Babylon Revisited (12 page)

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Authors: F. Scott Fitzgerald,JAMES L. W. WEST III

BOOK: Babylon Revisited
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“Edith,” began Mr. In, stepping toward her hilariously and making a sweeping bow, “darling, good morning.”

The stout man glanced questioningly at Edith, as if merely asking her permission to throw this man summarily out of the way.

“’Scuse familiarity,” added Peter, as an afterthought. “Edith, good-morning.”

He seized Dean’s elbow and impelled him into the foreground.

“Meet Mr. In, Edith, my bes’ frien’. Inseparable. Mr. In and Mr. Out.”

Mr. Out advanced and bowed; in fact, he advanced so far and bowed so low that he tipped slightly forward and only kept his balance by placing a hand lightly on Edith’s shoulder.

“I’m Mr. Out, Edith,” he mumbled pleasantly, “S’misterin Misterout.”

“’Smisterinanout,” said Peter proudly.

But Edith stared straight by them, her eyes fixed on some infinite speck in the gallery above her. She nodded slightly to the stout man, who advanced bull-like and with a sturdy brisk gesture pushed Mr. In and Mr. Out to either side. Through this alley he and Edith walked.

But ten paces farther on Edith stopped again—stopped and pointed to a short, dark soldier who was eyeing the crowd in general, and the tableau of Mr. In and Mr. Out in particular, with a sort of puzzled, spell-bound awe.

“There,” cried Edith. “See there!”

Her voice rose, became somewhat shrill. Her pointing finger shook slightly.

“There’s the soldier who broke my brother’s leg.”

There were a dozen exclamations; a man in a cutaway coat left his place near the desk and advanced alertly; the stout person made a sort of lightning-like spring toward the short, dark soldier, and then the lobby closed around the little group and blotted them from the sight of Mr. In and Mr. Out.

But to Mr. In and Mr. Out this event was merely a particolored iridescent segment of a whirring, spinning world.

They heard loud voices; they saw the stout man spring; the picture suddenly blurred.

Then they were in an elevator bound skyward.

“What floor, please?” said the elevator man.

“Any floor,” said Mr. In.

“Top floor,” said Mr. Out.

“This is the top floor,” said the elevator man.

“Have another floor put on,” said Mr. Out.

“Higher,” said Mr. In.

“Heaven,” said Mr. Out.

In a bedroom of a small hotel just off Sixth Avenue Gordon Sterrett awoke with a pain in the back of his head and a sick throbbing in all his veins. He looked at the dusky gray shadows in the corners of the room and at a raw place on a large leather chair in the corner where it had long been in use. He saw clothes, dishevelled, rumpled clothes on the floor and he smelt stale cigarette smoke and stale liquor. The windows were tight shut. Outside the bright sunlight had thrown a dust-filled beam across the sill—a beam broken by the head of the wide wooden bed in which he had slept. He lay very quiet—comatose, drugged, his eyes wide, his mind clicking wildly like an unoiled machine.

It must have been thirty seconds after he perceived the sunbeam with the dust on it and the rip on the large leather chair that he had the sense of life close beside him, and it was another thirty seconds after that before he realized he was irrevocably married to Jewel Hudson.

He went out half an hour later and bought a revolver at a sporting goods store. Then he took a taxi to the room where he had been living on East Twenty-seventh Street, and, leaning across the table that held his drawing materials, fired a cartridge into his head just behind the temple.

1920

THE DIAMOND AS BIG AS THE RITZ
 

John T. Unger came from a family that had been well known in Hades—a small town on the Mississippi River—for several generations. John’s father had held the amateur golf championship through many a heated contest; Mrs. Unger was known “from hot-box to hot-bed,” as the local phrase went, for her political addresses; and young John T. Unger, who had just turned sixteen, had danced all the latest dances from New York before he put on long trousers. And now, for a certain time, he was to be away from home. That respect for a New England education which is the bane of all provincial places, which drains them yearly of their most promising young men, had seized upon his parents. Nothing would suit them but that he should go to St. Midas’ School near Boston—Hades was too small to hold their darling and gifted son.

Now in Hades—as you know if you ever have been there—the names of the more fashionable preparatory schools and colleges mean very little. The inhabitants have been so long out of the world that, though they make a show of keeping up to date in dress and manners and literature, they depend to a great extent on hearsay, and a function that in Hades would be considered elaborate would doubtless be hailed by a Chicago beef-princess as “perhaps a little tacky.”

John T. Unger was on the eve of departure. Mrs. Unger, with maternal fatuity, packed his trunks full of linen suits and electric fans, and Mr. Unger presented his son with an asbestos pocket-book stuffed with money.

“Remember, you are always welcome here,” he said. “You can be sure, boy, that well keep the home fires burning.”

“I know,” answered John huskily.

“Don’t forget who you are and where you come from,” continued his father proudly, “and you can do nothing to harm you. You are an Unger—from Hades.”

So the old man and the young shook hands and John walked away with tears streaming from his eyes. Ten minutes later he had passed outside the city limits, and he stopped to glance back for the last time. Over the gates the old-fashioned Victorian motto seemed strangely attractive to him. His father had tried time and time again to have it changed to something with a little more push and verve about it, such as “Hades—Your Opportunity,” or else a plain “Welcome” sign set over a hearty handshake pricked out in electric lights. The old motto was a little depressing, Mr. Unger had thought—but now….

So John took his look and then set his face resolutely toward his destination. And, as he turned away, the lights of Hades against the sky seemed full of a warm and passionate beauty.

St. Midas’ School is half an hour from Boston in a Rolls-Pierce motor-car. The actual distance will never be known, for no one, except John T. Unger, had ever arrived there save in a Rolls-Pierce and probably no one ever will again. St. Midas’ is the most expensive and the most exclusive boys’ preparatory school in the world.

John’s first two years there passed pleasantly. The fathers of all the boys were money-kings and John spent his summers visiting at fashionable resorts. While he was very fond of all the boys he visited, their fathers struck him as being much of a piece, and in his boyish way he often wondered at their exceeding sameness. When he told them where his home was they would ask jovially, “Pretty hot down there?” and John would muster a faint smile and answer, “It certainly is.” His response would have been heartier had they not all made this joke—at best varying it with, “Is it hot enough for you down there?” which he hated just as much.

In the middle of his second year at school, a quiet, handsome boy named Percy Washington had been put in John’s form. The newcomer was pleasant in his manner and exceedingly well dressed even for St. Midas’, but for some reason he kept aloof from the other boys. The only person with whom he was intimate was John T. Unger, but even to
John he was entirely uncommunicative concerning his home or his family. That he was wealthy went without saying, but beyond a few such deductions John knew little of his friend, so it promised rich confectionery for his curiosity when Percy invited him to spend the summer at his home “in the West.” He accepted, without hesitation.

It was only when they were in the train that Percy became, for the first time, rather communicative. One day while they were eating lunch in the dining-car and discussing the imperfect characters of several of the boys at school, Percy suddenly changed his tone and made an abrupt remark.

“My father,” he said, “is by far the richest man in the world.”

“Oh,” said John, politely. He could think of no answer to make to this confidence. He considered “That’s very nice,” but it sounded hollow and was on the point of saying, “Really?” but refrained since it would seem to question Percy’s statement. And such an astounding statement could scarcely be questioned.

“By far the richest,” repeated Percy.

“I was reading in the
World Almanac,”
began John, “that there was one man in America with an income of over five million a year and four men with incomes of over three million a year, and——”

“Oh, they’re nothing.” Percy’s mouth was a half-moon of scorn. “Catch-penny capitalists, financial small-fry, petty merchants and money-lenders. My father could buy them out and not know he’d done it.”

“But how does he——”

“Why haven’t they put down
his
income tax? Because he doesn’t pay any. At least he pays a little one—but he doesn’t pay any on his
real
income.”

“He must be very rich,” said John simply. “I’m glad. I like very rich people.

“The richer a fella is, the better I like him.” There was a look of passionate frankness upon his dark face. “I visited the Schnlitzer-Murphys last Easter. Vivian Schnlitzer-Murphy had rubies as big as hen’s eggs, and sapphires that were like globes with lights inside them——”

“I love jewels,” agreed Percy enthusiastically. “Of course I wouldn’t want any one at school to know about it, but I’ve got quite a collection myself. I used to collect them instead of stamps.”

“And diamonds,” continued John eagerly. “The Schnlitzer-Murphys had diamonds as big as walnuts——”

“That’s nothing.” Percy had leaned forward and dropped his voice to a low whisper. “That’s nothing at all. My father has a diamond bigger than the Ritz-Carlton Hotel.”

The Montana sunset lay between two mountains like a gigantic bruise from which dark arteries spread themselves over a poisoned sky. An immense distance under the sky crouched the village of Fish, minute, dismal, and forgotten. There were twelve men, so it was said, in the village of Fish, twelve somber and inexplicable souls who sucked a lean milk from the almost literally bare rock upon which a mysterious populatory force had begotten them. They had become a race apart, these twelve men of Fish, like some species developed by an early whim of nature, which on second thought had abandoned them to struggle and extermination.

Out of the blue-black bruise in the distance crept a long line of moving lights upon the desolation of the land, and the twelve men of Fish gathered like ghosts at the shanty depot to watch the passing of the seven o’clock train, the Transcontinental Express from Chicago. Six times or so a year the Transcontinental Express, through some inconceivable jurisdiction, stopped at the village of Fish, and when this occurred a figure or so would disembark, mount into a buggy that always appeared from out of the dusk, and drive off toward the bruised sunset. The observation of this pointless and preposterous phenomenon had become a sort of cult among the men of Fish. To observe, that was all; there remained in them none of the vital quality of illusion which would make them wonder or speculate, else a religion might have grown up around these mysterious visitations. But the men of Fish were beyond all religion—the barest and most savage tenets of even Christianity could gain no foothold on that barren rock—so there was no altar, no priest, no sacrifice; only each night at seven the silent concourse by the shanty depot, a congregation who lifted up a prayer of dim, anæmic wonder.

On this June night, the Great Brakeman, whom, had they deified any one, they might well have chosen as their celestial protagonist,
had ordained that the seven o’clock train should leave its human (or inhuman) deposit at Fish. At two minutes after seven Percy Washington and John T. Unger disembarked, hurried past the spellbound, the agape, the fearsome eyes of the twelve men of Fish, mounted into a buggy which had obviously appeared from nowhere, and drove away.

After half an hour, when the twilight had coagulated into dark, the silent negro who was driving the buggy hailed an opaque body somewhere ahead of them in the gloom. In response to his cry, it turned upon them a luminous disk which regarded them like a malignant eye out of the unfathomable night. As they came closer, John saw that it was the tail-light of an immense automobile, larger and more magnificent than any he had ever seen. Its body was of gleaming metal richer than nickel and lighter than silver, and the hubs of the wheels were studded with iridescent geometric figures of green and yellow—John did not dare to guess whether they were glass or jewel.

Two negroes, dressed in glittering livery such as one sees in pictures of royal processions in London, were standing at attention beside the car and as the two young men dismounted from the buggy they were greeted in some language which the guest could not understand, but which seemed to be an extreme form of the Southern negro’s dialect.

“Get in,” said Percy to his friend, as their trunks were tossed to the ebony roof of the limousine. “Sorry we had to bring you this far in that buggy, but of course it wouldn’t do for the people on the train or those Godforsaken fellas in Fish to see this automobile.”

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