Bright Orange for the Shroud (32 page)

My pockets were reasonably hefty. Enough to give me a chance to enjoy another installment of my sporadic retirement. By the end of the year I’d have to dig up a new prospect, somebody so anxious to recover what was legally his that he’d give me half its value for getting it back, half being decidedly better than nothing.

The repair was a minor job, one I could have done myself if I’d been able to diagnose it. I heard the word on the snook hole, remembered the way Meyer would talk a good one up to the side of the boat, and that was how we happened to be under the bridge in a rented skiff Monday midnight, casting the active surface plugs into a splendid snook hole, with the skiff tied to one of the bridge pilings. In the current boil of the incoming tide they had been feeding nicely. I’d had good results with a Wounded Spook with a lot of spinning clattering hardware on it to fuss up the water and irritate them. We’d hooked into at least ten good ones, lost seven amid the pilings, boated three in the eight- to twelve-pound range.

But we were down to that just-one-more-cast. After midnight on a Monday in June, traffic is exceedingly sparse. The concrete bridge span was about twenty feet above the water. We were in the shadows under the bridge. I heard a car coming; it seemed to be slowing down. There was a sudden screech
of brakes overhead. And, moments later, the girl came down. She came down through the orange glow of bridge lights and the white pallor of moonlight. Feet first. Pale skirt fluttered upward baring the long legs. Just one glimpse of that, and she chunked into the water five feet off the bow of the skiff, splashing us, disappearing. Motor roared, tires squealed, car rocketed off.

It was a forty-foot drop for her. Twenty feet of air, twenty feet of depth. I would have expected her to bob up but for one thing. She hit my line. The surface plug was a few feet beyond where she hit. And she took it right on down to the bottom, and there the plug stopped taking out line against the drag.

I had twelve-pound mono on that reel. I pulled at it, and it held firm. I tossed my wallet into the bottom of the skiff, shoved my rod at Meyer and asked him to keep the line tight. I yanked my boat shoes off, went over the side, took a deep breath and let half of it out, and pulled myself down the monofilament, hand over hand, sliding my hands along it, grasping it between thumbs and fingerpads. Soon, in the blackness, I reached and touched the hair afloat, dug my fingers into it, got a good hold to try to lift her. Two hands, with that extraordinary gentleness of the last margin of consciousness, closed softly around my wrist. I pulled my way down her body, down to the ankles to find why I couldn’t lift her off the bottom. I felt the double ridges of wire biting into the slenderness, leading down and through one of the three oval holes in a hefty cement block. I felt swiftly for the place where it was fastened, felt the hard twist of wire close to the block. I knew that if I had to go up for more air and come back … no girl. And my lungs were beginning to try to pump the air in, so that
I had to use an effort of will to keep my throat closed against the blind effort. It had been done with pliers. Heavy wire. I knew which way it had to twist. It tore the pads of my thumb and fingers. I hooked fingers into the pocket of my shirt, ripped it off, wrapped it around the wicked ends of the wire, then untwisted as hard as I could. The world was getting a little dreamy. Just slightly vague. But the wire began to unwrap, and the free ends made it easier by giving me more leverage. I wanted to stretch out, yawn, sing some old sad songs, and float on out to sea in the delicious softness of the tide. The wires were free. I yanked them through the hole in the cement block. I kicked hard against the bottom and came slowly up, smiling perhaps, nodding a little, loosely hugging the hips of the drowning girl. I was thrust rudely out of sleepy-bye into the ugliness of coughing and spewing and retching in the fractured moonlight, then trying to hold her so her face was out of the water. That was when I saw Meyer, standing in the skiff, outlined against the lights, carefully playing us two big blundering fish and trying to work us toward the boat. Soon I could help. He knelt and got hold of the girl and worked her aboard over the flat stern, and as I hung on, waiting for strength to climb aboard, I saw him tumble her roughly face down over one of the seats, stand straddling her, reach his hands under her, and pull up slowly, then let her drop and shift his hands and push downward against her back just above the waist.

My feet were beginning to trail outward in the increasing strength of the outgoing tide. Had she been dropped five minutes later I wouldn’t have been able to get down to her against that tide run.

I wormed up over the transom, sat there gasping.

“While you were down there,” Meyer said, his voice distorted
by effort, “I went over to town and had a couple of beers.”

“She was alive when I got there, buddy. She grabbed my wrist. So I had to unwire her from her anchor on the first trip.”

“Some tenderhearted guy,” Meyer said, “didn’t have the heart to tell her they were all through. Easier to kill them than hurt their feelings.”

“Is that the best way to do that?”

“Shut up. It’s my way. And I think it’s working.”

I fumbled in the tray of the tackle box and found my small flashlight. I’d recently put new batteries in it. Her soaked skirt was bunched, covering her from mid-thigh upward. Quite a pity, I thought, to discard such a long and lovely pair of legs. I rested the flashlight where it shone upon her ankles and hunched down with the fish pliers and nipped the wire. Freed of that stricture the legs moved a little apart, bare feet both turned inward. Bent over in that position, I saw a glitter under the edge of the bunched skirt, reached and lifted it slightly and saw my Wounded Spook against the back of her left thigh, the rear set of gang hooks set deeply. I clipped the leader off it right at the front eyelet, and just as I did so she gave a shallow, hacking cough and spewed water into the bilge, then gagged and moaned.

“Any more criticisms?” Meyer asked.

“What ever happened to mouth-to-mouth?”

“It sets up emotional entanglements, McGee.”

After more coughing, she made it clear she wanted no more punishment. Meyer, deft as a bear, rolled her over, scooped her up, placed her in the bow, fanny on the floorboards, shoulders and back against the angle of the gunnels. I put my light on her
face. Dark hair was pasted down over one eye. She lifted a slow hand, thumbed the hair back over her ear, squinted, turned her face away from the light, saying, “Please.”

I turned the light away, totally astonished to find that it was a face which lived up to the legs, maybe more so. Even in the sick daze of waking up from what could have been that last long sleep, it was delicately Eurasian, sloe-eyed, oval, lovely.

As he moved to reach the lines to free them, Meyer said, “Damned handy, Travis. As soon as you run out, they drop you another one. Stop panting and start the motor, eh?”

John D. MacDonald was an American novelist and short story writer. His works include the Travis McGee series and the novel
The Executioners
, which was adapted into the film
Cape Fear
. In 1962 MacDonald was named a Grand Master of the Mystery Writers of America; in 1980 he won a National Book Award. In print he delighted in smashing the bad guys, deflating the pompous, and exposing the venal. In life he was a truly empathetic man; his friends, family, and colleagues found him to be loyal, generous, and practical. In business he was fastidiously ethical. About being a writer, he once expressed with gleeful astonishment, “They pay me to do this! They don’t realize, I would pay them.” He spent the later part of his life in Florida with his wife and son. He died in 1986.