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Authors: Ann Beattie

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BOOK: Burning House
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In the picture, only the man is looking at the camera. The baby in the chair, out on the lawn, is looking in another direction, not at his father. His father has a grip on a collie—trying, no doubt, to make the dog turn its head toward the lens. The dog looks away, no space separating its snout from the white border. I wonder why, in those days, photographs had borders that looked as if they had been cut with pinking shears.

The collie is dead. The man with a pompadour of curly brown hair and with large, sloping shoulders was alive, the last time I heard. The baby grew up and became my husband, and now is no longer married to me. I am trying to follow his line of vision in the picture. Obviously, he’d had enough of paying attention to his father or to the dog that day. It is a picture of a baby gazing into the distance.

I have a lot of distinct memories of things that happened while I was married, but lately I’ve been thinking about two things that are similar, although they have nothing in common. We lived on the top floor of a brownstone. When we
decided to separate and I moved out, Paul changed the lock on the door. When I came back to take my things, there was no way to get them. I went away and thought about it until I didn’t feel angry anymore. By then it was winter, and cold leaked in my windows. I had my daughter, and other things, to think about. In the cold, though, walking around the apartment in a sweater most people would have thought thick enough to wear outside, or huddling on the sofa under an old red-and-brown afghan, I would start feeling romantic about my husband.

One afternoon—it was February 13, the day before Valentine’s Day—I had a couple of drinks and put on my long green coat with a huge hood that made me look like a monk and went to the window and saw that the snow had melted on the sidewalk: I could get away with wearing my comfortable rubber-soled sandals with thick wool socks. So I went out and stopped at Sheridan Square to buy
Hamlet
and flipped through until I found what I was looking for. Then I went to our old building and buzzed Larry. He lives in the basement—what is called a garden apartment. He opened the door and unlocked the high black iron gate. My husband had always said that Larry looked and acted like Loretta Young; he was always exuberant, he had puffy hair and crinkly eyes, and he didn’t look as if he belonged to either sex. Larry was surprised to see me. I can be charming when I want to be, so I acted slightly bumbly and apologetic and smiled to let him know that what I was asking was a silly thing: could I stand in his garden for a minute and call out a poem to my husband? I saw Larry looking at my hands, moving in the pockets of my coat. The page torn from
Hamlet
was in one pocket, the rest of the book in the other. Larry laughed. How could my husband hear me, he asked. It was February. There were storm windows. But he let me in, and I walked down his long, narrow hallway, through the back room that he used as an office, to the door that led out to the back garden. I
pushed open the door, and his gray poodle came yapping up to my ankles. It looked like a cactus, with maple leaves stuck in its coat.

I picked up a little stone—Larry had small rocks bordering his walkway, all touching, as if they were a chain. I threw the stone at my husband’s fourth-floor bedroom window, and hit it—
tonk!
—on the very first try. Blurrily, I watched the look of puzzlement on Larry’s face. My real attention was on my husband’s face, when it appeared at the window, full of rage, then wonder. I looked at the torn-out page and recited, liltingly, Ophelia’s song: “ ‘Tomorrow is Saint Valentine’s day / All in the morning betime, / And I a maid at your window, / To be your Valentine.’ ”

“Are you
insane?
” Paul called down to me. It was a shout, really, but his voice hung thin in the air. It floated down.

“I did it,” Larry said, coming out, shivering, cowering as he looked up to the fourth floor. “I let her in.”

I could smell jasmine when the wind blew. I had put on too much perfume. Even if he did take me in, he’d back off; he’d never let me be his valentine. What he noticed, of course, when he’d come downstairs to lead me out of the garden, seconds later, was the Scotch on my breath.

“This is all wrong,” I said, as he pulled me by the hand past Larry, who stood holding his barking poodle in the hallway. “I only had two Scotches,” I said. “I just realized when the wind blew that I smell like a flower garden.”

“You bet it’s all wrong,” he said, squeezing my hand so hard it almost broke. Then he shook off my hand and walked up the steps, went in and slammed the door behind him. I watched a hairline crack leap across all four panes of glass at the top of the door.

The other thing happened in happier times, when we were visiting my sister, Karin, on Twenty-third Street. It was the first time we had met Dan, the man she was engaged to, and we had brought a bottle of champagne. We drank her wine
first, and ate her cheese and told stories and heard stories and smoked a joint, and sometime after midnight my husband went to the refrigerator and got out our wine—Spanish champagne, in a black bottle. He pointed the bottle away from him, and we all squinted, silently watching. At the same instant that the cork popped, as we were all saying “Hooray!” or “That does it!”—whatever we were saying—we heard glass raining down, and Paul suddenly crouched, and then we looked above him to see a hole in the skylight, and through the hole black sky.

I’ve just told these stories to my daughter, Eliza, who is six. She used to like stories to end with a moral, like fairy tales, but now she thinks that’s kid’s stuff. She still wants to know what stories mean, but now she wants me to tell her. The point of the two stories—well, I don’t know what the point is, I’m always telling her. That he broke the glass by mistake, and that the cork broke the glass by a miracle. The point is that broken glass is broken glass.

“That’s a joke ending,” she says. “It’s dumb.” She frowns.

I cop out, too tired to think, and then tell her another part of the story to distract her: Uncle Dan and Aunt Karin told the superintendent that the hole must have come from something that fell from above. He knew they were lying—nothing was above them—but what could he say? He asked them whether they thought perhaps meteorites shrank to the size of gumballs falling through New York’s polluted air. He hated not only his tenants but the whole city.

She watches me digress. She reaches for the cologne on her night table and lifts her long blond hair, and I spray her neck. She takes the bottle and sprays her wrists, rubs them together, holds out her wrists for me to smell. I make a silly face and pretend to be dazed by such a wonderful smell. I stroke her hair until she is silent, and tiptoe out, still moving as if I’m walking through broken glass.

Once a week, for a couple of hours, I read to a man named Norman, who is blind. In the year I’ve been doing it, he and I have sort of become friends. He usually greets me with something like “So what’s new with your life?” He sits behind his desk and I sit beside it, in a chair. This is the way a teacher and pupil should sit, and I’ve fallen into the pattern of letting him ask.

He gets up to open the window. It’s always too hot in his little office. His movements are exaggerated, like a bird’s: the quickly cocked head, the way he grips the edge of his desk when he’s bored. He grips the edge, releases his hold, grabs again, like a parrot shifting on its bar. Norman has never seen a bird. He has an eight-year-old daughter, who likes to describe things to him, although she is a prankster and sometimes deliberately lies, he has told me. He buys her things from the joke shop on the corner of the street where he works. He takes home little pills that will make drinks bubble over, buzzers to conceal in the palm of your hand, little black plastic flies to freeze in ice cubes, rubber eyeglass rims attached to a fat nose and a bushy mustache. “Daddy, now I’m wearing my big nose,” she says. “Daddy, I put a black fly in your ice cube, so spit it out if it sinks in your drink, all right?” My daughter and I have gone to two dinners at their house. My daughter thinks that his daughter is a little weird. The last time we visited, when the girls were playing and Norman was washing dishes, his wife showed me the hallway she had just wallpapered. It took her forever to decide on the wallpaper, she told me. We stood there, dwarfed by wallpaper imprinted with the trunks of shiny silver trees that her husband would never see.

What’s new with me? My divorce is final.

My husband remembers the circumstances of the photograph. I told him it was impossible—he was an infant. No, he was
a child when the picture was taken, he said—he just looked small because he was slumped in the chair. He remembers it all distinctly. Rufus the dog was there, and his father, and he was looking slightly upward because that was where his mother was, holding the camera. I was amazed that I had made a mystery of something that had such a simple answer. It is a picture of a baby looking at its mother. For the millionth time he asks why must I make myself morose, why call in the middle of the night.

Eliza is asleep. I sit on the edge of her bed in the half-darkness, tempting fate, fidgeting with a paperweight with bursts of red color inside, tossing it in the air. One false move and she will wake up. One mistake and glass shatters. I like the smoothness of it, the heaviness as it slaps into my palm over and over.

Today when I went to Norman, he was sitting on his window ledge, with his arms crossed over his chest. He had been uptown at a meeting that morning, where a man had come up to him and said, “Be grateful for the cane. Everybody who doesn’t take hold of something has something take hold of them.” Norman tells me this, and we are both silent. Does he want me to tell him, the way Eliza wants me to summarize stories, what I think it means? Since Norman and I are adults, I answer my silent question with another question: What do you do with a shard of sorrow?

GREENWICH TIME

 

“I’m thinking about frogs,” Tom said to his secretary on the phone. “Tell them I’ll be in when I’ve come up with a serious approach to frogs.”

“I don’t know what you’re talking about,” she said.

“Doesn’t matter. I’m the idea man, you’re the message taker. Lucky you.”

“Lucky you,” his secretary said. “I’ve got to have two wisdom teeth pulled this afternoon.”

“That’s awful,” he said. “I’m sorry.”

“Sorry enough to go with me?”

“I’ve got to think about frogs,” he said. “Tell Metcalf I’m taking the day off to think about them, if he asks.”

“The health plan here doesn’t cover dental work,” she said.

Tom worked at an ad agency on Madison Avenue. This week, he was trying to think of a way to market soap shaped like frogs—soap imported from France. He had other things on his mind. He hung up and turned to the man who was waiting behind him to use the phone.

“Did you hear that?” Tom said.

“Do what?” the man said.

“Christ,” Tom said. “Frog soap.”

He walked away and went out to sit across the street from his favorite pizza restaurant. He read his horoscope in the paper (neutral), looked out the window of the coffee shop, and waited for the restaurant to open. At eleven-forty-five he crossed the street and ordered a slice of Sicilian pizza, with everything. He must have had a funny look on his face when he talked to the man behind the counter, because the man laughed and said, “You sure? Everything? You even look surprised yourself.”

“I started out for work this morning and never made it there,” Tom said. “After I wolf down a pizza I’m going to ask my ex-wife if my son can come back to live with me.”

The man averted his eyes and pulled a tray out from under the counter. When Tom realized that he was making the man nervous, he sat down. When the pizza was ready, he went to the counter and got it, and ordered a large glass of milk. He caught the man behind the counter looking at him one more time—unfortunately, just as he gulped his milk too fast and it was running down his chin. He wiped his chin with a napkin, but even as he did so he was preoccupied, thinking about the rest of his day. He was heading for Amanda’s, in Greenwich, and, as usual, he felt a mixture of relief (she had married another man, but she had given him a key to the back door) and anxiety (Shelby, her husband, was polite to him but obviously did not like to see him often).

When he left the restaurant, he meant to get his car out of the garage and drive there immediately, to tell her that he wanted Ben—that somehow, in the confusion of the situation, he had lost Ben, and now he wanted him back. Instead, he found himself wandering around New York, to calm himself so that he could make a rational appeal. After an hour or so, he realized that he was becoming as interested in the city
as a tourist—in the tall buildings; the mannequins with their pelvises thrust forward, almost touching the glass of the store windows; books piled into pyramids in bookstores. He passed a pet store; its front window space was full of shredded newspaper and sawdust. As he looked in, a teenage girl reached over the gate that blocked in the window area and lowered two brown puppies, one in each hand, into the sawdust. For a second, her eye met his, and she thrust one dog toward him with a smile. For a second, the dog’s eye also met his. Neither looked at him again; the dog burrowed into a pile of paper, and the girl turned and went back to work. When he and the girl caught each other’s attention, a few seconds before, he had been reminded of the moment, earlier in the week, when a very attractive prostitute had approached him as he was walking past the Sheraton Centre. He had hesitated when she spoke to him, but only because her eyes were very bright—wide-set eyes, the eyebrows invisible under thick blond bangs. When he said no, she blinked and the brightness went away. He could not imagine how such a thing was physically possible; even a fish’s eye wouldn’t cloud over that quickly, in death. But the prostitute’s eyes had gone dim in the second it took him to say no.

BOOK: Burning House
8.61Mb size Format: txt, pdf, ePub
ads

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