Blood Lite II: Overbite

This book is a work of fiction. Names, characters, places, and incidents either are products of the authors’ imaginations or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental.

Volume copyright © 2010 by The Horror Writers Association, Inc.
Dark Carbuncle
copyright © 2010 by Kevin J. Anderson and Janis Ian
Death and Taxes
copyright © 2010 by Heather Graham
Table for Two
copyright © 2010 by Jeff Ryan
Treatment
copyright © 2010 by J. A. Konrath
Dead Clown Séance
copyright © 2010 by Christopher Welch
The Day the Devil Swallowed a Heapin’ Helpin’ of Pride at the Beaulahville Gospel Jubilee
copyright © 2010 by Scott Nicholson
Piecemaker
copyright © 2010 by Don D’Ammassa
Good Breeding
copyright © 2010 by Lucien Soulban
Tails
copyright © 2010 by John R. Little
Dog Tired (of the Drama!)
copyright © 2010 by L. A. Banks
A Sweet Girl for Todd
copyright © 2010 by Mark Onspaugh
Tastes Like Chicken
copyright © 2010 by Jordan Summers
Presumptuous Beast Throws Sumptuous Feast
copyright © 2010 by Mike Baron
Bad German
copyright © 2010 by Edward Bryant
The Halloween War
copyright © 2010 by Brian J. Hatcher
Oh, the Ho-Ho Horror
copyright © 2010 by Joel A. Sutherland
The Unfortunate Persistence of Harold Francis Beamish
copyright © 2010 by Aaron Polson
Dick and Larry
copyright © 2010 by D. L. Snell
Son of . . . a Bitch!
copyright © 2010 by Sam W. Anderson
Her Lucky Day
copyright © 2010 by Allison Brennan
A Wing and a Prayer
copyright © 2010 by Sharyn McCrumb
Barewolf
copyright
© 2010 by Daniel Pyle
American Banshee
copyright © 2010 by Eric James Stone
The Epicurean
copyright © 2010 by Amy Sterling Casil
The Ghoul Next Door
copyright © 2010 by Nancy Kilpatrick
Daycare of the Damned
copyright
© 2010 by Nina Kiriki Hoffman
Season Tickets
copyright © 2010 by Derek Clendening
The Close Shave
copyright © 2010 by Mike Resnick and Lezli Robyn
Shaggy Dog Story
copyright © 2010 by Steve Rasnic Tem
Eight-Legged Vengeance
copyright © 2010 by Jeff Strand
Lucifer’s Daughter
copyright © 2010 by KLA Fricke, Inc.

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First Gallery Books trade paperback edition October 2010
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Manufactured in the United States of America

10 9 8 7 6 5 4 3 2 1

Library of Congress Cataloging-in-Publication Data is available.

ISBN 978-1-4391-8765-4
ISBN 978-1-4391-8770-8 (ebook)

Contents

Dark Carbuncle •
K
EVIN
J. A
NDERSON AND
J
ANIS IAN

Death and Taxes •
HEATHER GRAHAM

Table for Two •
JEFF RYAN

Treatment •
J. A. KONRATH

Dead Clown Séance •
CHRISTOPHER WELCH

The Day the Devil Swallowed a Heapin’ Helpin’ of Pride at the Beaulahville Gospel Jubilee •
SCOTT NICHOLSON

Piecemaker •
DON D’AMMASSA

Good Breeding •
LUCIEN SOULBAN

Tails •
JOHN R. LITTLE

Dog Tired (of the Drama!) •
L. A. BANKS

A Sweet Girl for Todd •
MARK ONSPAUGH

Tastes Like Chicken •
JORDAN SUMMERS

Presumptuous Beast Throws Sumptuous Feast •
MIKE BARON

Bad German •
EDWARD BRYANT

The Halloween War •
BRIAN J. HATCHER

Oh, the Ho-Ho Horror •
JOEL A. SUTHERLAND

The Unfortunate Persistence of Harold Francis Beamish •
AARON POLSON

Dick and Larry •
D. L. SNELL

Son of . . . a Bitch! •
SAM W. ANDERSON

Her Lucky Day •
ALLISON BRENNAN

A Wing and a Prayer •
SHARYN MCCRUMB

Barewolf •
DANIEL PYLE

American Banshee •
ERIC JAMES STONE

The Epicurean •
AMY STERLING CASIL

The Ghoul Next Door •
NANCY KILPATRICK

Daycare of the Damned •
NINA KIRIKI HOFFMAN

Season Tickets •
DEREK CLENDENING

The Close Shave •
MIKE RESNICK AND LEZLI ROBYN

Shaggy Dog Story •
STEVE RASNIC TEM

Eight-Legged Vengeance •
JEFF STRAND

Lucifer’s Daughter •
KELLEY ARMSTRONG

About the Authors

Dark Carbuncle

KEVIN J. ANDERSON AND JANIS IAN

A graveyard. Night. Lurid branches scrabble across the blood-red moon. Silence, whispers, then a hush of anticipation. Fifteen boom boxes encircle a grave. Giant woofers (removed just that morning from an unsuspecting car) sit with bass ends flat against the massive gravestone.

Here at peace at last lies Thor

Troubled by the Dark no more

The four aging fans in attendance for the midnight show—the ritual—had polished their studs, mangled their hair, added dye where needed and bleach where not. They wore their finest black leather, but left the jackets open to expose too-small T-shirts from concerts past, fabric memories that paid homage to their hero’s mind-blowing shows, when he’d been alive.
Thor
. The writer of the greatest song in the history of mankind.

“Man, we really should have put a line from ‘Dark Carbuncle’ on his tombstone instead,” Conk said. “I mean, so everybody could see his genius for all eternity.” His given name was William, and he went by the handle of “William the Conqueror” from some impressive historical guy, though most of his friends didn’t get it. They thought “Conk” just meant he liked to bash things.

“Anybody can hear his
genius
just by playing the song, shithead,” said Kutfist, ending with the sharp sneer he’d practiced all week. “Trust me, we didn’t want to deal with the rights issues.”

“Yeah but, dude, ‘Dark Carbuncle’ is an awesome song, right?” said Dredd, and though he’d said it many times before, nobody disagreed. Especially not on this night of nights.

The lone girl in the group, swaying to the music of a silent song, twisted a lock of hair around her finger. “Kinda creepy, ya think?” Despite the spiderweb tattooed on her chin, Longshanks was always the first to back away from anything remotely disturbing. “I mean, we’re
raising him from the dead
. . . .” Her voice trailed off.

“God, lighten up, ’shanks. You’ve been this way since grade school. What can he do to us? He’ll be in our power.” Sneering, Kutfist turned toward the others with a shrug. Women. Jeez.

“Yeah, and ‘Dark Carbuncle’ is such an awesome song. . . .” Dredd’s usual sentence trailed off as a cloud covered the moon.

“It has to be tonight, on the anniversary,” said Conk with finality as he connected the last of the speakers. The Wikipedia entry had been very specific on that point.

Kutfist scanned the graveyard in disappointment. “I can’t believe we’re the only ones here. Elvis gets
tons
of fans on his Death Day every year!”

“Elvis fans don’t know that ‘Dark Carbuncle’ is an awesome song,” Dredd assured him. “Or they’d be here.”

Longshanks tugged harder on her hair. “And what’s he gonna look like with a fractured skull, Kut? I mean, part of his head might be gone.
Ecchhh.
”

Kutfist pushed his trifocals farther up his nose. “Shut up, ’shanks. The man was a
god
. That last show we saw was
unbelievably amazing
. He’d never have killed himself, never. We can finally find out the truth now, so just stop worrying and shut up.”

Nodding, Conk stood up. Brushing leaves off his hands, he pulled a few folded sheets from the back pocket of his jeans and handed them each a paper with the lyrics printed backward phonetically. That was the worrisome part. They knew the lyrics forward well enough to sing them the required seven times, but the backward part made Conk nervous. “We’ve gotta get it right, or we’ll end up raising Frank Sinatra or something. Seriously, you can’t be too careful with the Dark Side. Don’t screw it up.”

With tears in his eyes and excitement in his heart, he reached down to the nearest boom box and pushed PLAY.

Thor opened what was left of his eyes and knew he wasn’t in the Ritz. It had been a long time since he’d stayed in high-class hotels on tour, and now suddenly he experienced a flashback rush of the last images he remembered.

A motel room, after the show, his ears still ringing from feedback and amps turned up to eleven. Used to be his ears would ring from the screaming fans . . . used to be all-night parties, used to be groupies and sex—but the groupies were not as attractive now, and Viagra could only do so much. Ditto the gigs, no more backstage excitement when Mick visited, no more telling the roadie to bring the chick from row five back to the luxe hotel. Now, a gig was just a gig, something to get through until he figured out what to do with the rest of his life.

He hadn’t slept a full night in months—years—and now somebody was playing that damned song so loud it echoed right through the walls of this fleabag purgatory of a room. Where the hell was this?

Thorton Velbiss—Thorny to his friends (not many of those), Thor to his fans (not many of those either)—was not having a good day. First, that pounding bass drum was unacceptable. The only noise he wanted to hear with this kind of hangover was the sound of vodka over ice. Second, his fucking hit record from two decades ago was playing, with the bass booming so wide he could swear the damned thing was sitting on his face. The only time Thor would tolerate listening to “Dark Carbuncle” was onstage, during a show, when he lip-synched his way through it for an audience of haphazardly fat metal-heads bent on reliving their youth.

I was ferocious back then, ya know? Really fero. And taller, I think. Maybe just skinny. Now I have to wear a corset. Still, I had a hell of a good run. Just one hit, but it kept me in chicks and booze. . . .

Fuck, no, it’s a horrible song. Piece of shit me and Dirk the Drummer whipped up one night while we were wanking off. Farthest wank got to title the song. He won.

I hate that fucking song.

’Sides, I can’t hit that high note, never could. Brought a ringer into the studio, never thought it’d be a hit. We had great shit on the album, great shit . . . and all anybody ever wants to hear is “Dark dark dark. Dark dark dark. Dark dark dark, I’m a da-da-da-da-carbuncle.”

Makes you want to puke.

Gotta lip-synch it now anyway, can’t even hit the low notes. At least I remember the words. Stupid effing words—even I don’t know what they mean. Last time I saw the big El, Scotty Moore had to hand him the lyrics to “Love Me Tender.” Speaking of hand . . . hand me that vodka, wouldya?

He’d forgotten there wasn’t anybody here. What the hell, he’d serve himself.

He’d been an altar boy in his youth, a good little Catholic, though that was part of his secret past. The headbangers would never understand it. He hadn’t prayed in . . . what? Thirty years? Not since he’d picked up a Les Paul, plugged it in, and let wail.

Now, as he felt around for the bottle, trying to shake the cobwebs out of his head, he wondered who’d have the nerve to play that scrotum of a song right on top of his room.
Boom boom boom
. Trying to shut out the sound, he drifted back to the last gig.

It was like reliving a nightmare over and over again, singing that song every night. His agent said this tour could maybe revive his career (but then, he always said that)—opening for some fifteen-year-old one-hit wonder. At least if there was any justice in the world, it
should
have been one hit, but the kid was coming off his fourth top ten record. Turned out he was a metal fan, though, and loved “Dark Carbuncle” (and wasn’t
that
embarrassing), and demanded Thor as his opener (though what his Top 40 demographic would make of it, only God knew).

Thor had checked into the motel under a fake name, just in case anybody noticed. Grabbed a quick nap (not that the fans needed to know about that either!), packed his crotch, hit the lobby. Out by the kid’s tour bus, a few rabid Thor fans began jumping up and down, one paunchy guy with dreadlocks yelling “Dude! Dude! ‘Dark Carbuncle’ is an awesome song!” Thor stopped to see if they wanted autographs and noticed that two of them wore pizza delivery uniforms.

“How should I make this out?” he asked a girl with a weird chin tattoo. Glancing at her name tag, he hazarded a guess. “To Tiffany?”

The girl went beet red. “Uh, no,
Longshanks
—just make it to Longshanks.”

He smiled inwardly, but outwardly gave her the long, slow
I could change your life, babe!
look. She brightened and giggled at her friends. At least he’d made
somebody’s
day.

On to the show, which sucked. Of course. How the hell can anyone play music at two in the afternoon, under a wide open sky, looking out at a bunch of hayseeds whose big weekend excitement was probably going to be the pig race? Real waste of Oreos, that one. He sped through the set, not even bothering with the pyro at the end, sneering when people applauded the opening chords of “Carbuncle.” Idiots.

I used to dream about being a Beatle, you know? Back in the day, I played the Garden. Twice. Well, only once as the lead act, but still. Alice Cooper, Ozzie, Rob Zombie, they had nothing on me. Eating a live bat, hell—I used to shove worms up my nose, just to line the coke! Now look at me . . . playing some friggin’ rodeo for a hundred bucks. Pathetic, that’s what it is.

Why couldn’t I have died young, in a private plane crash? At least that would be a respectable ending.

Afterward, back at the motel—still daylight out!—he drank most of the quart of Stoli that Mr. Four-Hit-Wonderkid had nervously presented him at sound check. Scratching at his empty stomach, Thor decided to surf the vending machines for dinner. Peanut butter cups and a vodka chaser, the perfect road meal.

He barely registered the Muzak droning through the elevator speakers, until he caught himself humming along. Son of a bitch! Bland whiter-than-white harmonies accompanied by easy-listening strings.
Dark dark dark. Dark dark dark. I’m a da-da-da-da-carbuncle, hiding in the dark.
Unbelievable. His song. That frigging publisher had sold him out, turned him into effing elevator music, music for supermarkets and dentist’s chairs. Fucking asshole. And his agent was probably in on it, too. Scum, they were all scum.

He’d show them. If he couldn’t die young, at least he could die tragic. “Dark Carbuncle” as elevator music—the last straw of all last straws.

Thor stormed back to his room and grabbed the .38 he always carried. Flopping backward on the bed, he spun the cylinder—five bullets, one empty chamber. Go out like a man, yeah, playing Russian roulette. They’d all be sorry then, even those stupid pizza-parlor rejects. Barrel to the head, click click and it’s over. Jimi, Kurt, make way for the next dead rock legend.

Thor raised the gun. Winced at the cold feel of metal against skin. Paused. Squeezed.

Click.

Click? A barrel loaded with Super-X 500 hollow points, and all it can do is go
click
? Un-fucking-believable.

He tried again.

Click.

Hell, how could you
lose
at Russian roulette? He hurled the gun across the room, where it skittered to a halt on the bathroom floor. Throwing his legs over the bed, Thor grabbed the vodka, took a long slow drag, and made his way to the bathroom, where he somehow managed to drop the bottle on his toe. Yelling out loud, he jumped—and landed barefooted on the gun, which spun crazily against the tiles while he fell backward.

Sickening crack of his head against the tub. He lay on the cold, hard floor, feeling his life ebb away. Frigging humiliating way to die . . . for both a former alter boy and a former rock star.

On the other hand, maybe God wouldn’t consider this a suicide. Good news. His last thought was that he’d finally be able to get some effing sleep. Safe in the arms of the afterlife.

Until some fuckheads called him back for an encore. . . .

Graveyard, night, big speakers booming, a familiar chorus sung again and again with enthusiasm, if not harmony.

Mmm, I ain’t no spoonful

Baby I’m a
mouth
-full

and I’m gonna tumble,

rumble crumble tumble

your Dark Carbuncle

Dark Carbuncle

Conk, Kutfist, Longshanks, and Dredd sang the beloved words seven times seven (almost as many times as in the actual song), and three times more backward, until they were hoarse with it. Conk finally signaled the end of the ritual by switching off the boom boxes. They reeled in the sudden hush, breathing heavily.

“How long is it supposed to take?” Longshanks whispered.

“Give him a few minutes.” Conk tried not to sound uncertain. The Wikipedia entry had been unclear on that point. “He’s coming all the way back from the dead.”

Kutfist sneered. “He never started the concerts on time either.”

“Yeah, I loved waiting for ‘Dark Carbuncle.’ What an awesome song,” said Dredd. No one disagreed.

Suddenly the earth began to tremble, and something stirred beneath the leaves. The ostentatious tombstone they’d banded together and paid for all those years ago pulled loose and tumbled backward, leaving a gaping hole.