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Authors: Jacqueline Woodson

Beneath a Meth Moon

BOOK: Beneath a Meth Moon
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JACQUELINE WOODSON

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beneath a meth

moon

AN ELEGY

JACQUELINE WOODSON

NANCY PAULSEN BOOKS
AN IMPRINT OF PENGUIN GROUP (USA) INC.

NANCY PAULSEN BOOKS

A division of Penguin Young Readers Group.

 

Published by The Penguin Group.

Penguin Group (USA) Inc., 375 Hudson Street, New York, NY 10014, U.S.A.

Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario M4P 2Y3, Canada (a division of Pearson Penguin Canada Inc.).

Penguin Books Ltd, 80 Strand, London WC2R 0RL, England.

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Penguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa.

Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England.

 

Copyright © 2012 by Jacqueline Woodson.

All rights reserved. This book, or parts thereof, may not be reproduced in any form without permission in writing from the publisher, Nancy Paulsen Books, a division of Penguin Young Readers Group, 345 Hudson Street, New York, NY 10014. Nancy Paulsen Books, Reg. U.S. Pat. & Tm. Off. The scanning, uploading and distribution of this book via the Internet or via any other means without the permission of the publisher is illegal and punishable by law. Please purchase only authorized electronic editions, and do not participate in or encourage electronic piracy of copyrighted materials. Your support of the author's rights is appreciated. The publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content.

 

Published simultaneously in Canada. Printed in the United States of America.

Design by Ryan Thomann. Text set in Chaparral Regular.

 

Library of Congress Cataloging-in-Publication Data is available upon request.

ISBN 978-1-101-55979-6

 

for my mom and grandma, in memory

and for my sister, Odella

 

Before I traveled my road, I was my road . . .
—Antonio Porchia

 

This road . . .  

 

IT'S ALMOST WINTER AGAIN
and the cold moves through this town like water washing over us. My coat is a gift from my father, white and filled with feathers. My hair is healthy again and the wind whips the white-blond strands of it over my face and into my eyes so that from far away, I must look like some pale ghost standing at the corner of Holland and Ankeny, right where the railroad track moves through Galilee, then on to bigger towns. My hands pressing the small black notebook to my chest, my head back, eyes closed against the wind and early falling snow. This is me now. This is me on this new road . . . Later, I'll write this down—how early the snow came, how surprising, how the flakes drifted white and perfect around me. I'll write, “The moon was finally out of me, and maybe because of this, everything felt new and clean and good . . .”

In the distance, I hear a train whistle blowing—coming from far off. But fast-moving . . . toward me.

On days like this, with so much beauty circling me, it's hard not to feel a hundred years old. Hard not to let the past come raining down. Hard not to think about not deserving this kind of beauty, this kind of cold. This . . . this clarity. But Moses and Kaylee keep telling me that fifteen is just another beginning, like the poet with the two roads and his own choice about which one he'd be taking.
You got a whole lot of roads,
Kaylee says to me. And some days, I believe her. As I walk down this one . . . I believe her.

Kaylee says,
Write an elegy to the past . . . and move on.
She says it's all about moving on.
I've read about it, Laurel. You write all the time. You can do this.

So I'll begin it this way—It's almost winter again . . . Soon, Moses will join me here. He'll walk along these tracks with his bag slapping against the side of him. He'll see me in my white coat and smile. He'll see me here—living. Something neither one of us can hardly believe.

Together we'll sit by the edge of the tracks and talk real quiet about moving forward—over that crazy year. I'll put my head on his shoulder and tell him again about my life in Pass Christian, the house we lived in there, my mama, about Jesse Jr. being born fast in the night. About M'lady.

And Moses, my brother-friend . . . Moses, my anchor and my shore, will lift the collar of my coat higher up around my ears, pull my hat from my pocket and make me put it on.

I'm painting over those snowflakes,
Moses will say.
One by one, they're slowly fading out of here.

As I begin this story, I believe him.

moses

THE FIRST TIME MOSES
dropped a dollar in my cup, I didn't even know his name. I looked up at him, glad for the dollar. Maybe I said thanks, but it's blurry sometimes, my memory is. One moment clear as water, then another moment, and it's like somebody's erasing bits and pieces of it.

What I'm seeing as I write this down are the shadows, brown and black and some kind of blue that maybe was the jacket he was wearing, a can of spray paint in one hand, a brush in his other. Maybe it was night. Maybe I asked him his name, because he said,
I'm Moses.
And I said,
Then this must be the promised land.
The Bible comes to me that way—quick and sharp like a pain. I had just turned fifteen, and with it came a new way of talking and smiling to get what I wanted. Maybe I was thinking I could get another two dollars out of his pockets.

But Moses just looked at me like he was looking at someone familiar and strange at the same time. Most kids just passed me by, laughing, sometimes throwing whatever they're carrying at me—half a candy bar, an empty potato chip bag, a soda can. But Moses stopped, looked at me, put that dollar in my cup, said,
Did you know Ben? I'm painting that wall for his mom.

Maybe I knew right then he was different.

No,
I said.
I don't know anybody by that name.

She wants it to say “Ben, 1995–2009. We'll always wonder about the man you could've been,”
Moses said
. Then she wants me to put “We love you forever” at the bottom. In small letters. Like she's whispering it to him. That's what she said—“Like I'm whispering it.”

You can hardly see it with the sun almost down.
Moses pointed at the wall.
Beauty wasted,
he said.
Look at him.

Maybe I squinted across where the painting was getting started. Maybe I saw a pale outline—the beginning of the ending of Ben. It didn't mean anything to me, though.

I asked Moses if he played ball, because he looked real tall standing there, and I figured he might have seen me cheering. I was hard to miss on the court. At least that's what people said, but I saw the way his smile went away.

We don't
all
play ball,
he said.

I would have asked him about this
we all
thing. But other people started passing by, and I needed to make some money.
You stay blessed, Moses,
I said, by way of saying “good-bye, now,” but trying not to be rude because he had dollars he was sharing with strangers.

Maybe I smiled, because he looked at me again for a quick second, and I think that was because of where T-Boom chipped my tooth when we were still together. T-Boom's got the whole tooth missing, and after we knocked out each other's teeth, I guess we figured there wasn't anything left to do, so we stopped going out. But of course I still saw him—sometimes two or three times a day.

Moses had his girl with him. She looked down at me like I didn't even have a right to be living, but I just gave the look right back to her. She took her phone out of her pocket and dialed a number, said
Hey, baby,
then turned away from us, talking real quiet into it.

You must have some people somewhere,
Moses said.

I pulled my top lip down over the chipped tooth, looked away from him and shook my head. I hadn't
felt any shame about that tooth before and didn't know why I was feeling it now.

My people are gone.

Gone dead,
Moses asked,
or gone gone?

Both.

He nodded, squinting at me like he was trying to put some puzzle together.

The girl put the phone in her bag and turned back around, pulling at his arm, saying they were gonna be late. She talked like she'd been schooled in the real right way to say things: “We're. Going. To. Be. Late. Moses.”

I'll be back around to work on that wall tomorrow,
he said to me, then let his girl pull him out of my line of vision.

And I guess I forgot about him, because it was getting real cold and I was thinking about getting to the House before T-Boom went home to his own mama and ate her dinner, then watched some of his mama's TV and went to bed in the room he grew up in. And once the House closed, you couldn't go looking for T-Boom at his mama's because she didn't know anything about where his money was coming from, so I let myself shiver until a few more quarters and dollars fell into my hat and then I put my sign away in my bag, blew my nose on my bandanna and packed up shop for the night. I got up and shook my legs to get the blood running back through them. The fuzz went away from my mind. A lady and man were walking toward me, and for a quick minute I smiled, thinking,
Here comes my daddy. Coming to take me home.
But then the man just patted his pockets and gave me one of those
I'm sorry
looks. The woman didn't look at me at all. I stood there watching them move quick past where I was standing. Something got hard and heavy inside of me, and I knew real deep that my daddy wasn't coming here to get me. Not this time. Not anymore.

BOOK: Beneath a Meth Moon
5.77Mb size Format: txt, pdf, ePub
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