Bear, Otter, & the Kid 03 - The Art of Breathing (11 page)

“Shit,” he whispers. “Ty, I need you to listen to me, okay?”

“What?” I ask, pulling at a piece of cardboard in the envelope. I pinch the edges and pull.

“I need you to trust me right now. Don’t open the mail. Don’t go near it. It wasn’t supposed to happen this way. Stacey fucked up, and I’m trying to catch a flight out to you right now.”

“You’re coming here?” I ask, not caring about the rest of what he’s said. It doesn’t matter. He’s coming to me. He’s coming to see me. “Dude, that’s—” I look down at what’s in my hand and everything changes.

The envelope falls to the floor.

“Ty? Tyson!”

I can’t breathe.

“Tyson! Dammit, I can hear you!”

“You bastard,” I finally say.

“No,” he says, sounding distressed. “No, Ty, listen to me.”

“Is this true?”

“I… it’s not….”

“
Is this true
?” I shout at him, enraged. My chest is heaving, my skin slick with sweat. My throat is starting to close and my eyes are burning. This has to be a joke. This can’t be real. He wouldn’t do this to me. He would have told me if it was getting this far. He would have warned me. No. He wouldn’t have even done any of this to begin with. This isn’t real.

“It doesn’t matter, Ty,” he says desperately. “Listen to me, you need to breathe, okay? You need to breathe for me. In, okay? You know how to do this. Breathe in and hold it for three seconds. Please. Please do this.”

But I can’t. I won’t. I don’t know now that this will be the last time I hear his voice for almost four years. I don’t know now that I won’t see his face for almost four years. I don’t know now that this, for all that has come before, for all that we are and would become, for every single tie that binds us together, this is our ending. This is our good-bye. This is what will break us apart.

And it will be my choice.

“Bathtub,” I say numbly. “I need….”

“No,” he moans. “Oh, Ty. Please don’t. Please breathe. Just breathe.”

But I can’t because there are earthquakes. I can’t because the ground is shaking. I can’t because I am in the thrall of a full-blown panic attack, something that hasn’t happened in months. I can hear him above the roar in my ears, but he’s so far away. He’s so far away and he hasn’t answered my question. He hasn’t denied what I hold in my hand.

“I gotta go,” I tell him, unable to stop my voice from cracking. “Gotta go get safe. Gotta go ’cause everything is shaking, D-Dom. Everything is s-shaking and I can’t… I….”

“Tyson James Thompson, you listen to me,” he demands, breaking through the whirlwind in my head. “Are you listening?”

“D-Don’t come here.”

He’s stunned. “What?”

“You didn’t d-deny it. You didn’t t-tell me it’s a j-j-
joke
. Stay away. Dom. Stay away. I can’t. I can’t
b-b-breathe
.” I start moving down the hall toward the bathroom.

“He’s having an attack,” he snaps at someone in the background. “Call Bear and Otter. Do it now!” To me: “Ty? Tyson!”

“I d-don’t want to see you.”

“I’m coming.”

“No.” I reach the bathroom door, and it takes so much energy to push the door open

“Ty, please. I need to see you. I need—”

“You
don’t
n-need. You
don’t
.” I stumble toward the bathtub. My teeth chatter together. It hurts. Everything hurts.

You knew this was coming
, it whispers.
You knew. Some part of you knew.

No. No. I didn’t. This isn’t real.

Poor Tyson! Poor Kid! You need structure. You need organization. You need routine and every little thing in its place so you can categorize, so you can compartmentalize. And when something disrupts that order? You crumble. You collapse. Did you really think this wouldn’t happen? You’re
sixteen years old
. You can’t even handle
this
. How could you ever hope to have him?

“I’m coming,” Dom says again. “Tyson, I’m coming for you.”

“I d-don’t want to see you,” I gasp out. I drop the phone… and slide over the edge into the bathtub. The invitation slips from my hand and flutters near my face. And for all that is inevitable, for every word of our day, for every moment it has been for me to be able to just breathe, all I can see are the first four lines of blackened script set against eggshell white.

Mrs. And Mrs. Harold Warner cordially invite you

to celebrate the wedding of their daughter

Stacey Ann Warner to Dominic Miller,

in faith, in joy, and in love.

Breathe!
I scream at myself.
Breathe, oh fuck, breathe!

“Tyson!” I hear him shout from the phone. It sounds so far away, like it’s buried.

No,
it whispers.
That’s not right. It’s not buried. It’s drowning. Tyson, it’s drowning.

In an ocean.

Breathe,
I think.
Breathe.

It’s inevitable,
he’d said once to me.

We’re inevitable,
I’d said once to him
.

And all I can do is breathe.

Just breathe.

Coming Home

Where we love is home—home that our feet may leave

but not our hearts.

-Oliver Wendell Holmes

Where Tyson Comes Home

Four years later

M
Y
NAME
is Tyson Thompson (formally Tyson McKenna, aka the Kid), and I’m here to recruit you.

When was the last time you had a hamburger? A piece of bacon? A succulent chicken breast from KFC (Kentucky Fried Corpses?) Last week? Yesterday?

Today?

Did it taste good? Did the juice just drip down your chin as you shoved that poor defenseless cutlet (who undoubtedly had once been something’s
mother
or
father
,
son
or
daughter
) down your throat? Did you groan in delight when you finished, licking your fingers to get
one last taste
of the flesh? Did you spend a few moments thinking fondly back on that meal, only to forget it seconds later and move on with your day? If you
did
remember the food, it was only later when it was passing through you like liquid magma as you sat on the toilet playing
Candy Crush
on your smartphone. It burned coming out, I’m sure, but at least you had the time to beat level 232. Right? Is that how it happened?

Well.

Have I got a story to tell you.

Imagine, if you will, a beautiful cow named Carl. Carl is a Red Angus, the hairs on his body a deep maroon that catch the early morning light, causing him to flash like fire. He grew up on a pretty farm in the mountains and dreams of one day being the head cow in charge of his herd. He’s recently met a lovely heifer named Jennifer who sparks his cowish fancy. It’s the swish of her tail that first catches his eye, the way she bends over and licks the salt block with her long, flat tongue that causes his five-pound heart to skip a couple of beats in his broad chest. He’s two years old and is in the prime of his life. He’s ready, you see, to enter bullhood, leaving the calf life behind. He’s decided that the very next day, he’ll make his move and let Jennifer know how he feels by mounting her in front of the herd to display his cowness.

He’s nervous! He’s excited! He feels like he could jump over the moon!

But then it all comes crashing down.

He’s awakened early the next morning when men come and herd him and his fellow cows up onto ramps that lead into trucks of dirty metal. He bellows for Jennifer, but she is nowhere to be found. His eyes are wide, and he flares his nose in fear. He tries to break away, but the push of his brethren is too strong, and he is forced into the back of the truck, his face in the ass of another cow he barely knows.

All of them call out as the rear door slides shut, casting them all into darkness. The men laugh. There’s a knock on the metal paneling. The truck rumbles to life, and they are on the move.

But not for long.

It seems like only seconds have passed when the truck stops and the rear door slides open again, the bright light flashing against Carl’s eyes, causing him to cry out again. He shouts for Jennifer frantically, but even if she’s there, he can’t hear her over the call of the others. It’s also unlikely that
she
could hear
him
. There is only confusion. Chaos.
What is happening?
Carl wonders. What is going on?

He’s forced into the light and is startled to find himself in a chute of sorts, a high metallic fence around him, a dull and rusty orange. There’s no grass here, no feed in front of him. There’s no field that smells like sunshine. There’s no Jennifer. This is not his home. This is hell.

His brothers and sisters around him begin to move down the chute. He has no choice but to follow them. It’s a tidal wave of flesh and bone, and he cannot fight against it.

He is pushed into a large room filled with men. One stands in front of him and cackles maniacally. The man grabs Carl by the head and pulls him along. He’s thrust forward into a metal device that closes around his head, holding him in place. He kicks up his back legs, wrenching his neck in the process. Paneling raises on either side of him, pressing against his sides, holding him up and in place.

There’s a crackling noise behind him, and he has time to call out again for his beloved before he’s electrocuted with three hundred volts to the back of his head. Carl’s eyes are still open, and he’s still breathing, but he can’t move. He can’t seem to get his legs to work. He tries to move his tail, but it is dead against his rear. Everything is hazy. He flicks his eyes from side to side, sure he can find a way to escape, sure that this is merely a dark moment in his life that he’ll look back upon one day when he is old and fat and think to himself,
Why, that was an experience. That sure was a scary time.

Then comes another sound.

A mechanical sound.

A deep
whirring
that grates against his bones.

A circular machine lowers from above him to the right side of his head. A small tube extends from this machine and presses against his skull, above his eye. He tries in vain to move, but the electroshock has rendered his body useless. He closes his eyes and thinks of Jennifer.

They are frolicking in a field. Grass and hay extend as far as the eye can see. There’s sunshine! And salt licks! Jennifer stares at him adoringly, and doesn’t he feel the urge to mount her? Why, yes! He does! He is the king of this field and Jennifer is his queen, and all will be well, will be well, will be—

A burst of compressed air propels a stainless steel rod forward, striking a forceful blow against the side of his head, and the darkness that extends over Carl at that moment is all-consuming.

Later, Carl’s unconscious body is pulled from the machine and chains are tied to his lower legs. He’s lifted into the air and placed in line with the rest of his knocked-out compatriots, his bindings attached to a track above his head that moves them slowly to yet another machine.

He’s still dreaming of Jennifer when a razor-sharp blade severs his carotid artery and jugular vein. His life’s blood drips form his body in a fragrant gush, and Carl’s big heart, his loving heart, his five-pound heart, struggles to keep up with the loss.

But even the heart of a future Cow King cannot beat forever.

Carl dies of exsanguination, never knowing the loving touch of the mate who would have been his everything.

Once he’s drained, his head is removed. His feet are removed. His hide is removed. His internal organs are removed to be inspected for parasites or signs of disease. His tongue is removed. His head is placed on a hook and sent further down the line. A man named Todd who works for the Food Safety and Inspection Service (and whose soul is clearly dead) inspects the head and carcass of our beloved Carl to make sure it passes what is obviously the subpar standards set forth by the USDA. Todd (the malevolent, evil man) signs off on Carl’s body (not even knowing that this bull, this
majestic creature,
had hopes and dreams; no, Todd is only thinking about how he needs to pick up toilet paper and Fancy Feast on his way home so his mangy cat Mr. Fluffy Good Times doesn’t go hungry and chew on his toes during the night).

Carl’s chopped-up carcass is put through interventions of steam, organic acids, and scalding water to reduce levels of bacteria. His pink and shiny corpse is then electrocuted
again
to improve the tenderness of the flesh.

At this point, as if it couldn’t get any worse, Carl gets frozen for forty-eight hours before he is hacked into prime cuts—first split in half, then quartered.

But that’s not enough. No, sir! Not by
far
.

What remains of the once noble Cow King is processed further to make sure
all
of his flesh is sucked from his body, a process with the ironic name of “advanced meat recovery.” We can’t leave any part of Carl behind, you can bet the farm on that!

His bones are sent to a rendering plant, and pieces of his body are sent to distribution centers all over the country. These centers then provide them to the retail market.

Then to you.

So.

How was that hamburger?

Did you get it from McDonald’s?

Burger King?

Perhaps the grocery store, and then you grilled it at the neighborhood barbecue where you were forced to socialize with Jeffrey from next door, who got drunk yet again and made a move on your spouse. That bastard.

Regardless of where you got it, chances are you just ate Carl. Carl, a cow who only wanted to love his precious Jennifer and eat and poop and die at the old age of twenty-three.

Horrified yet? Outraged? You should be. This happens to nine
billion
animals every year in the United States. That’s more than there are people on this planet! Where is the righteous anger? Where is the unending fury? These plants and facilities are essentially our version of the Holocaust (Cowshwitz, if you will, and don’t give me that look, you know it’s true!) and we must
fight
back! We must
rise
up!
The madness must stop!