Bradbury Stories (53 page)

“Say some more, colonel.”

“No. I'm shut. Listen to what he has to say now. Let him tell your future, Charlie. Let him start you on stories. Ready . . .?”

A wind came up and blew in the dry papyrus and sifted the ancient wrappings and trembled the curious hands and softly twitched the lips of their old/new four-thousand-year night-time visitor, whispering.

“What's he saying, Charles?”

Charlie shut his eyes, waited, listened, nodded, let a single tear slide down his cheek, and at last said:

“Everything. Just everything. Everything I always wanted to
hear
.”

T
HE SOFT KNOCK CAME AT THE KITCHEN DOOR
, and when Mrs. O'Brian opened it, there on the back porch were her best tenant, Mr. Ramirez, and two police officers, one on each side of him. Mr. Ramirez just stood there, walled in and small.

“Why, Mr. Ramirez!” said Mrs. O'Brian.

Mr. Ramirez was overcome. He did not seem to have words to explain.

He had arrived at Mrs. O'Brian's rooming house more than two years earlier and had lived there ever since. He had come by bus from Mexico City to San Diego and had then gone up to Los Angeles. There he had found the clean little room, with glossy blue linoleum, and pictures and calendars on the flowered walls, and Mrs. O'Brian as the strict but kindly landlady. During the war he had worked at the airplane factory and made parts for the planes that flew off somewhere, and even now, after the war, he still held his job. From the first he had made big money. He saved some of it, and he got drunk only once a week—a privilege that, to Mrs. O'Brian's way of thinking, every good workingman deserved, unquestioned and unreprimanded.

Inside Mrs. O'Brian's kitchen, pies were baking in the oven. Soon the pies would come out with complexions like Mr. Ramirez'—brown and shiny and crisp, with slits in them for the air almost like the slits of Mr. Ramirez' dark eyes. The kitchen smelled good. The policemen leaned forward, lured by the odor.

Mr. Ramirez gazed at his feet as if they had carried him into all this trouble.

“What happened, Mr. Ramirez?” asked Mrs. O'Brian.

Behind Mrs. O'Brian, as he lifted his eyes, Mr. Ramirez saw the long table laid with clean white linen and set with a platter, cool, shining glasses, a water pitcher with ice cubes floating inside it, a bowl of fresh potato salad and one of bananas and oranges, cubed and sugared. At this table sat Mrs. O'Brian's children—her three grown sons, eating and conversing, and her two younger daughters, who were staring at the policemen as they ate.

“I have been here thirty months,” said Mr. Ramirez quietly, looking at Mrs. O'Brian's plump hands.

“That's six months too long,” said one policeman. “He only had a temporary visa. We've just got around to looking for him.”

Soon after Mr. Ramirez had arrived he bought a radio for his little room; evenings, he turned it up very loud and enjoyed it. And he had bought a wristwatch and enjoyed that too. And on many nights he had walked silent streets and seen the bright clothes in the windows and bought some of them, and he had seen the jewels and bought some of them for his few lady friends. And he had gone to picture shows five nights a week for a while. Then, also, he had ridden the streetcars—all night some nights—smelling the electricity, his dark eyes moving over the advertisements, feeling the wheels rumble under him, watching the little sleeping houses and big hotels slip by. Besides that, he had gone to large restaurants, where he had eaten many-course dinners, and to the opera and the theater. And he had bought a car, which later, when he forgot to pay for it, the dealer had driven off angrily from in front of the rooming house.

“So here I am,” said Mr. Ramirez now, “to tell you I must give up my room, Mrs. O'Brian. I come to get my baggage and clothes and go with these men.”

“Back to Mexico?”

“Yes. To Lagos. That is a little town north of Mexico City.”

“I'm sorry, Mr. Ramirez.”

“I'm packed,” said Mr. Ramirez hoarsely, blinking his dark eyes rapidly and moving his hands helplessly before him. The policemen did not touch him. There was no necessity for that.

“Here is the key, Mrs. O'Brian,” Mr. Ramirez said. “I have my bag already.”

Mrs. O'Brian, for the first time, noticed a suitcase standing behind him on the porch.

Mr. Ramirez looked in again at the huge kitchen, at the bright silver cutlery and the young people eating and the shining waxed floor. He turned and looked for a long moment at the apartment house next door, rising up three stories, high and beautiful. He looked at the balconies and fire escapes and backporch stairs, at the lines of laundry snapping in the wind.

“You've been a good tenant,” said Mrs. O'Brian.

“Thank you, thank you, Mrs. O'Brian,” he said softly. He closed his eyes.

Mrs. O'Brian stood holding the door half open. One of her sons, behind her, said that her dinner was getting cold, but she shook her head at him and turned back to Mr. Ramirez. She remembered a visit she had once made to some Mexican border towns—the hot days, the endless crickets leaping and falling or lying dead and brittle like the small cigars in the shop windows, and the canals taking river water out to the farms, the dirt roads, the scorched scape. She remembered the silent towns, the warm beer, the hot, thick foods each day. She remembered the slow, dragging horses and the parched jack rabbits on the road. She remembered the iron mountains and the dusty valleys and the ocean beaches that spread hundreds of miles with no sound but the waves—no cars, no buildings, nothing.

“I'm sure sorry, Mr. Ramirez,” she said.

“I don't want to go back, Mrs. O'Brian,” he said weakly. “I like it here, I want to stay here. I've worked, I've got money. I look all right, don't I? And I don't want to go back!”

“I'm sorry, Mr. Ramirez,” she said. “I wish there was something I could do.”

“Mrs. O'Brian!” he cried suddenly, tears rolling out from under his eyelids. He reached out his hand and took her hand fervently, shaking it, wringing it, holding to it. “Mrs. O'Brian, I see you never, I see you never!”

The policemen smiled at this, but Mr. Ramirez did not notice it, and they stopped smiling very soon.

“Good-bye, Mrs. O'Brian. You have been good to me. Oh, good-bye, Mrs. O'Brian. I see you never!”

The policemen waited for Mr. Ramirez to turn, pick up his suitcase, and walk away. Then they followed him, tipping their caps to Mrs. O'Brian. She watched them go down the porch steps. Then she shut the door quietly and went slowly back to her chair at the table. She pulled the chair out and sat down. She picked up the shining knife and fork and started once more upon her steak.

“Hurry up, Mom,” said one of the sons. “It'll be cold.”

Mrs. O'Brian took one bite and chewed on it for a long, slow time; then she stared at the closed door. She laid down her knife and fork.

“What's wrong, Ma?” asked her son.

“I just realized,” said Mrs. O'Brian—she put her hand to her face—“I'll never see Mr. Ramirez again.”

T
HEIR EYES WERE FIRE AND THE BREATH
flamed out the witches' mouths as they bent to probe the caldron with greasy stick and bony finger.

They danced drunkenly on the shore of an empty sea, fouling the air with their three tongues, and burning it with their cats' eyes malevolently aglitter:

They paused and cast a glance about. “Where's the crystal? Where's the needles?”

“Here!”

“Good!”

“Is the yellow wax thickened?”

“Yes!”

“Pour it in the iron mold!”

“Is the wax figure done?” They shaped it like molasses adrip on their green hands.

“Shove the needle through the heart!”

“The crystal, the crystal, fetch it from the tarot bag. Dust it off, have a look!”

They bent to the crystal, their faces white.

A rocket ship moved through space from the planet Earth to the planet Mars. On the rocket ship men were dying.

The captain raised his head, tiredly. “We'll have to use the morphine.”

“But, Captain—”

“You see yourself this man's condition.” The captain lifted the wool blanket and the man restrained beneath the wet sheet moved and groaned. The air was full of sulfurous thunder.

“I saw it—I saw it.” The man opened his eyes and stared at the port where there were only black spaces, reeling stars, Earth far removed, and the planet Mars rising large and red. “I saw it—a bat, a huge thing, a bat with a man's face, spread over the front port. Fluttering and fluttering, fluttering and fluttering.”

“Pulse?” asked the captain.

The orderly measured it. “One hundred and thirty.”

“He can't go on with that. Use the morphine. Come along, Smith.”

They moved away. Suddenly the floor plates were laced with bone and white skulls that screamed. The captain did not dare look down, and over the screaming he said, “Is this where Perse is?” turning in at a hatch.

A white-smocked surgeon stepped away from a body. “I just don't understand it.”

“How did Perse die?”

“We don't know, Captain. It wasn't his heart, his brain, or shock. He just—died.”

The captain felt the doctor's wrist, which changed to a hissing snake and bit him. The captain did not flinch. “Take care of yourself. You've a pulse too.”

The doctor nodded. “Perse complained of pains—needles, he said—in his wrists and legs. Said he felt like wax, melting. He fell. I helped him up. He cried like a child. Said he had a silver needle in his heart. He died. Here he is. We can repeat the autopsy for you. Everything's physically normal.”

“That's impossible! He died of
something
?”

The captain walked to a port. He smelled of menthol and iodine and green soap on his polished and manicured hands. His white teeth were dentrificed, and his ears scoured to a pinkness, as were his cheeks. His uniform was the color of new salt, and his boots were black mirrors shining below him. His crisp crew-cut hair smelled of sharp alcohol. Even his breath was sharp and new and clean. There was no spot to him. He was a fresh instrument, honed and ready, still hot from the surgeon's oven.

The men with him were from the same mold. One expected huge brass keys spiraling slowly from their backs. They were expensive, talented, well-oiled toys, obedient and quick.

The captain watched the planet Mars grow very large in space.

“We'll be landing in an hour on that damned place, Smith, did you see any bats, or have other nightmares?”

“Yes, sir. The month before our rocket took off from New York, sir. White rats biting my neck, drinking my blood. I didn't tell. I was afraid you wouldn't let me come on this trip.”

“Never mind,” sighed the captain. “I had dreams too. In all of my fifty years I never had a dream until that week before we took off from Earth. And then every night I dreamed I was a white wolf. Caught on a snowy hill. Shot with a silver bullet. Buried with a stake in my heart.” He moved his head toward Mars. “Do you think, Smith,
they
know we're coming?”

“We don't know if there
are
Martian people, sir.”

“Don't we? They began frightening us off eight weeks ago, before we started. They've killed Perse and Reynolds now. Yesterday they made Grenville go blind. How? I don't know. Bats, needles, dreams, men dying for no reason. I'd call it witchcraft in another day. But this is the year 2120, Smith. We're rational men. This all can't be happening. But it is! Whoever they are, with their needles and their bats, they'll try to finish us all.” He swung about. “Smith, fetch those books from my file. I want them when we land.”

Two hundred books were piled on the rocket desk.

“Thank you, Smith. Have you glanced at them? Think I'm insane? Perhaps. It's a crazy hunch. At that last moment I ordered these books from the Historical Museum. Because of my dreams. Twenty nights I was stabbed, butchered, a screaming bat pinned to a surgical mat, a thing rotting underground in a black box; bad, wicked dreams. Our whole crew dreamed of witch-things and were-things, vampires and phantoms, things they
couldn't
know anything about. Why? Because books on such ghastly subjects were destroyed a century ago. By law. Forbidden for anyone to own the grisly volumes. These books you see here are the
last
copies, kept for historical purposes in the locked museum vaults.”

Smith bent to read the dusty titles:

“
Tales of Mystery and Imagination
, by Edgar Allan Poe.
Dracula
, by Bram Stoker.
Frankenstein
, by Mary Shelley.
The Turn of the Screw
, by Henry James.
The Legend of Sleepy Hollow
, by Washington Irving.
Rappaccini's Daughter
, by Nathaniel Hawthorne.
An Occurrence at Owl Creek Bridge
, by Ambrose Bierce.
Alice in Wonderland
, by Lewis Carroll.
The Willows
, by Algernon Blackwood.
The Wizard of Oz
, by L. Frank Baum.
The Weird Shadow Over Innsmoutb
, by H. P. Love-craft. And more! Books by Walter de la Mare, Wakefield, Harvey, Wells, Asquith, Huxley—all forbidden authors. All burned in the same year that Halloween was outlawed and Christmas was banned! But, sir, what good are these to us on the rocket?”