Blackwood Farm (8 page)

“Now maybe if my father had not been such a simple and practical man he would have looked into it, but he didn't and neither did my aunt, Manfred's only other child. They didn't see ghosts, those two.” She made this remark as if Lestat would naturally regard this as peculiar. “And they had a strong sense, both of them, that Blackwood Farm should be worked and should pay. They passed that on to my brother Gravier, Quinn's great-grandfather, and he passed it on to Thomas, Quinn's grandfather, and that was what those men did, the three of them, work, work, work Blackwood Farm all the time, and so did their wives, always in the kitchen, always loving you with food, that's what they were like. My father, my brother and my nephew were all real countrymen.

“But there was always money, money from the Old Man, and everybody knew he'd left a fortune, and it wasn't the milk cows and the tung oil trees that made the house so splendid. It was the money that my grandfather had left. In those days people really didn't ask where you got your money. The government didn't care as they do in this day and age. When this house finally fell to me, I searched through all the records, but I couldn't find any mention of the mysterious
he,
or a partner of any sort, in my grandfather's affairs.”

She sighed and then, glancing at Lestat's eager face, she continued, her voice tripping a little faster as the past opened up.

“Now, regarding the beautiful Rebecca, my father did have terrible memories of her, and so did my aunt. Rebecca had been a scandalous companion to my grandfather, brought into this very house, after his saint of a wife, Virginia Lee, had died. An evil stepmother if ever there was one, was this Rebecca, too young to be maternal, and violently mean to my father and my aunt, who were just little children, and mean as well to everyone else.

“They said that at the dinner table, to which she was allowed to come in all her obvious impropriety, she'd sing out my poor Aunt Camille's private verses just to show her she'd snuck into her room and read them, and one night, gentle though she was, Aunt Camille Blackwood rose up and threw an entire bowl of hot soup in Rebecca's face.”

Aunt Queen paused to sigh at this old violence and then went on:

“They all hated Rebecca, or so the story went. My poor Aunt Camille. She might have been another Emily Dickinson or Emily Brontë if that evil Rebecca hadn't sung out her poetry. My poor Aunt Camille, she tore it all up after those eyes had seen it and those lips had spoken it and never wrote another verse again. She cut off her long hair for spite and burnt it up in the grate.

“But one day, after many another agonizing dinner-table struggle, this evil Rebecca did disappear. And, with no one loving her, no one wanted to know why or how. Her clothes were found in the attic, Jasmine says, and so says Quinn. Imagine it. A trunk or two of Rebecca's clothes. Quinn's examined them. Quinn's brought down more cameos from them. Quinn insists we keep them. I'd never have had them brought down. I'm too superstitious for that. And the chains! . . .”

She stole an intimate and meaningful glance at me. Rebecca's clothes. The shiver in me was relentless.

Aunt Queen sighed, and, looking down and then up at me again, she whispered:

“Forgive me, Quinn, that I talk as much as I do. And especially of Rebecca. I don't mean to upset you with those old tales of Rebecca. We best have done with Rebecca perhaps. Why not make a bonfire of her clothes, Quinn? You think it's cold enough in this room, what with the air-conditioning, for us to light a real fire in the grate?” She laughed it off as soon as she'd uttered it.

“Does this talk upset you, Quinn?” Lestat asked in a small voice.

“Aunt Queen,” I declared. “Nothing you say could ever sit wrong with me, don't be afraid of it. I talk all the time of ghosts and spirits,” I continued. “Why should I be upset that anyone talks of real things, of Rebecca, when she was very much alive and cruel to everyone? Or of Aunt Camille and her lost poems. I don't think my friend here knows how much I came to know Rebecca. But I'll tell him if he wants to hear another tale or two later on.”

Lestat nodded and made some small sound of assent. “I'm very ready for it,” he said.

“It seems when a person sees ghosts, for whatever reason, he has to talk of it,” said Aunt Queen. “And surely I should understand.”

Something opened in me rather suddenly.

“Aunt Queen, you know my talk of ghosts and spirits more truly than anyone except Stirling Oliver,” I said calmly. “I'm speaking of my old friend of the Talamasca because he did know too. And whatever your judgment of me, you've always been gentle and respecting, which I appreciate with all my heart—.”

“Of course,” she said quickly and decisively.

“But do you really believe what I told you of Rebecca's ghost?” I asked. “I can't tell even now. People find a million ways not to believe our ghost stories. And people vary in their fascination as to ghosts, and I have never been very sure of where you stand. Now's a good time to ask, isn't it, when I have you in the storytelling mood.”

I was reddening, I knew it, and my voice had a break in it which I didn't like. Oh, the thunder of ghosts and their aftermath. Let it distract me from Stirling Oliver in my lethal arms and the bloody bride lying on the bed. Blunders, blunders!

“Where I stand,” she said with a sigh, looking directly from Lestat to me and back again. “Why, your friend here is going to think he's entered a house of lunatics if we don't break off with this. But Quinn, tell me now that you haven't gone back to the Talamasca. Nothing will upset me so much as that. I'll rue the night I ever told such stories to you and your friend if it sends you back to them.”

“No, Aunt Queen,” I answered. But I knew I had reached my limit as to how much I could conceal if this painful conversation went on. I tried to rejoice again quietly in the fact that we were all together, but my mind was jumbled with frightening images. I was sitting very still, trying to keep all tight in my heart.

“Don't go into that swamp, Quinn,” Aunt Queen said, abruptly appealing to me, as if from the core of her being. “Don't go to that accursed Sugar Devil Island. I know your adventuresome spirit, Quinn. Don't be proud of your discovery. Don't go. You must stay away from that place.”

I was hurt through no fault of hers. I prayed I could soon confess to Lestat or someone in this world that her warnings were now too late. They had been timely once, but a veil had fallen over all the past, with its impetuosity and sense of invincibility. The mysterious
he
was no mystery whatsoever to me.

“Don't think about it, Aunt Queen,” I said as gently as I could. “What did your father tell you? That there was no devil in Sugar Devil Swamp.”

“Ah, yes, Quinn,” she responded, “but then my father never set out in a pirogue in those dark waters to roam that island as you do. Nobody ever found that island before you, Quinn. That wasn't my father's nature, and it wasn't your grandfather's nature to do anything so impractical himself. Oh, he hunted near the banks and trapped the crawfish, and we do that now. But he never went in search of that island, and I want you to put it behind you now.”

Keenly, I felt her need of me, as vividly as if I'd never felt it before.

“I love you too much to leave you,” I said quickly, the words rolling from me before I thought of precisely what they meant. And then as suddenly: “I'll never leave you, I swear it.”

“My dear, my lovely dear,” she said, musing, her left hand playing with the cameos, lining up Rebecca at the Well, one, two, three, four and five.

“They have no taint, Aunt Queen,” I said looking at those particular cameos, remembering discordantly but quite definitely that a ghost can wear a cameo. I wondered, Did a ghost have a choice? Did a ghost pillage its trunks in the attic?

Aunt Queen nodded and smiled. “My boy, my beautiful Little Boy,” she said. Then she looked to Lestat again. His demeanor, his kindliness towards her had not changed one jot.

“You know, Lestat, I can't travel anymore,” she said quite seriously, her words saddening me. “And sometimes I have the horrid thought that my life is finished. I must realize that I'm eighty-five. I can't wear my beloved high heels any longer, at least not out of this room.”

She looked down at her feet, which we could still plainly see, at the vicious sequined shoes of which she was so proud.

“It's even an undertaking to go into New Orleans to the jewelers who know I'm a collector,” she pressed on. “Though I have out back at all times the biggest stretch limousine imaginable, certainly the biggest limousine in the parish, and gentlemen to drive me and accompany me and Jasmine, darling Jasmine of course. But where are you these days, Quinn? It seems if I do wake at a civil hour and make some appointment you can't be found.”

I was in a haze. It was a night for shame and more shame. I felt as cut off from her as I was near to her, and I thought of Stirling again, of the taste of his blood and how close I had come to swallowing his soul, and I wondered again if Lestat had worked some magic on both of us—Aunt Queen and me—to make us feel so totally without guile.

But I liked it. I trusted Lestat, and a sudden mad thought came to me, that if he was going to hurt me, he would never have gone so far in listening to Aunt Queen.

Aunt Queen went on with a lovely animation, her voice more pleasant though the words were still sad.

“And so I sit here with my little talismans,” she said, “and I watch my old movies, hoping that Quinn will come, but understanding if he doesn't.” She gestured to the large television to our left. “I try not to think bitterly about my weaknesses. Mine has been a rich, full life. And my cameos make me happy. The pure obsession with them makes me happy. It always has, really. I've collected cameos since that long-ago day. Can you see what I mean?”

“Yes,” said Lestat, “I understand you perfectly. I'm glad that I met you. I'm glad to be received in your house.”

“That's a quaint way to put it,” she said, obviously charmed by him, and her smile brightened and so did her deep-set eyes. “But you are most graciously welcome here.”

“Thank you, Madam,” Lestat replied.

“Aunt Queen, my darling,” she pressed.

“Aunt Queen, I love you,” he responded warmly.

“You go now, both of you,” she said. “Quinn, put the chairs back because you're big and strong, and Jasmine will have to drag them over the carpet, and you are free, both of you, my young ones, and I am so put out that I have ended this spirited conversation on a sad note.”

“On a grand note,” said Lestat, rising, as I took both the chairs easily and returned them to the writing table. “Don't think I haven't been honored by your confidences,” he went on. “I've found you a grand lady, if you'll forgive me, an entrancing lady indeed.”

She broke into a delighted riff of laughter, and as I came around in front of the table again and saw her shoes glittering there as if her feet were immortal and could carry her anywhere, I suddenly detached from all decorum and went down on my knees and bent my lips to kiss her shoes.

This I had done often with her; in fact, I had caressed her shoes and kissed them to tease her, and liked the feel of her arch in them, and I kissed that too, the thin nylon-covered skin, often and now, but for me to do it in front of Lestat was outrageously amusing to her. And on and on she laughed in a lovely soft high laugh that made me think of a crowded silver belfry against the blue sky gone quite wild.

As I climbed to my feet, she said:

“You go on now. I officially release you from attendance. Be off.”

I went to kiss her again, and her hand on my neck felt so delicate. A ripping sense of mortality weakened me. The words she'd spoken about her age echoed in my ears. And I was aware of a hot mixture of emotions—that she had always made me feel safe, but now I didn't feel that she herself was safe, and so my sadness was strong.

Lestat made her a little bow, and we left the room.

Jasmine was waiting in the hallway, a warm patient shadow, and she asked where in the house I might be. Her sister, Lolly, and their grandmother Big Ramona, were in the kitchen, ready to prepare anything we might want.

I told her we didn't need anything just now. Not to worry. And that I was going up to my rooms.

She confirmed for me that Aunt Queen's nurse would come later, a ray of sunshine with a blood-pressure cup by the name of Cindy, with whom Aunt Queen would probably watch the movie of the night, which had already been announced as
Gladiator,
directed by Ridley Scott. Jasmine, Lolly and Big Ramona would of course watch the movie as well.

If Aunt Queen had her way, and there was no reason to think she couldn't, there might be another couple of nurses in the room for the movie too. It was her habit to make fast friends of her nurses, to inspect photographs of their children, and receive birthday cards from them, and to gather as many such young attendants around her as she could.

Naturally, she had her own friends, scattered about through the woods and up and down the country roads, in town and out of it, but they were as old as she was and could hardly come out to spend the night with her in her room. Those ladies and gentlemen she met at the country club for luncheon. The night belonged to her and her court.

That I had been a constant courtier before the Dark Blood was a fact. But since that time I'd come and gone irregularly, a monster among innocents, beleaguered and angered by the scent of blood.

And so Lestat and I left her, and the night—though I had almost murdered Stirling, and had fed without conscience on an anonymous woman, and had attended Aunt Queen in her storytelling—was actually quite young.

Lestat and I approached the staircase and he made a sign for me to lead the way.