Authors: David Macinnis Gill
Collector falls hard on his tailbone. The standover man follows suit. They roll backward, moaning onto the icy asphalt, dust staining their light gray robes with streaks of rust. It looks like blood. Part of me wishes it were.
In an instant the barrel of my gun is lodged in one of Collector's flaring nostrils.
“Give Mr. Lyme a message,” I say calmly, although my heart is racing. “Tell him if anything happens to my father, I'll take my business to his competitor.
After
I've kept my promise.”
“Yeah,” Collector says. “Got that.”
His partner lifts him to his feet after I step away.
“This isn't over, kid. Mr. Lyme? You'll never even see him coming, but he'll come all right.”
“Go on, messenger boy.” I wave the armalite at him. “Walk fast.”
Collector makes an obscene gesture as they stumble away. “If you didn't have that weapon.”
“But I do. And it's legal for me to use it. Remember that next time, before the thought of me trafficking pharmies even enters that microbe you call a brain.”
A second later I'm bounding down the stairs, headed for the Tube. My train is arriving, and I'm just in time to catch it.
East End, New Eden
ANNOS MARTIS
238. 4. 8. 08:13
The TransPort monorail station at the east end of New Eden reminds me of a toilet. It's the miasmatic, pent-up odor of thousands of humans passing through every day, with only a creaking ventilation system to move the air around. In the surface cities near the equator like Valles Martis, the air is clean and breathable. Once or twice Vienne and I tried to find work there, but
dalit
are shunned in those cities, like our presence is a form of pollution.
“Stupid damned miners. Stupid damned South Pole,” Jenkins curses as he throws his bags into the luggage berth above our seats. Packed away in a duffle, his fifty-caliber machine gun clanks as it lands on the rack.
“Excuse me? There are children present,” says a pucker-faced woman a few rows ahead. Her daughter is seated beside her, earbuds on, bouncing to music. The woman covers the girl's ears anyway. “Watch your language, sir!”
“Who you calling
sir
?” he says. “I work for a living, you lemon-faced fingringhoe.”
“Well, I never!” she says, horrified.
“You did at least once!” He makes a rude hand gesture. “Unless that's somebody else's kid sitting in the next seat.”
Seeing Jenkins's amputated pinkie, the woman puckers up so much, her mouth almost flips inside out. She presses the call button. Now he's done it. A conductor will be coming soon.
“Sit down!” I hiss at him. “Stop being a jackass and act like a Regulator for once.”
“Me? She's the one got all huffy.” Jenkins plops down beside the porthole, pulls his armalite from its holster, and lays it on his lap.
“That is not safe,” Vienne says as we slide into the row behind him. “Follow travel protocol.”
Jenkins growls, “Mind your own business.”
“He's just compensating,” Fuse turns to tell Vienne.
“You're the one with the short fuse, Fuse,” Jenkins says. “Get it? Short
fuse
. 'Cause you're short.”
Vienne elbows me in the ribs, then mouths,
Told you so.
I throw up my hands, as if to say,
Like I had any other choice.
“Okay, pipe down, you two.” I push my own bag into the overhead compartment. “You know the rules, Jenks. Holster your weapon or pack it away.”
“Aw.”
“You heard me.”
He jams it into the holster. Stows it. “Nobody ever lets me have any fun.”
After he's finished, I call the three of them together. “We need to establish a comm link for the duration of the job.”
The boys start pulling the earbuds from their suitsâthe old-fashioned way of synching. I shake my head. “Not that way. My telemetry functions can do it automatically. Just spin your seats around.” They unlock their section and turn it so that we're facing one another. “Now, join hands.”
“Yes, sir!” Fuse grins. He takes hold of Vienne's hand and interlaces his fingers with hers. “Your methods are unorthodox, chief, but I like them. How about you, suzy? Doesn't sharing flesh with the Fuse make your blood turn all hoâow!”
“No, it doesn't.”
“Vienne, don't break his fingers. He'll need them later.”
“Why?” she says as she complies. “Like I said, he's just going to blow them off.”
Fuse sticks his freed fingers in his mouth. “That's was harsh, loâI mean, Vienne.
Vienne!
”
“Hands, Regulators,” I say.
“You take hers this time, Jenks,” Fuse says, grimacing.
Jenkins tilts his head to the side. “Ain't held hands with suzies too much. Not sure I'm keen on it.”
“For the love ofâ!” I bark. “Take her carking hand! She won't bite!”
All their heads turn to me like synchronized artillery.
“Well,” I say, “maybe she will, but not if I tell her not to. Hands!” Finally we manage the maneuver without anyone else getting hurt. “Mimi, synch them to my aural frequency. On my mark. One. Two.”
“Done.”
“Already?”
“I had,” she says with a lilt to her voice, “plenty of time to prepare.”
When the synch is finished and we all find our seats, Jenkins says, “Holding hands is fun. It tickles.”
Fuse shakes his hand. “The pox it does!”
Jenkins turns back to Vienne. “Now I know why Durango's the chief and you're notâhe's got the prettiest suit.”
I hear Mimi titter in my head. “Out of the mouth of babes⦔
Then Vienne turns to me and fake smiles. “Don't even think of ordering me to babysit him.”
“Wouldn't dream of it.”
“I've heard that before.”
I start to argue when the conductor enters the car. She goes to the puckered woman, who turns and points at Jenkins, then at me. The conductor nods, and her face puckers up, too.
Uh-oh. I know what's coming. Vienne and I've been down this road many times before.
The conductor straightens her hat. Walks purposefully past Jenkins and Fuse. And stops beside me. “Fare card.”
She forgets to say
please
. I pass her the card using my bad hand. Let her take a good, long look. She freezes, lip quivering, then pinches the card between thumb and forefinger like it's covered in pox germs.
“Party of four traveling to Outpost Fisher Four,” she says after swiping the card through the reader belted to her hip.
“That's right,” I say through a forced smile.
“For what purpose?”
“Work.”
“Does your work involve weapons?”
“Usually. We're Regulators.”
“I know what you
are
,” she says, and keeps the card. “There have been complaints from the other passengers.”
“About what?”
She glances at my pinkie. “You'll have to vacate this car.”
“What?” Vienne says, her voice rising. “We've paid for our seats likeâ”
She leans over us, pretending to keep her voice low, but making sure other riders hear her. “Passengers are seated at the discretion of the conductor. And I want you out of these seats now.
Dalit
aren't fit to ride in the same car as decent citizens.”
Fuse turns and starts to argue. I shake my head no. Even if we once risked our lives to defend people like this officious rotter, we have to remember that we're still Regulators. They think we're trash, but that doesn't mean we have to act it. “If you say so. We'll move. Fuse, Jenkins. Grab your gear. We're moving out.”
“Huh?” Jenkins says. “Moving out where?”
“To the baggage compartment,” the conductor says loudly.
“But I just got situated,” Jenkins complains.
Fuse tugs their bags from the rack. “Let it go, Jenks. You know the drill. We've been shown the door before, right?”
A few rows ahead, the puckered-up woman starts to hiss. The other passengers join in, and in a few seconds, the cabin sounds like a bucket of snakes. The conductor flounces to the back door, obviously enjoying the heads turning our way, and opens the hatch. There's a metallic click, and wind and noise rush inside.
I stand to the side as first Vienne and then Fuse and Jenkins file out.
When it's my turn, I look the conductor hard in the eye. “You don't happen to speak Chinese, do you?”
“No, I do not,” the conductor says. “Why do you want to know?”
“Oh, no reason.” I clap my hands together and bow. “
Jià o n
sh
ng háizi zh
ng zhì chu
ng
. And have a nice day.”
Â
After a long walk through a couple dozen cars and a litany of complaints from Jenkins, we reach the baggage car. The few seats are stained and torn, surrounded by stacks of luggage locked behind security doors. The conductor makes sure we know about the security cameras, then hustles away in a rush, like she's suddenly aware that
she's pissed off a very big man with a very big gun.
“It's not first class,” I say as we stow our gear again. “But at least we've got it all to ourselves.”
“Huh,” Jenkins says, which sums up pretty much what all of us are feeling.
I take my own seat. Settle in for a nap. The trip to Fisher Four will take a full day's travel. Might as well get some sleep.
“So,” Fuse says, swinging around in his seat. “You two been together long, davos wise, I mean? Me and Jenks has been best cobbers since the day we became Regulators. We're both conscripts. My parentals are first-generation immigrants from Earth. Worked as conscript servants before marrying and having seven childrenâsix of us boys, of which I'm the babyâplus taking care of a few of my cousins off and on. Jenks, he comes from miners. His parentals carked it during a cave-in, and he got stuck among the Orphan Workers Program till they conscripted him. Did I tell you how we got decorated at the Battle of Noachis Terra? It's quite the tale, if I say so myself.”
And he does say so himself. Rambles on for several more minutes. By the time he takes a breath, my ears feel scorched and Vienne looks like she wants to claw her way through the side of the rail car.
“Vienne,” I groan, “I take it back. You can shoot him.”
“How many times?” she says.
Fuse throws both hands up in a defensive gesture. “Oy! I get the message. What a couple of grumpies you two are.”
He slides into his seat. “Oy, Jenks. Got anything choice in that nosh bag of yours?”
Vienne and I exchange looks. She starts to speak, and I put a finger to her lips to shush her. For a few seconds it's as if time is frozen. I let out a short breath, and Vienne blinks, then pulls back. Slowly she takes my hand in hers and lowers it. Almost imperceptibly, she shakes her head no, and I'm not sure which of us she's talking to. I take a deeper breath, my mind a swirl of emotions as she makes a fist and turns her face to the window.
Damn.
“Mimi,” I rub my fingers together, thinking about the touch of her lips. “Keep an eye on things.”
“Which eye?” she says. “Your real one or the synthetic bionic one?”
“It's figure of speech.”