to save? I silently recite the same words I do every time I go out on a new case. Redemption could be one rescue away.