Read Beethoven: Anguish and Triumph Online

Authors: Jan Swafford

Tags: #Itzy, #Kickass.to

Beethoven: Anguish and Triumph (153 page)

BOOK: Beethoven: Anguish and Triumph
3.21Mb size Format: txt, pdf, ePub
ads

Cooper, Martin.
Beethoven: The Last Decade, 1817–1827
. London: Oxford University Press, 1970.

Czerny, Carl.
On the Proper Performance of All Beethoven's Works for the Piano
, including “Reminiscences of Beethoven.” Edited by Paul Badura-Skoda. Vienna: Universal Edition, 1970.

Dahlhaus, Carl.
Ludwig van Beethoven: Approaches to His Music
. Translated by Mary Whittall. Oxford: Clarendon, 1991.

Daschner, Hubert.
Musik für die Bühne
. Bonn: Beethoven-Archiv, 1969.

Davies, Peter J.
The Character of a Genius: Beethoven in Perspective
. Westport, Conn.: Greenwood, 2002.

Dean, Winton. “Beethoven and Opera.” In Robinson,
Ludwig van Beethoven
.

Del Mar, Jonathan. “Del Mar's Musical Curiosities.” Unpublished compilation.

———, ed.
Symphony No. 6 in F Major
. By Ludwig van Beethoven. Basel: Bärenreiter, 2001.

———, ed.
Violin Concerto, Piano Concerto
. By Ludwig van Beethoven. Basel: Bärenreiter, 2009.

DeNora, Tia.
Beethoven and the Construction of Genius: Musical Politics in Vienna, 1792–1803
. Berkeley: University of California Press, 1995.

———. “The Beethoven-Wölffl Piano Duel.” In
Music in Eighteenth-Century Austria
, edited by David Wyn Jones. Cambridge: Cambridge University Press, 1996.

Donakowski, Conrad L.
A Muse for the Masses: Ritual and Music in an Age of Democratic Revolution, 1770–1870
. Chicago: University of Chicago Press, 1977.

Douël, Martial. “Beethoven's ‘Adelaide.'” Translated by Fred Rothwell.
Musical Quarterly
13, no. 2 (April 1927): 208–17.

Drabkin, William.
Beethoven: “Missa solemnis.”
Cambridge: Cambridge University Press, 1991.

Drake, Kenneth.
The Beethoven Sonatas and the Creative Experience
. Bloomington: Indiana University Press, 1994.

Duffin, Ross W.
How Equal Temperament Ruined Harmony (and Why You Should Care)
. New York: Norton, 2008.

Dülmen, Richard van.
The Society of the Enlightenment: The Rise of the Middle Class and Enlightenment Culture in Germany
. Translated by Anthony Williams. New York: St. Martin's, 1992.

E., F. G. “George P. Bridgetower and the Kreutzer Sonata.”
Musical Times
, May 1, 1908.

Ehrlich, Cyril.
The Piano: A History
. Oxford: Clarendon, 1990.

Eisinger, Josef. “Was Beethoven Lead-Poisoned?”
Beethoven Journal
23, no. 1 (Summer 2008): 15–17.

Erickson, Raymond, ed.
Schubert's Vienna
. New Haven: Yale University Press, 1997.

———. “Vienna in Its European Context.” In Erickson,
Schubert's Vienna
.

Fiske, Roger.
Beethoven's “Missa solemnis.”
New York: Scribner's Sons, 1979.

“Französische Ouvertüre.”
Bonner Geschichtsblätter
13 (1959): 17.

Friedenthal, Richard.
Goethe: His Life and Times
. Cleveland: World, 1963.

Gartenberg, Egon.
Vienna: Its Musical Heritage
. University Park: Pennsylvania State University Press, 1968.

Gay, Peter, ed.
Age of Enlightenment
. New York: Time-Life, 1966.

Geiringer, Karl, with Irene Geiringer.
Haydn: A Creative Life in Music
. 3rd ed. Berkeley: University of California Press, 1982.

Gladwell, Malcolm. “Late Bloomers.”
The New Yorker
, October 20, 2008, 36–44.

Glauert, Amanda. “Beethoven's Songs and Vocal Style.” In Stanley,
Cambridge Companion
.

Gordon, Philip. “Franz Grillparzer: Critic of Music.”
Musical Quarterly
2, no. 4 (October 1916).

Griffiths, Paul.
The String Quartet:
A History
. New York: Thames & Hudson, 1983.

Gruneberg, R. “Karl van Beethoven's Suicide Attempt: A Re-assessment.”
Musical Times
, March 1963.

Gutiérrez-Denhoff, Martella.
Die gute Kocherey: Aus Beethovens Speiseplänen
. Bonn: Beethoven-Haus, 1988.

Gutman, Robert W.
Mozart: A Cultural Biography
. New York: Harcourt Brace, 1999.

Gutzmer, Karl, et al.
Chronik der Stadt Bonn
. Dortmund, Ger.: Chronik Verlag, 1988.

Heartz, Daniel.
Mozart, Haydn, and Early Beethoven
. New York: Norton, 2009.

Helps, Arthur, and Elizabeth Jane Howard.
Bettina: A Portrait
. New York: Reynal, n.d.

Herriot, Edouard.
The Life and Times of Beethoven
. Translated by Adelheid I. Mitchell and William J. Mitchell. New York: Macmillan, 1935.

Hill, Cecil.
Ferdinand Ries: Briefe und Dokumente
. Bonn: Ludwig Röhrscheid Verlag, 1982.

Hofmann, Paul.
The Viennese: Splendor, Twilight, and Exile
. New York: Anchor, 1988.

Im Hof, Ulrich.
The Enlightenment
. Translated by William E. Yuill. Oxford: Blackwell, 1994.

Irmen, Hans-Josef. “Beethoven, Bach, und die Illuminaten.” In
Beethoven und die Rezeption der alten Musik
, edited by Hans-Werner Küthen. Bonn: Verlag Beethoven-Haus, 2002.

———. “Neefe als Freimaurer und Illuminat.” In Loos,
Christian Gottlob
Neefe
.

Jackson, Myles W. “A Spectrum of Belief: Goethe's ‘Republic' versus Newtonian ‘Despotism.'”
Social Studies of Science
24, no. 4 (November 1994).

Jander, Owen. “Exploring Sulzer's
Allgemeine Theorie
as a Source Used by Beethoven.”
Beethoven Newsletter
, Spring 1987.

———. “The ‘Kreutzer' Sonata as Dialogue.”
Early Music
16, no. 1 (February 1988).

———. “‘Let Your Deafness No Longer Be a Secret—Even in Art': Self-Portraiture and the Third Movement of the C-Minor Symphony.” In
Beethoven Forum
(University of Nebraska Press) 8 (2000).

Johnson, Douglas. “Decisive Years in Beethoven's Early Development.” In Tyson,
Beethoven Studies
, vol. 3.

Johnson, Douglas P., Alan Tyson, and Robert Winter.
The Beethoven Sketchbooks: History, Reconstruction, Inventory
. 4 vols. Berkeley: University of California Press, 1985.

Johnston, William M.
The Austrian Mind: An Intellectual and Social History, 1848–1938
. Berkeley: University of California Press, 1972.

Jones, Timothy.
Beethoven: The “Moonlight” and Other Sonatas, Op. 27 and Op. 31
. Cambridge: Cambridge University Press, 1999.

Kagan, Susan.
Archduke Rudolph, Beethoven's Patron, Pupil, and Friend: His Life and Music
. Stuyvesant, N.Y.: Pendragon, 1988.

Kant, Immanuel. “What Is Enlightenment?” See Columbia University, Sources of Medieval History, Selected Texts, accessed December 20, 2013,
http://www.columbia.edu/acis/ets/CCREAD/etscc/kant.html
.

Kaufmann, Thomas Dacosta. “Architecture and Sculpture.” In Erickson,
Schubert's Vienna
.

Kerman, Joseph.
“An die ferne Geliebte
.” In Tyson,
Beethoven Studies
, vol. 1.

———.
The Beethoven Quartets
. New York: Knopf, 1967.

———, ed.
Ludwig van Beethoven: Autograph Miscellany from
circa
1786 to 1799
. (The “Kafka Sketchbook.”) Vol. 2. London: Trustees of the British Museum, 1970.

———. “Notes on Beethoven's Codas.” In Tyson,
Beethoven Studies
, vol. 3.

Kinderman, William.
Beethoven
. Berkeley: University of California Press, 1995.

———.
Beethoven's Diabelli Variations
. Oxford: Clarendon, 1987.

———. “Beethoven's Symbol for the Deity in the ‘Missa solemnis' and the Ninth Symphony.”
Nineteenth-Century Music
9, no. 2 (Autumn 1985).

———. “The Piano Music.” In Stanley,
Cambridge Companion
.

Kinsky, Georg, and Hans Halm.
Das Werk Beethovens: Thematisch-Bibliographisches Verzeichnis Seiner Sämtlichen Vollendeten Kompositionen
. Munich: G. Henle Verlag, 1955.

Kirby, F. E. “Beethoven and the ‘Geselliges Lied.'”
Music and Letters
47, no. 2 (April 1966).

———. “Beethoven's Pastoral Symphony as a
Sinfonia caracteristica
.” In Lang,
Creative World
.

Kirkendale, Warren. “The ‘Great Fugue,' op. 133: Beethoven's ‘Art of the Fugue.'”
Acta Musicologica
35 (1963): 15–24.

———. “New Roads to Old Ideas in Beethoven's ‘Missa solemnis.'”
Musical Quarterly
56, no. 4 (October 1970).

Kivy, Peter.
The Possessor and the Possessed: Handel, Mozart, Beethoven, and the Ideal of Musical Genius
. New Haven: Yale University Press, 2001.

Klapproth, John E.
Beethoven's Only Beloved: Josephine!
Self-published, 2011. Citations here come from a previous, unpublished version of the book.

Knight, Frida.
Beethoven and the Age of Revolution
. New York: International, 1973.

Knopp, Gisbert. “Die Stadtgestalt Bonns unter Kurfürst Max Franz.” In Bodsch,
Joseph Haydn und Bonn
.

Kolisch, Rudolph. “Tempo and Character in Beethoven's Music.” Pts. 1 and 2.
Musical Quarterly
77,
no. 1 (Spring 1993); no. 2 (Summer 1993).

Kolodin, Irving.
The Interior Beethoven: A Biography of the Music
. New York: Knopf, 1975.

Kramer, Richard. “Notes to Beethoven's Education.”
Journal of the American Musicological Society
28, no. 1 (Spring 1975): 72–101.

Kross, Siegfried. “Beethoven und die rheinisch-katholische Aufklärung.” In
Beethoven: Mensch seiner Zeit
. Bonn: Röhrscheid, 1973.

Landon, H. C. Robbins.
Beethoven: A Documentary Study
. London: Macmillan, 1970. Note: This is an abridged edition, the source cited in most of the notes. When “unabridged” is added to a note, it means the unabridged edition, Macmillan, 1970.

———, with Henry Raynor.
Haydn
. New York: Praeger, 1972.

Lang, Paul Henry, ed.
The Creative World of Beethoven
. New York: Norton, 1970.

Levy, David B.
Beethoven: The Ninth Symphony
. Rev. ed. New Haven, Conn.: Yale University Press, 2003.

Lippman, Edward.
History of Western Musical Aesthetics
. Lincoln: University of Nebraska Press, 1994.

Lockwood, Lewis. “The Autograph of the First Movement of the Sonata for Violoncello and Pianoforte, Op. 69.” In Lockwood,
Beethoven: Studies
.

———.
Beethoven: The Music and the Life
. New York: Norton, 2003.

———.
Beethoven: Studies in the Creative Process
. Cambridge, Mass.: Harvard University Press, 1992.

———. “Beethoven's
Leonore
and
Fidelio
.”
Journal of Interdisciplinary History
36, no. 3 (Winter 2006).

———. “The Earliest Sketches for the
Eroica
.” In Lockwood,
Beethoven: Studies
.

———. “On the Beautiful in Music.” In Lockwood and Kroll,
Beethoven Violin Sonatas
.

Lockwood, Lewis, and Mark Kroll, eds.
The Beethoven Violin Sonatas: History, Criticism, Performance
. Urbana: University of Illinois Press, 2004.

Loos, Helmut, ed.
Christian Gottlob Neefe (1748–1798): Eine eigenständige Künstlerpersönlichkeit
. Chemnitz, Ger.: Gudrun Schröder Verlag, 1999.

Lorenz, Michael. “Commentary on Wawruch's Report: Biographies of Andreas Wawruch and Johann Seibert, Schindler's Responses to Wawruch's Report, and Beethoven's Medical Condition and Alcohol Consumption.”
Beethoven Journal
22, no. 2 (Winter 2007): 44–52.

MacArdle, Donald W. “The Family van Beethoven.”
Musical Quarterly 35,
no. 4 (October 1949): 528–50.

Mai, François Martin.
Diagnosing Genius: The Life and Death of Beethoven
. Montreal: McGill-Queen's University Press, 2007.

Marek, George R.
Beethoven: Biography of a Genius
. New York: Funk & Wagnalls, 1969.

Matthäus, Wolfgang. “Beiträge zur Musickgeschichte Bonns in den Jahren 1772–1791: Quellen und Berichte aus zeitgenössischen Tageszeitungen.”
Bonner Geschichtsblätter
21 (1967): 136.

May, Arthur J.
The Age of Metternich, 1814–1848
. Rev. ed. New York: Holt, Rinehart & Winston, 1961.

Monson, Dale E. “The Classic-Romantic Dichotomy, Franz Grillparzer, and Beethoven.”
International Review of the Aesthetics and Sociology of Music
13, no. 2 (December 1982).

Moore, Julia. “Beethoven and Inflation.” In
Beethoven Forum
(University of Nebraska Press) 1 (1992).

Musulin, Stella.
Vienna in the Age of Metternich: From Napoleon to Revolution, 1805–1848
. Boulder, Colo.: Westview, 1975.

Newman, William S. “Beethoven's Pianos versus His Piano Ideals.”
Journal of the American Musicological Society
23, no. 3 (Autumn 1970).

Nicholls, David.
Napoleon: A Biographical Companion
. Santa Barbara, Calif.: ABC-CLIO, 1999.

Nicolson, Harold.
The Congress of Vienna:
A Study in Allied Unity, 1812–1822
. London: Cassell, 1946.

Nohl, Ludwig.
An Unrequited Love: An Episode in the Life of Beethoven
. London: Bentley & Son, 1876. Reprint, n.p.: Nabu Public Domain Reprints, 2012.

Nottebohm, Gustav.
Beethoveniana: Aufsätze und Mittheilungen
. 2 vols. Leipzig: Verlag von C. F. Peters, 1872. Reprint, New York: Johnson Reprint Corp., 1970.

BOOK: Beethoven: Anguish and Triumph
3.21Mb size Format: txt, pdf, ePub
ads

Other books

Looking Back From L.A. by M. B. Feeney
The Harlot’s Pen by Claudia H Long
Black Mischief by Evelyn Waugh
Kung Fu High School by Ryan Gattis
Mister O by Lauren Blakely
River of Destiny by Barbara Erskine
The Man Who Killed by Fraser Nixon