Bradbury Stories (130 page)

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Authors: Ray Bradbury

BOOK: Bradbury Stories
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“Thanks for lunch!” Mink ran out, then stuck her head back in. “Mom, I'll be sure you won't be hurt much, really!”

“Well, thanks,” said Mom.

Slam
went the door.

At four o'clock the audio-visor buzzed. Mrs. Morris flipped the tab. “Hello, Helen!” she said in welcome.

“Hello, Mary. How are things in New York?”

“Fine. How are things in Scranton? You look tired.”

“So do you. The children. Underfoot,” said Helen.

Mrs. Morris sighed. “My Mink too. The super-Invasion.”

Helen laughed. “Are your kids playing that game too?”

“Lord, yes. Tomorrow it'll be geometrical jacks and motorized hopscotch. Were we this bad when we were kids in '48?”

“Worse. Japs and Nazis. Don't know how my parents put up with me. Tomboy.”

“Parents learn to shut their ears.”

A silence.

“What's wrong, Mary?” asked Helen.

Mrs. Morris's eyes were half closed; her tongue slid slowly, thoughtfully, over her lower lip. “Eh?” She jerked. “Oh, nothing. Just thought about
that
. Shutting ears and such. Never mind. Where were we?”

“My boy Tim's got a crush on some guy named—
Drill
, I think it was.”

“Must be a new password. Mink likes him too.”

“Didn't know it had got as far as New York. Word of mouth, I imagine. Looks like a scrap drive. I talked to Josephine and she said her kids—that's in Boston—are wild on this new game. It's sweeping the country.”

At this moment Mink trotted into the kitchen to gulp a glass of water. Mrs. Morris turned. “How're things going?”

“Almost finished,” said Mink.

“Swell,” said Mrs. Morris. “What's
that
?”

“A yo-yo,” said Mink. “Watch.”

She flung the yo-yo down its string. Reaching the end it—It vanished.

“See?” said Mink. “Ope!” Dibbling her finger, she made the yo-yo reappear and zip up the string.

“Do that again,” said her mother.

“Can't. Zero hour's five o'clock! By.” Mink exited, zipping her yo-yo.

On the audio-visor, Helen laughed. “Tim brought one of those yo-yos in this morning, but when I got curious he said he wouldn't show it to me, and when I tried to work it, finally, it wouldn't work.”

“You're not
impressionable
,” said Mrs. Morris.

“What?”

“Never mind. Something I thought of. Can I help you, Helen?”

“I wanted to get that black-and-white cake recipe—”

The hour drowsed by. The day waned. The sun lowered in the peaceful blue sky. Shadows lengthened on the green lawns. The laughter and excitement continued. One little girl ran away, crying. Mrs. Morris came out the front door.

“Mink, was that Peggy Ann crying?”

Mink was bent over in the yard, near the rosebush. “Yeah. She's a scare-baby. We won't let her play, now. She's getting too old to play. I guess she grew up all of a sudden.”

“Is that why she cried? Nonsense. Give me a civil answer, young lady, or inside you come!”

Mink whirled in consternation, mixed with irritation. “I can't quit now. It's almost time. I'll be good. I'm sorry.”

“Did you hit Peggy Ann?”

“No, honest. You ask her. It was something—well, she's just a scaredy pants.”

The ring of children drew in around Mink where she scowled at her work with spoons and a kind of square-shaped arrangement of hammers and pipes. “There and there,” murmured Mink.

“What's wrong?” said Mrs. Morris.

“Drill's stuck. Halfway. If we could only get him all the way through, it'd be easier. Then all the others could come through after him.”

“Can I help?”

“No'm, thanks. I'll fix it.”

“All right. I'll call you for your bath in half an hour. I'm tired of watching you.”

She went in and sat in the electric relaxing chair, sipping a little beer from a half-empty glass. The chair massaged her back. Children, children. Children and love and hate, side by side. Sometimes children loved you, hated you—all in half a second. Strange children, did they ever forget or forgive the whippings and the harsh, strict words of command? She wondered. How can you ever forget or forgive those over and above you, those tall and silly dictators?

Time passed. A curious, waiting silence came upon the street, deepening.

Five o'clock. A clock sang softly somewhere in the house in a quiet, musical voice: “Five o'clock—five o'clock. Time's a-wasting. Five o'clock,” and purred away into silence.

Zero hour.

Mrs. Morris chuckled in her throat. Zero hour.

A beetle car hummed into the driveway. Mr. Morris. Mrs. Morris smiled. Mr. Morris got out of the beetle, locked it, and called hello to Mink at her work. Mink ignored him. He laughed and stood for a moment watching the children. Then he walked up the front steps.

“Hello, darling.”

“Hello, Henry.”

She strained forward on the edge of the chair, listening. The children were silent. Too silent.

He emptied his pipe, refilled it. “Swell day. Makes you glad to be alive.”

Buzz
.

“What's that?” asked Henry.

“I don't know.” She got up suddenly, her eyes widening. She was going to say something. She stopped it. Ridiculous. Her nerves jumped. “Those children haven't anything dangerous out there, have they?” she said.

“Nothing but pipes and hammers. Why?”

“Nothing electrical?”

“Heck, no,” said Henry. “I looked.”

She walked to the kitchen. The buzzing continued. “Just the same, you'd better go tell them to quit. It's after five. Tell them—” Her eyes widened and narrowed. “Tell them to put off their Invasion until tomorrow.” She laughed, nervously.

The buzzing grew louder.

“What are they up to? I'd better go look, all right.”

The explosion!

The house shook with dull sound. There were other explosions in other yards on other streets.

Involuntarily, Mrs. Morris screamed. “Up this way!” she cried senselessly, knowing no sense, no reason. Perhaps she saw something from the corners of her eyes; perhaps she smelled a new odor or heard a new noise. There was no time to argue with Henry to convince him. Let him think her insane. Yes, insane! Shrieking, she ran upstairs. He ran after her to see what she was up to. “In the attic!” she screamed. “That's where it is!” It was only a poor excuse to get him in the attic in time. Oh, God—in time!

Another explosion outside. The children screamed with delight, as if at a great fireworks display.

“It's not in the attic!” cried Henry. “It's outside!”

“No, no!” Wheezing, gasping, she fumbled at the attic door. “I'll show you. Hurry! I'll show you!”

They tumbled into the attic. She slammed the door, locked it, took the key, threw it into a far, cluttered corner. She was babbling wild stuff now. It came out of her. All the subconscious suspicion and fear that had gathered secretly all afternoon and fermented like a wine in her. All the little revelations and knowledges and sense that had bothered her all day and which she had logically and carefully and sensibly rejected and censored. Now it exploded in her and shook her to bits.

“There, there,” she said, sobbing against the door. “We're safe until tonight. Maybe we can sneak out. Maybe we can escape!”

Henry blew up too, but for another reason. “Are you crazy? Why'd you throw that key away? Damn it, honey!”

“Yes, yes, I'm crazy, if it helps, but stay here with me!”

“I don't know how in hell I
can
get out!”

“Quiet. They'll hear us. Oh, God, they'll find us soon enough—”

Below them, Mink's voice. The husband stopped. There was a great universal humming and sizzling, a screaming and giggling. Downstairs the audio-televisor buzzed and buzzed insistently, alarmingly, violently.
Is that Helen calling?
thought Mrs. Morris.
And is she calling about what I think she's calling about?

Footsteps came into the house. Heavy footsteps.

“Who's coming in my house?” demanded Henry angrily. “Who's tramping around down there?”

Heavy feet. Twenty, thirty, forty, fifty of them. Fifty persons crowding into the house. The humming. The giggling of the children. “This way!” cried Mink, below.

“Who's downstairs?” roared Henry. “Who's there!”

“Hush. Oh, nononononono!” said his wife weakly, holding him. “Please, be quiet. They might go away.”

“Mom?” called Mink. “Dad?” A pause. “Where are you?”

Heavy footsteps, heavy, heavy,
very heavy
footsteps, came up the stairs. Mink leading them.

“Mom?” A hesitation. “Dad?” A waiting, a silence.

Humming. Footsteps toward the attic. Mink's first.

They trembled together in silence in the attic, Mr. and Mrs. Morris. For some reason the electric humming, the queer cold light suddenly visible under the door crack, the strange odor and the alien sound of eagerness in Mink's voice finally got through to Henry Morris too. He stood, shivering, in the dark silence, his wife beside him.

“Mom! Dad!”

Footsteps. A little humming sound. The attic lock melted. The door opened. Mink peered inside, tall blue shadows behind her.

“Peekaboo,” said Mink.

THE TOYNBEE CONVECTOR

“G
OOD
! G
REAT
! B
RAVO FOR ME
!”

Roger Shumway flung himself into the seat, buckled himself in, revved the rotor and drifted his Dragonfly Super-6 helicopter up to blow away on the summer sky, heading south toward La Jolla.

“How lucky can you get?”

For he was on his way to an incredible meeting.

The time traveler, after a hundred years of silence, had agreed to be interviewed. He was, on this day, 130 years old. And this afternoon, at four o'clock sharp, Pacific time, was the anniversary of his one and only journey in time.

Lord, yes! One hundred years ago, Craig Bennett Stiles had waved, stepped into his
Immense Clock
, as he called it, and vanished from the present. He was and remained the only man in history to travel in time. And Shumway was the one and only reporter, after all these years, to be invited in for afternoon tea. And? The possible announcement of a second and final trip through time. The traveler had hinted at such a trip.

“Old man,” said Shumway, “Mr. Craig Bennett Stiles—here I come!”

The Dragonfly, obedient to fevers, seized a wind and rode it down the coast.

The old man was there waiting for him on the roof of the Time Lamasery at the rim of the hang gliders' cliff in La Jolla. The air swarmed with crimson, blue and lemon kites from which young men shouted, while young women called to them from the land's edge.

Stiles, for all his 130 years, was not old. His face, blinking up at the helicopter, was the bright face of one of those hang-gliding Apollo fools who veered off as the helicopter sank down.

Shumway hovered his craft for a long moment, savoring the delay.

Below him was a face that had dreamed architectures, known incredible loves, blueprinted mysteries of seconds, hours, days, then dived in to swim upstream through the centuries. A sunburst face, celebrating its own birthday.

For on a single night, one hundred years ago, Craig Bennett Stiles, freshly returned from time, had reported by Telstar around the world to billions of viewers and told them their future.

“We made it!” he said. “We did it! The future is ours. We rebuilt the cities, freshened the small towns, cleaned the lakes and rivers, washed the air, saved the dolphins, increased the whales, stopped the wars, tossed solar stations across space to light the world, colonized the moon, moved on to Mars, then Alpha Centauri. We cured cancer and stopped death. We did it—Oh Lord, much thanks—we did it. Oh, future's bright and beauteous spires, arise!”

He showed them pictures, he brought them samples, he gave them tapes and LP records, film and sound cassettes of his wondrous roundabout flight. The world went mad with joy. It ran to meet and make that future, fling up the cities of promise, save all and share with the beasts of land and sea.

The old man's welcoming shout came up the wind. Shumway shouted back and let the Dragonfly simmer down in its own summer weather.

Craig Bennett Stiles, 130 years old, strode forward briskly and, incredibly, helped the young reporter out of his craft, for Shumway was suddenly stunned and weak at this encounter.

“I can't believe I'm here,” said Shumway.

“You are, and none too soon,” laughed the time traveler. “Any day now, I may just fall apart and blow away. Lunch is waiting. Hike!”

A parade of one, Stiles marched off under the fluttering rotor shadows that made him seem a flickering newsreel of a future that had somehow passed.

Shumway, like a small dog after a great army, followed.

“What do you want to know?” asked the old man as they crossed the roof, double time.

“First,” gasped Shumway, keeping up, “why have you broken silence after a hundred years? Second, why to
me
? Third, what's the big announcement you're going to make this afternoon at four o'clock, the very hour when your younger self is due to arrive from the past—when, for a brief moment, you will appear in two places, the paradox: the person you were, the man you are, fused in one glorious hour for us to celebrate?”

The old man laughed. “How you
do
go on!”

“Sorry.” Shumway blushed. “I wrote that last night. Well. Those are the questions.”

“You shall have your answers.” The old man shook his elbow gently. “All in good—time.”

“You must excuse my excitement,” said Shumway. “After all, you
are
a mystery. You were famous, world-acclaimed. You went, saw the future, came back, told us, then went into seclusion. Oh, sure; for a few weeks, you traveled the world in ticker-tape parades, showed yourself on TV, wrote one book, gifted us with one magnificent two-hour television film, then shut yourself away here. Yes, the time machine is on exhibit below, and crowds are allowed in each day at noon to see and touch. But you yourself have refused fame—”

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