Billy Summers (44 page)

“Shut up.” What a pleasure to say that, and what a pleasure not to have to play dumb. “Mark!”

The accountant jerks his legs, as if he's just had an electric shock.

“Where is he?”

Mark replies promptly, which is wise. “He went to the bathroom.”

“Shut up, asshole,” Reggie says, and Billy shoots him in the ankle. He doesn't know he's going to do it until it's done but his aim is as good as ever and he regrets it no more than he regrets cold-cocking Frank in the kitchen. Reggie was part of the plan to get rid of dumb old Billy Summers. Get him in the back of the fake DPW van, drive him a few miles out of town, put a bullet in his head, case closed. Besides, this little man-cave trio needs to know who is in charge.

Reggie screams and rolls on his back, trying to clutch his ankle. “You fuck! You fucking shot me!”

“Shut up or I'll shut you up. If you don't believe me, give it a try.” He turns the gun on Abromowitz, who's looking at him with bulging eyes. “Where's the bathroom? Point.”

Abromowitz points behind the couch. Three pinball machines are lined up against the wall, their lights flashing but all the boops and beeps silenced because of the game. Just beyond them is a closed wooden door.

“Nick. Tell him to come out.”

“Come on out, Dana!”

So that's who the missing man is, Billy thinks. Reggie's DPW partner. The little redhead with the dork knob who talked smack to me in the Gerard Tower. Maybe not the guy who got rid of Ken Hoff, but Billy thinks there's a good chance that he was. Of course it's Edison, because every character in a story must be used at least twice: Dickens's rule. And Zola's.

He doesn't come out.

“Come on, Dana!” Nick calls. “It's okay!”

No answer.

“He armed?” Billy asks Nick.

“What, are you kidding? You think when I invite friends over to watch a football game they come strapped?”

Billy says, “I think we're going to find out about that. Nick, do your two friends there on the floor understand that I can shoot? That it's what I
do
?”

“He can shoot,” Nick says. His normal olive complexion has gone yellow. “He learned it in the Marines. Sniper.”

“I'm going to go over to the bathroom and convince Dana to come out. I guess you can't run, Reggie, but you still could, Mr. Abromowitz. Do it and I'll kill you. Same goes for you, Nick.”

“I'm not going anywhere,” Nick says. “We'll work this out. I just have to explain why—”

Billy tells him again to shut up and goes around the couch. Nick is now back to him, an easy head shot if Billy needs to take it. Reggie and the accountant are blocked by the couch, but Reggie has a shattered ankle and he doesn't think Abromowitz the family man is going to be a problem. It's Dana Edison he's concerned with.

He stands beside the pinball machine closest to the closed door. He says, “Come on out, Dana. If you do that, you might live. Otherwise, no.”

Billy doesn't expect a reply and doesn't get one.

“Okay, coming in.”

Like hell I am, he thinks, but he bends, reaches forward, and grabs the doorknob. The second he rattles it Edison fires four times, the shots so rapid Billy can hardly differentiate them. It's a thin door and there are no holes, only wood flying in big splinters. Billy senses movement behind him but doesn't look. Nick and Abromowitz may be on the run, but neither is going to run into Edison's field of fire to tackle him, any more than that pair of mokes would have run into the Funhouse to try and rescue Johnny Capps.

Edison will expect Billy to hesitate if he's still alive so he doesn't. He steps in front of the splintered door and pumps half a dozen rounds into it. Edison shrieks. There's a clatter and then—only reality can serve up such absurdities—the toilet flushes.

From the corner of his eye, Billy sees Abromowitz heading to the first floor in a series of gazelle-like leaps. Billy has no idea what Nick is up to but he's not following Abromowitz up the stairs and this is the wrong time to check further. He raises a foot and kicks
the remains of the door beside the lock. It flies open. Dana Edison is lying across the toilet, bleeding from the head and throat. His own Glock is lying in the shower along with his little rimless spectacles. He apparently struck the toilet's flush lever when he went down. His eyes roll up to look at Billy.

“Doc… tor…”

Billy looks at the blood spilling down the side of the toilet. A doctor isn't going to help Dana. Dana has bought that place they call the farm. Billy bends over him, gun in hand. “Do you remember the last thing you said to me when you came to my office in the Gerard Tower?”

Edison makes a hoarse huffing sound. A spray of blood comes out with it.

“I do.” Billy puts the muzzle of the Glock against Edison's temple. “You said ‘Don't miss.' ”

He pulls the trigger.

When he comes out Reggie is on his knees in front of the couch. Billy can see the top of his head. He sees Billy and raises a small silver pistol that must have been stashed under one of the cushions. Nick wasn't unarmed after all. Billy puts two rounds through the back of the couch before Reggie can fire and Reggie flops backward out of sight. Billy goes to the couch in three running steps and peers over. Reggie is on his back, the gun on the rug beside one of his outstretched hands. His eyes are open and starting to glaze.

You should have settled for the shattered ankle, Billy thinks. Doctors might have been able to fix that.

Something falls over deeper in the man-cave. Glass shatters and there's a curse—“
M'qifsh Karin!
” Billy hurries that way, bent low. The lights in the area beyond the TV room are off, but Billy can
see Nick in the gloom. His back is turned. He's pushing buttons on a lighted keypad beside a steel door. There's a billiards table in this adjoining room, and a few vintage slot machines, and a rolling bar that's lying on its side in a glitter of broken glass and the eye-watering smell of spilled whiskey.

Nick stabs frantically at the buttons, still cursing in Albanian or whatever language he learned as a child and has otherwise forgotten. He only stops when Billy tells him to quit it and turn around.

Nick does as he's told. He looks like a man on the precipice of death, which is fair because that's where he is. But he's smiling. Just a little, but yeah, that's a smile. “I went the wrong way. I should have taken the stairs like Markie, but…” He shrugs.

“That your safe room?” Billy asks.

“Yeah. And do you know what? I forgot the fucking combination.” Then he shakes his head. “Nah, that's bullshit. I
blanked
on the combination. Just four numbers and all I could remember is the second one's a two.”

“What about now?” Billy asks.

“6247,” Nick says, and actually laughs.

Billy nods. “It happens to the best of us and it happens to the rest of us.”

Nick studies him. He wipes his lips, which are shiny with spit. “You sound different. You even
look
different. You were never as stupid as you made out, were you? Giorgio told me that and I didn't believe him.”

“Before you had him killed,” Billy says.

Nick's eyes widen with what Billy could swear is genuine surprise. “Giorgio isn't dead, he's in Brazil.” He studies Billy's face. “You don't believe me?”

“After the shit you pulled, why would I believe a word that comes out of your mouth?”

Nick shrugs as if to say point taken. “Can I sit down? My legs are all weak.”

Billy gestures with the barrel of the Glock to the three spectators' seats beside the pool table. Nick walks unsteadily to the one in the middle and sits down. He reaches behind him and flips a switch that turns on the three hanging lights over the green felt.

“I never should have taken the contract. But all that money… it blinded me.”

Billy reckons he has some time. It would be a mistake to push it too far, but he may do so anyway. Because he wants answers. The money seems secondary. Not to mention unlikely. It's only in movies that the gangster has a wall of cash in his safe room. These days it's all computer transfers. Money hardly exists at all. Money has become the ghost in the machine.

“Pigs has got liver disease. You would've put money on his heart going, fat as he is, but it was his liver that turned out to be the problem. He needs a transplant. Doctors said no way unless he loses some weight, like two hundred pounds. If he doesn't, he'll die on the operating table. So he went to Brazil.”

“A fat farm?”

“A special clinic. The kind where once you sign in you can't sign out until you reach your target weight and they
let
you sign out. He knew that's the only way it could work, otherwise he'd be gone the first time he got a yen for a Triple Whopper with Cheese.”

Billy is starting to believe it. Nick is talking about Giorgio mostly in the present tense, and he hasn't slipped up. In a way it's like Edison flushing the toilet as he fell, mortally wounded. Some things are too bizarre not to be true. Georgie Pigs in a fat farm gulag is surely one of those things.

“Giorgio knew he'd be ID'd after you killed Joel Allen, he's a fucking whale, but he was okay with that. He said it was a way of making sure he wouldn't back out at the last minute, new liver or no new liver. Plus he wanted to retire.”

“Really?” Billy would have believed Giorgio was one of those guys who would die in harness.

“Yeah.”

“Sunset years in Brazil?”

“I think Argentina.”

“Sounds expensive. What kind of a retirement bonus did he get for helping to set me up?”

Nick hesitates, then says, “Three million.”

“Three for Giorgio and six for bringing me down.”

Nick's eyes widen and he sags in the chair. He's thinking that if Billy knows that, any chance he might have had of getting out of this alive just flew away. He's probably right.

“But you stuck at paying me the lousy million and a half you owed? I knew you were cheap, Nick, but I didn't peg you for a chiseler.”

“Billy, we were never going to—”

“You were. I want to hear you say it or I'll kill you right now.”

“You're going to kill me anyway,” Nick says, and although his voice is steady enough, a single tear rolls down one plump and beautifully shaved cheek.

Billy doesn't reply.

“Okay, yeah. We were going to kill you. That came with the deal. Dana was going to do it.”

“I was going to be your Oswald.”

“It wasn't my idea, Billy. I told the client you'd stand up no matter what. He insisted, and like I said, the money blinded me.”

Billy could ask how much Nick got, but does he want to know? He does not. “Who's the client?”

Instead of answering, Nick points to the door leading to the panic room. “
I've
got money. Not a million-five but at least eighty thousand, probably more like a hundred. I'll give it to you and I'll get you the rest.”

“I believe that completely,” Billy says. “I also believe that we won in Vietnam and the moon landing was staged.” Something else occurs to him. “Did you know about the fire?”

Nick blinks at the change of subject. “Fire? What fire?”

“Those flashpots weren't the only diversion that day. There was a warehouse fire in a nearby town not long before I took the shot. I knew about it ahead of time because Hoff told me.”

“Hoff told you? That
budalla
?”

“You sure you didn't know about it?”

“No.”

Billy believes him, but he wanted to hear him say it, and watch his face as he did. It doesn't matter, anyway. He's downriver from all that. “Who was the client?”

“Are you going to kill me?”

I should, Billy thinks. You richly deserve it.

“Who was the client?”

Nick raises a hand to his face and brings it down slowly, wiping away sweat from his brow and more spit from his lips. His eyes say he has given up hope, and he never had much to begin with. “If I tell you, will you at least let me pray before you do it? Or is killing me not enough, do you want me in hell for eternity, too?” Now there are more tears.

“You can pray. Client's name first.”

“Roger Klerke.”

At first Billy thinks he's saying Clerk, like the guy who takes your money in a convenience store, but then Nick spells it. The name has a slightly familiar ring, but it's not one he associates with Nick's world. Or Bucky Hanson's, for that matter. More like a name Billy has seen in the newspapers or blogs or heard on a podcast. Maybe on TV. Politics? Business? Billy has little interest in either.

“World Wide Entertainment,” Nick says. “It's okay if you don't recognize it, WWE's only one of the four biggest media conglomerates in the world.”

Nick tries to smile—a man on his deathbed telling a feeble joke—but Billy hardly notices. He's rewinding, almost all the way to the beginning. To his first meeting with Ken Hoff, who was certainly not looking forward to retirement in South America.

“Tell me.”

Nick does, and Billy is so totally amazed by what he hears—and horrified, that too—that he loses track of time. He doesn't remember that not everyone at Promontory Point has been neutralized until he hears a desolate howl from upstairs. It is the sound only a mother can make when she discovers her son stretched out unconscious and maybe dying. Maybe already dead.

“Do you want to live, Nick?” A rhetorical question.

“Yes.
Yes!
If you let me, I'll see that you get your money. Every cent of it. That's my solemn promise.” His tears stopped while he was telling his tale, but at the possibility of a reprieve they start again.

Billy's not interested in Nick's promises, solemn or otherwise. He points to the unadorned steel door to the safe room. Upstairs there's another howl, then words: “
Help me! Somebody help me!
”