Aztec Rage

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Authors: Gary Jennings

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AZTEC RAGE

Forge Books by Gary Jennings

Aztec
Aztec Autumn
Aztec Blood
Aztec Rage
Spangle

Visit Gary Jennings at
www.garyjennings.net
.

GARY JENNINGS'

AZTEC
RAGE

ROBERT GLEASON
AND
JUNIUS PODRUG

The author and publisher have provided this e-book to you without Digital Rights Management software (DRM) applied so that you can enjoy reading it on your personal devices. This e-book is for your personal use only. You may not print or post this e-book, or make this e-book publicly available in any way. You may not copy, reproduce or upload this e-book, other than to read it on one of your personal devices.

Copyright infringement is against the law. If you believe the copy of this e-book you are reading infringes on the author's copyright, please notify the publisher at:
us.macmillanusa.com/piracy
.

 

 

 

This is a work of fiction. All the characters and events portrayed in this novel are either fictitious or are used fictitiously.

AZTEC RAGE

Copyright © 2006 by Eugene Winick, Executor, Estate of Gary Jennings

All rights reserved, including the right to reproduce this book, or portions thereof, in any form.

This book is printed on acid-free paper.

A Forge Book
Published by Tom Doherty Associates, LLC
175 Fifth Avenue
New York, NY 10010

www.tor.com

Forge
®
is a registered trademark of Tom Doherty Associates, LLC.

Library of Congress Cataloging-in-Publication Data

Jennings, Gary.
        Aztec rage / Gary Jennings, Robert Gleason, and Junius Podrug.—1st ed.
             p. cm.
        “A Tom Doherty Associates book.”
        ISBN-13: 978-0-765-31014-9
        ISBN-10: 0-765-31014-7
        1. Aztecs—Fiction. 2. Mexico—History—Spanish colony, 1540–1810—Fiction.
  I. Title.

PS3560.E518 A997   2006
813′.54—dc22

                                                                          2006040187

First Edition: May 2006

Printed in the United States of America

0  9  8  7  6  5  4  3  2  1

For Joyce Servis

Contents

One

Two

Son of a Whore

Three

Four

Five

Six

Seven

Eight

Nine

Ten

In Durance Vile

Eleven

Twelve

Thirteen

Fourteen

Fifteen

Sixteen

Seventeen

Eighteen

Nineteen

Dolores

Twenty

Twenty-One

Twenty-Two

Twenty-Three

Twenty-Four

Twenty-Five

Twenty-Six

Twenty-Seven

Twenty-Eight

Twenty-Nine

Los Conspiradores

Thirty

Thirty-One

Thirty-Two

Avenida De Los Muertos (Street of the Dead)

Thirty-Three

Thirty-Four

Thirty-Five

Thirty-Six

Thirty-Seven

Thirty-Eight

Thirty-Nine

Forty

Forty-One

Forty-Two

Forty-Three

Forty-Four

Forty-Five

Forty-Six

Forty-Seven

Forty-Eight

Forty-Nine

Fifty

Fifty-One

Fifty-Two

Napoleon's Ulcer

Fifty-Three

Fifty -Four

Fifty-Five

Cádiz

Fifty-Six

Fifty-Seven

Fifty-Eight

Fifty-Nine

Sixty

Sixty-One

Sixty-Two

Sixty-Three

Sixty-Four

Sixty-Five

Sixty-Six

Sixty-Seven

Sixty-Eight

Sixty-Nine

Seventy

Seventy-One

Seventy-Two

Seventy-Three

Seventy-Four

Seventy-Five

Seventy-Six

Seventy-Seven

Seventy-Eight

Seventy-Nine

Eighty

El Grito De Dolores (The Cry of Dolores)

Eighty-One

Eighty-Two

Eighty-Three

Eighty-Four

Eighty-Five

Eighty-Six

Eighty-Seven

Eighty-Eight

Eighty-Nine

Ninety

Ninety-One

Ninety-Two

Ninety-Three

Ninety-Four

Ninety-Five

Ninety-Six

Ninety-Seven

Ninety-Eight

Ninety-Nine

One Hundred

One Hundred and One

One Hundred and Two

One Hundred and Three

One Hundred and Four

One Hundred and Five

One Hundred and Six

One Hundred and Seven

One Hundred and Eight

Requiem

One Hundred and Nine

One Hundred and Ten

Raquel

One Hundred and Eleven

ACKNOWLEDGMENTS

Many people helped bring this book to fruition. We particularly want to thank Maribel Baltazar-Gutierrez, Eric Raab, Brenda Goldberg, Elizabeth Winick, and Hildegarde Krische.

Information about historical places and events was generously provided by curators in museums and sites of antiquity in Guanajuato, San Miguel de Allende, Dolores Hidalgo, Teotihuacán, Chichen Itza, and other places in Mexico.

We are also grateful for the assistance of José Luis Rodriguez, Dr. Arturo Barrera, Charles and Susan Easter, and Julio Hernandez.

The most memorable aspect of any battle—and, having now experienced many of them, I can say this with authority—is its dizzying commotion and confusion. But of this one, my first major engagement with the enemy, I do retain a few memories more distinct.

—From the War Narrative of Tenamáxti,

leader of the Aztec rebellion in 1541

(as related in
Aztec Autumn
by Gary Jennings)

AZTEC RAGE

ONE

Mountains Where the Cougars Lurk, 1541

I
WATCHED MYSELF
die
.

My nightmare took life as invaders emerged from the fog like
fantasmas
, ghosts in the mist, dark figures on great beasts, menacing as shadow gods risen from Mictlán, the Dark Place. I lay in the brush and trembled, my heart pounding, my throat aching for water, the ground shaking under me as powerful hooves pounded in advance of a thousand human feet. My spear was tipped with an obsidian point, but it would fare poorly against the charge of a warhorse wearing the thick leather guard called a Cortés shield.

We set up the ambush in the rocky, mountainous terrain of Nochistian, waiting for the Spaniards and their traitorous
indio
allies to fall into the trap. As the fog settled, the enemy had come forth. Now I had a choice: to stay hidden and let my
compañeros
fight and die without me or to gather my courage and rise and fight an armored Spaniard riding a powerful warhorse.

As I pondered the decision, the dark vision came to me again:
fight and die
. I saw a violent clash, my life blood escaping, my sin-blackened soul being pulled down to hell by clawed hands.

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