Bouvard and PÈcuchet (15 page)

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Authors: Gustave Flaubert

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"Where is the harm," replied Bouvard, "when one possesses something beautiful?" And he added in a lower tone: "Just as you are yourself, I'm sure."

(The notary turned his back on them, and studied the branches of the Croixmare family.)

She made no response but began to play with her long gold chain. Her bosom swelled out the black taffeta of her corsage, and, with her eyelashes slightly drawn together, she lowered her chin like a turtle-dove bridling up; then, with an ingenuous air:

"What is this lady's name?"

"It is unknown; she was one of the Regent's mistresses, you know; he who played so many pranks."

"I believe you; the memoirs of the time----"

And the notary, without giving her time to finish the sentence, deplored this example of a prince carried away by his passions.

"But you are all like that!"

The two gentlemen protested, and then followed a dialogue on women and on love. Marescot declared that there were many happy unions; sometimes even, without suspecting it, we have close beside us what we require for our happiness.

The allusion was direct. The widow's cheeks flushed scarlet; but, recovering her composure almost the next moment:

"We are past the age for folly, are we not, M. Bouvard?"

"Ha! ha! For my part, I don't admit that."

And he offered his arm to lead her towards the adjoining room.

"Be careful about the steps. All right? Now observe the church window."

They traced on its surface a scarlet cloak and two angels' wings. All the rest was lost under the leads which held in equilibrium the numerous breakages in the glass. The day was declining; the shadows were lengthening; Madame Bordin had become grave.

Bouvard withdrew, and presently reappeared muffled up in a woollen wrapper, then knelt down at the prie-dieu with his elbows out, his face in his hands, the light of the sun falling on his bald patch; and he was conscious of this effect, for he said:

"Don't I look like a monk of the Middle Ages?"

Then he raised his forehead on one side, with swimming eyes, and trying to give a mystical expression to his face. The solemn voice of Pécuchet was heard in the corridor:

"Don't be afraid. It is I." And he entered, his head covered with a helmet--an iron pot with pointed ear-pieces.

Bouvard did not quit the prie-dieu. The two others remained standing. A minute slipped away in glances of amazement.

Madame Bordin appeared rather cold to Pécuchet. However he wished to know whether everything had been shown to them.

"It seems to me so." And pointing towards the wall: "Ah! pray excuse us; there is an object which we may restore in a moment."

The widow and Marescot thereupon took their leave. The two friends conceived the idea of counterfeiting a competition. They set out on a race after each other; one giving the other the start. Pécuchet won the helmet.

Bouvard congratulated him upon it, and received praises from his friend on the subject of the wrapper.

Mélie arranged it with cords, in the fashion of a gown. They took turns about in receiving visits.

They had visits from Girbal, Foureau, and Captain Heurtaux, and then from inferior persons--Langlois, Beljambe, their husbandmen, and even the servant-girls of their neighbours; and, on each occasion, they went over the same explanations, showed the place where the chest would be, affected a tone of modesty, and claimed indulgence for the obstruction.

Pécuchet on these days wore the Zouave's cap which he had formerly in Paris, considering it more in harmony with an artistic environment. At a particular moment, he would put the helmet on his head, and incline it over the back of his neck, in order to have his face free. Bouvard did not forget the movement with the halberd; finally, with one glance, they would ask each other whether the visitor was worthy of having "the monk of the Middle Ages" represented.

What a thrill they felt when M. de Faverges' carriage drew up before the garden gate! He had only a word to say to them. This was the occasion of his visit:

Hurel, his man of business, had informed him that, while searching everywhere for documents, they had bought up old papers at the farm of Aubrye.

That was perfectly true.

Had they not discovered some letters of Baron de Gonneval, a former aide-de-camp of the Duke of Angoulême, who had stayed at Aubrye? He wished to have this correspondence for family reasons.

They had not got it in the house, but they had in their possession something that would interest him if he would be good enough to follow them into their library.

Never before had such well-polished boots creaked in the corridor. They knocked against the sarcophagus. He even went near smashing several tiles, moved an armchair about, descended two steps; and, when they reached the second chamber, they showed him under the canopy, in front of the St. Peter, the butter-pot made at Noron.

Bouvard and Pécuchet thought that the date might some time be of use. Through politeness, the nobleman inspected their museum. He kept repeating, "Charming! very nice!" all the time giving his mouth little taps with the handle of his switch; and said that, for his part, he thanked them for having rescued those remains of the Middle Ages, an epoch of religious faith and chivalrous devotion. He loved progress, and would have given himself up like them to these interesting studies, but that politics, the General Council, agriculture, a veritable whirlwind, drove him away from them.

"After you, however, one would have merely gleanings, for soon you will have captured all the curiosities of the department."

"Without vanity, we think so," said Pécuchet.

However, one might still discover some at Chavignolles; for example, there was, close to the cemetery wall in the lane, a holy-water basin buried under the grass from time immemorial.

They were pleased with the information, then exchanged a significant glance--"Is it worth the trouble?"--but already the Count was opening the door.

Mélie, who was behind it, fled abruptly.

As he passed out of the house into the grounds, he observed Gorju smoking his pipe with folded arms.

"You employ this fellow? I would not put much confidence in him in a time of disturbance."

And M. de Faverges sprang lightly into his tilbury.

Why did their servant-maid seem to be afraid of him?

They questioned her, and she told them she had been employed on his farm. She was that little girl who poured out drink for the harvesters when they came there two years before. They had taken her on as a help at the château, and dismissed her in consequence of false reports.

As for Gorju, how could they find fault with him? He was very handy, and showed the utmost consideration for them.

Next day, at dawn, they repaired to the cemetery. Bouvard felt with his walking-stick at the spot indicated. They heard the sound of a hard substance. They pulled up some nettles, and discovered a stone basin, a baptismal font, out of which plants were sprouting. It is not usual, however, to bury baptismal fonts outside churches.

Pécuchet made a sketch of it; Bouvard wrote out a description of it; and they sent both to Larsoneur. His reply came immediately.

"Victory, my dear associates! Unquestionably, it is a druidical bowl!"

However, let them be careful about the matter. The axe was doubtful; and as much for his sake as for their own, he pointed out a series of works to be consulted.

In a postscript, Larsoneur confessed his longing to have a look at this bowl, which opportunity would be afforded him in a few days, when he would be starting on a trip from Brittany.

Then Bouvard and Pécuchet plunged into Celtic archæology.

According to this science, the ancient Gauls, our ancestors, adored Kirk and Kron, Taranis Esus, Nelalemnia, Heaven and Earth, the Wind, the Waters, and, above all, the great Teutates, who is the Saturn of the Pagans; for Saturn, when he reigned in Phoenicia, wedded a nymph named Anobret, by whom he had a child called Jeüd. And Anobret presents the same traits as Sara; Jeüd was sacrificed (or near being so), like Isaac; therefore, Saturn is Abraham; whence the conclusion must be drawn that the religion of the Gauls had the same principles as that of the Jews.

Their society was very well organised. The first class of persons amongst them included the people, the nobility, and the king; the second, the jurisconsults; and in the third, the highest, were ranged, according to Taillepied, "the various kinds of philosophers," that is to say, the Druids or Saronides, themselves divided into Eubages, Bards, and Vates.

One section of them prophesied, another sang, while a third gave instruction in botany, medicine, history, and literature, in short, all the arts of their time.

Pythagoras and Plato were their pupils. They taught metaphysics to the Greeks, sorcery to the Persians, aruspicy to the Etruscans, and to the Romans the plating of copper and the traffic in hams.

But of this people, who ruled the ancient world, there remain only stones either isolated or in groups of three, or placed together so as to resemble a rude chamber, or forming enclosures.

Bouvard and Pécuchet, filled with enthusiasm, studied in succession the stone on the Post-farm at Ussy, the Coupled Stone at Quest, the Standing Stone near L'Aigle, and others besides.

All these blocks, of equal insignificance, speedily bored them; and one day, when they had just seen the menhir at Passais, they were about to return from it when their guide led them into a beech wood, which was blocked up with masses of granite, like pedestals or monstrous tortoises. The most remarkable of them is hollowed like a basin. One of its sides rises, and at the further end two channels run down to the ground; this must have been for the flowing of blood--impossible to doubt it! Chance does not make these things.

The roots of the trees were intertwined with these rugged pedestals. In the distance rose columns of fog like huge phantoms. It was easy to imagine under the leaves the priests in golden tiaras and white robes, and their human victims with arms bound behind their backs, and at the side of the bowl the Druidess watching the red stream, whilst around her the multitude yelled, to the accompaniment of cymbals and of trumpets made from the horns of the wild bull.

Immediately they decided on their plan. And one night, by the light of the moon, they took the road to the cemetery, stealing in like thieves, in the shadows of the houses. The shutters were fastened, and quiet reigned around every dwelling-place; not a dog barked.

Gorju accompanied them. They set to work. All that could be heard was the noise of stones knocking against the spade as it dug through the soil.

The vicinity of the dead was disagreeable to them. The church clock struck with a rattling sound, and the rosework on its tympanum looked like an eye espying a sacrilege. At last they carried off the bowl.

They came next morning to the cemetery to see the traces of the operation.

The abbé, who was taking the air at his door, begged of them to do him the honour of a visit, and, having introduced them into his breakfast-parlour, he gazed at them in a singular fashion.

In the middle of the sideboard, between the plates, was a soup-tureen decorated with yellow bouquets.

Pécuchet praised it, at a loss for something to say.

"It is old Rouen," returned the curé; "an heirloom. Amateurs set a high value on it--M. Marescot especially." As for him, thank God, he had no love of curiosities; and, as they appeared not to understand, he declared that he had seen them himself stealing the baptismal font.

The two archæologists were quite abashed. The article in question was not in actual use.

No matter! they should give it back.

No doubt! But, at least, let them be permitted to get a painter to make a drawing of it.

"Be it so, gentlemen."

"Between ourselves, is it not?" said Bouvard, "under the seal of confession."

The ecclesiastic, smiling, reassured them with a gesture.

It was not he whom they feared, but rather Larsoneur. When he would be passing through Chavignolles, he would feel a hankering after the bowl; and his chatterings might reach the ears of the Government. Out of prudence they kept it hidden in the bakehouse, then in the arbour, in the trunk, in a cupboard. Gorju was tired of dragging it about.

The possession of such a rare piece of furniture bound them the closer to the Celticism of Normandy.

Its sources were Egyptian. Séez, in the department of the Orne, is sometimes written Saïs, like the city of the Delta. The Gauls swore by the bull, an idea derived from the bull Apis. The Latin name of Bellocastes, which was that of the people of Bayeux, comes from Beli Casa, dwelling, sanctuary of Belus--Belus and Osiris, the same divinity!

"There is nothing," says Mangou de la Londe, "opposed to the idea that druidical monuments existed near Bayeux." "This country," adds M. Roussel, "is like the country in which the Egyptians built the temple of Jupiter Ammon."

So then there was a temple in which riches were shut up. All the Celtic monuments contain them.

"In 1715," relates Dom Martin, "one Sieur Heribel exhumed in the vicinity of Bayeux, several argil vases full of bones, and concluded (in accordance with tradition and authorities which had disappeared) that this place, a necropolis, was the Mount Faunus in which the Golden Calf is buried."

In the first place, where is Mount Faunus? The authors do not point it out. The natives know nothing about it. It would be necessary to devote themselves to excavations, and with that view they forwarded a petition to the prefect, to which they got no response.

Perhaps Mount Faunus had disappeared, and was not a hill but a barrow?

Several of them contain skeletons that have the position of the foetus in the mother's womb. This meant that for them the tomb was, as it were, a second gestation, preparing them for another life. Therefore the barrow symbolises the female organ, just as the raised stone is the male organ.

In fact, where menhirs are found, an obscene creed has persisted. Witness what took place at Guerande, at Chichebouche, at Croissic, at Livarot. In former times the towers, the pyramids, the wax tapers, the boundaries of roads, and even the trees had a phallic meaning. Bouvard and Pécuchet collected whipple-trees of carriages, legs of armchairs, bolts of cellars, apothecaries' pestles. When people came to see them they would ask, "What do you think that is like?" and then they would confide the secret. And, if anyone uttered an exclamation, they would shrug their shoulders in pity.

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