Blood on the Tongue (Ben Cooper & Diane Fry) (31 page)

Yet when Cooper went through their statements with them carefully, they could remember nothing except the snowploughs battling their way over the Pass from either direction. The plough from the east they remembered particularly, because its crew had stopped at the inn to fill up their flasks, shortly before they found the body. That was the sort of incident that focused the memory wonderfully. But no matter how many times Cooper went over their statements, the Snake Inn licensees recalled no four-wheel drive cars struggling through the snow that morning.

So had somebody been very lucky indeed? Or had the Snowman's body been in the lay-by during the night, in full view of passing traffic? Cooper sighed. He was going to have to tell Fry to re-draw her time line.

*    *    *    *

On the way back from the Snake Inn, it wasn't a long diversion from Manchester Road into Woodland Crescent, Edendale. In fact, it could even be called a short-cut. Cooper drove down the Crescent first, then reversed and came back again, checking for signs of Alison Morrissey or Frank Baine hanging around the Lukasz bungalow. The blue BMW was parked in the drive again, and its windscreen was clear of snow and frost, which suggested it had been out and had returned quite recently. If Peter Lukasz had just finished a shift at the hospital, it might be a good time to catch him.

'We're rather popular, aren't we?' said Lukasz when he answered the door. 'Some people can't keep away.'

'I wondered if this was a better time to speak to your father,' said Cooper.

'It's never a better time.'

'Could we try? Just for a minute?'

'Very well. If that's what it takes to convince you.'

Zygmunt Lukasz was sitting at a small table in the back room, with a pad of lined A4 paper open in front of him. He was writing with a thick rollerball pen, which produced a convoluted black script. There was line after line of it building up, creating a dense scrawl on the page. Cooper noticed that the old man's left hand had the two middle fingers missing. There were two stumps where the fingers had been cut off below the bottom knuckle.

'Can I talk to you, Mr Lukasz? I'd like to ask you a few questions.'

The old man didn't look up from the table. He spoke a few words in a language Cooper took to be Polish. He looked at the younger Lukasz, who seemed a little embarrassed.

'My father says he has nothing to say to you.'

'Have you explained to him why I'm here?' asked Cooper.

'Yes, of course.'

Then the old man spoke again, more urgently.

'And that was?'

'He says the Canadian woman can go to hell,' said Peter. 'I'm sorry.'

'Did he say "sorry"?'

'No – I did.'

The old man continued to write. The pen moved slowly but steadily, filling in the lines of the page with solid, black letters that flowed and overlapped until they'd created an intricate spider's web, each word entwined with the ones above and below it. Cooper watched as Zygmunt reached the bottom of the page, turned to a new sheet and continued writing in an almost unbroken movement.

'Why does your father refuse to speak English to me?' said Cooper.

Peter shifted from one foot to the other uneasily. There was a silence for a moment, except for the faint scratching of the pen. Then the old man placed a firm full stop and looked up for the first time. The blue of his eyes was so pale that it was almost ash grey. Even the sky was only ever that shade of blue in the winter, seen on a bright, cold day from the top of the moors.

'You don't understand,' said Peter.

'I understand that Mr Lukasz speaks English perfectly well. He knows what I'm saying to him. But he hasn't the courtesy to answer me in a language I can comprehend.'

'It isn't a matter of courtesy. My father finds he isn't able any longer to think in two languages at once. He's working in Polish, therefore he's thinking in Polish. Of course, he understands what we're saying, but his brain isn't able to translate his own thoughts in reply.'

'It's a pity he's forgotten how to communicate as well as he did with his English-speaking comrades in Sugar Uncle Victor,' said Cooper, holding the old man's stare. He was pleased to see an expression of pain drift across the blue eyes, like the gap in the clouds closing for a moment.

'Please,' said Peter. 'I don't think this is helping.'

'The police can call on the services of an official interpreter,' said Cooper. 'We have an entire list of them. But then it would have to become a formal interview, at the police station.'

Cooper hoped they didn't realize how far he was flying a kite. There was no way he could get approval to pay for an interpreter. He shouldn't even be spending time here himself. There was no official police enquiry that would justify the use of resources.

Zygmunt spoke for the final time. The last couple of words were said with a jerk of the head and an explosive sound made on the lips, which sent a spray of saliva over the pages he was writing on.

'What was
that
?' said Cooper.

'My father says let the Canadian woman pay for an interpreter herself,' said Peter.

'And the last part of it?'

'And good luck to her.'

'Oh, yes?'

The old man lowered his head and went back to his writing. Cooper saw the black ink blur where his saliva had wet the page. But the pen skated over it and continued to flow until it was approaching the foot of another page. Staring at it made his eyes cross. There didn't seem to be a single paragraph break in the whole lot.

Cooper turned and walked out of the room. Peter Lukasz followed him, closing the door carefully so that they were out of earshot of the old man.

'I'm sorry,' he said.

'So you said.'

'It isn't you,' said Peter. 'He won't talk to us in English either. Can't, I suppose I mean. His brain just doesn't seem to be able to cope with it at the moment.'

'What is it he's writing?' asked Cooper when they were back in the hallway.

'I thought you would have guessed that,' said Lukasz.

'No.'

'For some reason, he can only write it in Polish. I think it's all been there in his mind for years and years, waiting to come out, waiting for him to pick up that pen. Finally, he's decided to do it, before it's too late.'

'To do what?' said Cooper.

'To put the record straight. You see, my father is writing his account of the crash of Sugar Uncle Victor.'

19

DCI Kessen buttonholed Diane Fry in the corridor on her way back from the interview room. He put a hand on her shoulder to delay her as Gavin Murfin walked ahead.

'Detective Sergeant Fry – everything under control?'

Fry felt the muscles in her shoulder knotting where his hand was touching her. She drew in her breath steadily to control the reaction, which she knew was unreasonable. She wondered whether DCI Kessen had been made aware of her background, her reason for transferring to Derbyshire from the West Midlands. Some men had no idea how to behave towards a woman who had been a rape victim. On the other hand, maybe he had too little interest in her even to have read her file. She was afraid he was measuring up to be her worst nightmare – a large stumbling block in her progress up the promotional ladder. A transfer from E Division was starting to look even more attractive.

'Yes, sir,' she said.

'Good team that you have, I expect?' he said.

'Excellent.'

Kessen took his hand off her shoulder, but he was still standing too close, several inches inside her personal space. Fry could see that he was the sort of man who wasn't aware of the effect he had on people. Probably he had been walking a fine line for a while, waiting for someone to put their hand up and complain.

'DC Cooper now – a very conscientious officer, isn't he? An example to some of the others.'

'Sure,' said Fry. Well, compared to the ones who rang in sick with bad backs, she thought. But where the hell was this paragon of virtue right now? Just like yesterday, he had managed to make a few simple enquiries last for hours.

Fry looked at her watch. If only she could get away from meetings for a while, she would get out there and find that example to the others, and kick his arse.

'Gavin, has Ben Cooper called in yet?' she said as she caught up with him in the CID room.

'No. He's interviewing the staff at the Snake Inn, isn't he?'

'Let's hope so. He should have called by now.'

'He'll be having a pie and a couple of pints while he's there,' said Murfin. 'I would.'

'Back to the phones, Gavin.'

'Yes, ma'am.'

'And leave the lobster alone.'

*    *    *    *

Cooper perched on the sofa in the sitting room of the Lukasz bungalow. It was much too warm for him. Even with his heavy waxed coat hanging in the hallway, he still felt stifled by the central heating.

'You don't sound as though you're interested in the past,' he said. 'Doesn't your father's history interest you?'

'Oh, it used to,' said Peter Lukasz. 'But time passes, and people change. There comes a point when we have to move on.'

'Perhaps your father doesn't feel able to move on yet.'

'Oh, I think that's exactly right,' said Lukasz.

Grace Lukasz had disappeared somewhere to the back of the house to leave them alone. Her departure had left Peter looking uncertain. He was reluctant to sit down, but instead stood on the rug in front of the fireplace, swaying gently on the balls of his feet, his gaze tending to drift past Cooper's shoulder to the window that looked out on Woodland Crescent.

'We all treasure our Polish heritage, of course,' said Lukasz. 'But most of us have become as much British now as Polish. My father is going the other way - he's going backwards, regressing into his past, almost into a time when he knew no English. Being two nationalities is a delicate enough balance as it is. I don't need my father trying to push me the wrong way.'

'But you were born here, weren't you? Is it such a difficult balance?'

'You'd be surprised,' said Lukasz. 'Of course, I'm half English. But every time I'm asked to spell my name, I feel a bit foreign. Some Poles came up with anglicized versions when they settled here. My name, for example, could so easily have been changed to Lucas. Nobody would have questioned it then. Peter Lucas. It sounds fine, doesn't it? You couldn't get much more English than that. But there are other people who believe it would be a betrayal of some kind, a denial of our nationality, a sacrifice of a vital part of ourselves.'

'Your father being one of those people?'

'Yes, my father. And his sister, my aunt Krystyna.'

'But what do
you
think?'

'It has to be what seems right for the individual, doesn't it? It has to be a question of how we see ourselves, whether we think of ourselves as English or Polish, or whatever. All that matters is what each person thinks his own identity is, and whether he's willing to sacrifice any part of it to be able to fit in. That's the question we have to ask ourselves.'

'Not as easy a question as it sounds.'

'Did you notice my father's hand?' asked Lukasz.

'You mean the fingers he has missing?'

'Yes. He lost them as a result of frostbite and his injuries in the crash. It was caused by the delay in rescuing them from the moor afterwards. My father took his gloves off to try to staunch blood from the wounds that Klemens had suffered.'

Cooper nodded. But that hadn't been in the books he'd read.

'My father and Klemens were more than just cousins,' said Lukasz. 'They were very close, like brothers – and that's not an exaggeration. Not for Poles. They'd been brought up together in their village in Polskie province. They escaped together when the Germans came, and they went to France. They had to leave when France was invaded too. Hitler called the Polish servicemen "Sikorski's Tourists" after their commanding officer, and because they moved from one country to another. He shouldn't have been so contemptuous, because they were some of the best fighters there were. They had passion, you see. They had an enemy to fight. Eventually, Zygmunt and Klemens arrived in England to fight with the RAF. The British airmen used to called them "The Terrible Twins" because they were always together and they thought they looked alike.'

'Were they really very much alike?'

'Not all that much.'

'Do you have a photograph?'

'My father has some. They're very precious to him, but I suppose he won't mind you seeing them.'

Lukasz was gone only a moment. But when he re-appeared he looked almost furtive, as if he were carrying something shameful.

'This one was taken when my father and Klemens Wach were first based in Britain. They were billeted in a hotel in Brighton. I think they probably had a good time there for a while.'

'Who were the girls?'

'I've no idea. There were always plenty of girls, according to my father. Plenty of girls for a good-looking young man in a pilot's uniform. And the Polish airmen were a bit exotic too, I suppose. Why do you ask?'