Atonement (18 page)

She said, ‘I don't know. I was being horribly nosey. I hated myself.'

It was about this time that a constable put his head round the door to give news that seemed at one with the calamity of the night. Mr Tallis's driver had rung from a phone box near Croydon airport. The departmental car, made available at short notice through the kindness of the minister, had broken down in the suburbs. Jack Tallis was asleep under a rug on the back seat and would probably have to continue by the first morning train. Once these facts had been absorbed and lamented, Briony was gently returned to the scene itself, to the events on the lake island. At this early stage, the inspector was careful not to oppress the young girl with probing questions, and within this sensitively created space she was able to build and shape her narrative in her own words and establish the key facts: there was just sufficient light for her to recognise a familiar face; when he shrank away from her and circled
the clearing, his movements and height were familiar to her as well.

‘You saw him then.'

‘I know it was him.'

‘Let's forget what you know. You're saying you saw him.'

‘Yes, I saw him.'

‘Just as you see me.'

‘Yes.'

‘You saw him with your own eyes.'

‘Yes. I saw him. I saw him.'

Thus her first formal interview concluded. While she sat in the drawing room, feeling her tiredness at last, but unwilling to go to bed, her mother was questioned, then Leon and Paul Marshall. Old Hardman and his son Danny were brought in for interview. Briony heard Betty say that Danny was at home all evening with his father who was able to vouch for him. Various constables came to the front door from searching for the twins and were shown through to the kitchen. In the confused and unmemorable time of that early dawn, Briony gathered that Cecilia was refusing to leave her room, refusing to come down to be interviewed. In the days to come she would be given no choice and when she finally yielded up her own account of what happened in the library – in its way, far more shocking than Briony's, however consensual the encounter had been – it merely confirmed the general view that had formed: Mr Turner was a dangerous man. Cecilia's repeated suggestion that it was Danny Hardman they should be talking to was heard in silence. It was understandable, though poor form, that this young woman should be covering for her friend by casting suspicion on an innocent boy.

Some time after five, when there was talk of breakfast being prepared, at least for the constables, for no one else was hungry, the word flashed through the household that a figure who might be Robbie was approaching across the park. Perhaps someone had been watching from an upstairs window. Briony did not know how the decision was made
that they should all go outside to wait for him. Suddenly, they were all there, family, Paul Marshall, Betty and her helpers, the policemen, a reception party grouped tightly around the front entrance. Only Lola in a drugged coma and Cecilia with her fury remained upstairs. It might have been that Mrs Tallis did not want the polluting presence to step inside her house. The inspector may have feared violence which was more easily dealt with outdoors where there was more space to make an arrest. All the magic of dawn had gone now, and in its place was a grey early morning, distinguished only by a summer's mist which was sure to burn off soon.

At first they saw nothing, though Briony thought she could make out the tread of shoes along the drive. Then everyone could hear it, and there was a collective murmur and shifting of weight as they caught sight of an indefinable shape, no more than a greyish smudge against the white, almost a hundred yards away. As the shape took form the waiting group fell silent again. No one could quite believe what was emerging. Surely it was a trick of the mist and light. No one in this age of telephones and motor cars could believe that giants seven or eight feet high existed in crowded Surrey. But here it was, an apparition as inhuman as it was purposeful. The thing was impossible and undeniable, and heading their way. Betty, who was known to be a Catholic, crossed herself as the little crowd huddled closer to the entrance. Only the senior inspector took a couple of paces forwards, and as he did so everything became clear. The clue was a second, tiny shape that bobbed alongside the first. Then it was obvious – this was Robbie, with one boy sitting up on his shoulders and the other holding his hand and trailing a little behind. When he was less than thirty feet away, Robbie stopped, and seemed about to speak, but waited instead as the inspector and the other policemen approached. The boy on his shoulders appeared to be asleep. The other boy let his head loll against Robbie's waist and drew the man's hand across his chest for protection or warmth.

Briony's immediate feeling was one of relief that the boys were safe. But as she looked at Robbie waiting calmly, she experienced a flash of outrage. Did he believe he could conceal his crime behind an apparent kindness, behind this show of being the good shepherd? This was surely a cynical attempt to win forgiveness for what could never be forgiven. She was confirmed again in her view that evil was complicated and misleading. Suddenly, her mother's hands were pressing firmly on her shoulders and turning her towards the house, delivering her into Betty's care. Emily wanted her daughter well away from Robbie Turner. It was bedtime at last. Betty took a firm grip of her hand and was leading her in as her mother and brother went forward to collect the twins. Briony's last glimpse back over her shoulder as she was pulled away showed her Robbie raising two hands, as though in surrender. He lifted the boy clear of his head and placed him gently on the ground.

An hour later she was lying on her canopy bed in the clean white cotton nightdress which Betty had found for her. The curtains were drawn, but the daylight gleam around their edges was strong, and for all her spinning sensations of tiredness, she could not sleep. Voices and images were ranged around her bedside, agitated, nagging presences, jostling and merging, resisting her attempts to set them in order. Were they all really bounded by a single day, by one period of unbroken wakefulness, from the innocent rehearsals of her play to the emergence of the giant from the mist? All that lay between was too clamorous, too fluid to understand, though she sensed she had succeeded, even triumphed. She kicked the sheet clear of her legs and turned the pillow to find a cooler patch for her cheeks. In her dizzy state she was not able to say exactly what her success had been; if it was to have gained a new maturity, she could hardly feel it now when she was so helpless, so childish even, through lack of sleep, to the point where she thought she could easily make herself cry. If it was brave to have identified a throughly bad
person, then it was wrong of him to turn up with the twins like that, and she felt cheated. Who would believe her now, with Robbie posing as the kindly rescuer of lost children? All her work, all her courage and clear-headedness, all she had done to bring Lola home – for nothing. They would turn their backs on her, her mother, the policemen, her brother, and go off with Robbie Turner to indulge some adult cabal. She wanted her mother, she wanted to put her arms round her mother's neck and pull her lovely face close to hers, but her mother wouldn't come now, no one would come to Briony, no one would talk to her now. She turned her face into the pillow and let her tears drain into it, and felt that yet more was lost, when there was no witness to her sorrow.

She had been lying in the semi-darkness nursing this palatable sadness for half an hour when she heard the sound of the police car parked below her window starting up. It rolled across the gravel, then stopped. There were voices and the crunch of several footsteps. She got up and parted the curtains. The mist was still there, but it was brighter, as though illuminated from within, and she half closed her eyes while they adjusted to the glare. All four doors of the police Humber were wide open, and three constables were waiting by it. The voices came from a group directly below her, by the front door, just out of sight. Then came the sound of footsteps again, and they emerged, the two inspectors, with Robbie between them. And handcuffed! She saw how his arms were forced in front of him, and from her vantage point she saw the silver glint of steel below his shirt cuff. The disgrace of it horrified her. It was further confirmation of his guilt, and the beginning of his punishment. It had the look of eternal damnation.

They reached the car and stopped. Robbie half turned, but she could not read his expression. He stood erect, several inches higher than the inspector, with his head lifted up. Perhaps he was proud of what he had done. One of the constables got in the driver's seat. The junior inspector was
walking round to the rear door on the far side and his chief was about to guide Robbie into the back seat. There was the sound of a commotion directly below Briony's window, and of Emily Tallis's voice calling sharply, and suddenly a figure was running towards the car as fast as was possible in a tight dress. Cecilia slowed as she approached. Robbie turned and took half a pace towards her and, surprisingly, the inspector stepped back. The handcuffs were in full view, but Robbie did not appear ashamed or even aware of them as he faced Cecilia and listened gravely to what she was saying. The impassive policemen looked on. If she was delivering the bitter indictment Robbie deserved to hear, it did not show on his face. Though Cecilia was facing away from her, Briony thought she was speaking with very little animation. Her accusations would be all the more powerful for being muttered. They had moved closer, and now Robbie spoke briefly, and half raised his locked hands and let them fall. She touched them with her own, and fingered his lapel, and then gripped it and shook it gently. It seemed a kindly gesture and Briony was touched by her sister's capacity for forgiveness, if this was what it was. Forgiveness. The word had never meant a thing before, though Briony had heard it exulted at a thousand school and church occasions. And all the time, her sister had understood. There was, of course, much that she did not know about Cecilia. But there would be time, for this tragedy was bound to bring them closer.

The kindly inspector with the granite face must have thought he had been indulgent enough, for he stepped forward to brush away Cecilia's hand and interpose himself. Robbie said something to her quickly over the officer's shoulder, and turned towards the car. Considerately, the inspector raised his own hand to Robbie's head and pressed down hard on it, so that he did not bang it as he stooped to climb into the back seat. The two inspectors wedged themselves on each side of their prisoner. The doors slammed, and the one constable
left behind touched his helmet in salute as the car moved forwards. Cecilia remained where she was, facing down the drive, tranquilly watching the car as it receded, but the tremors along the line of her shoulders confided she was crying, and Briony knew she had never loved her sister more than now.

It should have ended there, this seamless day that had wrapped itself around a summer's night, it should have concluded then with the Humber disappearing down the drive. But there remained a final confrontation. The car had gone no more than twenty yards when it began to slow. A figure Briony had not noticed was coming down the centre of the drive and showed no intention of standing to one side. It was a woman, rather short, with a rolling walk, wearing a floral print dress and gripping what looked at first like a stick but was in fact a man's umbrella with a goose's head. The car stopped and the horn sounded as the woman came up and stood right against the radiator grill. It was Robbie's mother, Grace Turner. She raised the umbrella and shouted. The policeman in the front passenger seat had got out and was speaking to her, and then took her by the elbow. The other constable, the one who had saluted, was hurrying over. Mrs Turner shook her arm free, raised the umbrella again, this time with two hands, and brought it down, goose head first, with a crack like a pistol shot, onto the Humber's shiny bonnet. As the constables half pushed, half carried her to the edge of the drive, she began to shout a single word so loudly that Briony could hear it from her bedroom.

‘Liars! Liars! Liars!' Mrs Turner roared.

With its front door wide open, the car moved past her slowly and stopped to let the policeman get back in. On his own, his colleague was having difficulty restraining her. She managed another swipe with her umbrella but the blow glanced off the car's roof. He wrestled the umbrella from her and tossed it over his shoulder onto the grass.

‘Liars! Liars!' Grace Turner shouted again, and took a few hopeless steps after the retreating car, and then stopped, hands on hips, to watch as it went over the first bridge, crossed the island and then the second bridge, and finally vanished into the whiteness.

 

Part Two

 

T
here were horrors enough, but it was the unexpected detail that threw him and afterwards would not let him go. When they reached the level crossing, after a three-mile walk along a narrow road, he saw the path he was looking for meandering off to the right, then dipping and rising towards a copse that covered a low hill to the north-west. They stopped so that he could consult the map. But it wasn't where he thought it should be. It wasn't in his pocket, or tucked into his belt. Had he dropped it, or put it down at the last stop? He let his greatcoat fall on the ground and was reaching inside his jacket when he realised. The map was in his left hand and must have been there for over an hour. He glanced across at the other two but they were facing away from him, standing apart, smoking silently. It was still in his hand. He had prised it from the fingers of a captain in the West Kents lying in a ditch outside – outside where? These rear-area maps were rare. He also took the dead captain's revolver. He wasn't trying to impersonate an officer. He had lost his rifle and simply intended to survive.

The path he was interested in started down the side of a bombed house, fairly new, perhaps a railwayman's cottage rebuilt after the last time. There were animal tracks in the mud surrounding a puddle in a tyre rut. Probably goats.
Scattered around were shreds of striped cloth with blackened edges, remains of curtains or clothing, and a smashed-in window-frame draped across a bush, and everywhere, the smell of damp soot. This was their path, their shortcut. He folded the map away, and as he straightened from picking up the coat and was slinging it around his shoulders, he saw it. The others, sensing his movement, turned round, and followed his gaze. It was a leg in a tree. A mature plane tree, only just in leaf. The leg was twenty feet up, wedged in the first forking of the trunk, bare, severed cleanly above the knee. From where they stood there was no sign of blood or torn flesh. It was a perfect leg, pale, smooth, small enough to be a child's. The way it was angled in the fork, it seemed to be on display, for their benefit or enlightenment: this is a leg.

The two corporals made a dismissive sound of disgust and picked up their stuff. They refused to be drawn in. In the past few days they had seen enough.

Nettle, the lorry driver, took out another cigarette and said, ‘So, which way, Guv'nor?'

They called him that to settle the difficult matter of rank. He set off down the path in a hurry, almost at a half run. He wanted to get ahead, out of sight, so that he could throw up, or crap, he didn't know which. Behind a barn, by a pile of broken slates, his body chose the first option for him. He was so thirsty, he couldn't afford to lose the fluid. He drank from his canteen, and walked around the barn. He made use of this moment alone to look at his wound. It was on his right side, just below his rib cage, about the size of a half crown. It wasn't looking so bad after he washed away the dried blood yesterday. Though the skin around it was red, there wasn't much swelling. But there was something in there. He could feel it move when he walked. A piece of shrapnel perhaps.

By the time the corporals caught up, he had tucked his shirt back in and was pretending to study the map. In their company the map was his only privacy.

‘What's the hurry?'

‘He's seen some crumpet.'

‘It's the map. He's having his fucking
doubts
again.'

‘No doubts, gentlemen. This is our path.'

He took out a cigarette and Corporal Mace lit it for him. Then, to conceal the trembling in his hands, Robbie Turner walked on, and they followed him, as they had followed him for two days now. Or was it three? He was lower in rank, but they followed and did everything he suggested, and to preserve their dignity, they teased him. When they tramped the roads or cut across the fields and he was silent for too long, Mace would say, ‘Guv'nor, are you thinking about crumpet again?' And Nettle would chant, ‘He fucking is, he fucking is.' They were townies who disliked the countryside and were lost in it. The compass points meant nothing to them. That part of basic training had passed them by. They had decided that to reach the coast, they needed him. It was difficult for them. He acted like an officer, but he didn't even have a single stripe. On the first night, when they were sheltering in the bike shed of a burned-out school, Corporal Nettle said, ‘What's a private soldier like you doing talking like a toff?'

He didn't owe them explanations. He intended to survive, he had one good reason to survive, and he didn't care whether they tagged along or not. Both men had hung onto their rifles. That was something at least, and Mace was a big man, strong across the shoulders, and with hands that could have spanned one and a half octaves of the pub piano he said he played. Nor did Turner mind about the taunts. All he wanted now as they followed the path away from the road was to forget about the leg. Their path joined a track which ran between two stone walls and dropped down into a valley that had not been visible from the road. At the bottom was a brown stream which they crossed on stepping stones set deep in a carpet of what looked like miniature water parsley.

Their route swung to the west as they rose out of the valley, still between the ancient walls. Ahead of them the sky was
beginning to clear a little and glowed like a promise. Everywhere else was grey. As they approached the top through a copse of chestnut trees, the lowering sun dropped below the cloud cover and caught the scene, dazzling the three soldiers as they rose into it. How fine it might have been, to end a day's ramble in the French countryside, walking into the setting sun. Always a hopeful act.

As they came out of the copse they heard bombers, so they went back in and smoked while they waited under the trees. From where they were they could not see the planes, but the view was fine. These were hardly hills that spread so expansively before them. They were ripples in the landscape, faint echoes of vast upheavals elsewhere. Each successive ridge was paler than the one before. He saw a receding wash of grey and blue fading in a haze towards the setting sun, like something oriental on a dinner plate.

Half an hour later they were making a long traverse across a deeper slope that edged further to the north and delivered them at last to another valley, another little stream. This one had a more confident flow and they crossed it by a stone bridge thick with cow dung. The corporals, who were not as tired as he was, had a lark, pretending to be revolted. One of them threw a dried lump of dung at his back. Turner did not look round. The scraps of cloth, he was beginning to think, may have been a child's pyjamas. A boy's. The dive bombers sometimes came over not long after dawn. He was trying to push it away, but it would not let him go. A French boy asleep in his bed. Turner wanted to put more distance between himself and that bombed cottage. It was not only the German army and air force pursuing him now. If there had been a moon he would have been happy walking all night. The corporals wouldn't like it. Perhaps it was time to shake them off.

Downstream of the bridge was a line of poplars whose tops fluttered brilliantly in the last of the light. The soldiers turned in the other direction and soon the track was a path again and
was leaving the stream. They wound and squeezed their way through bushes with fat shiny leaves. There were also stunted oaks, barely in leaf. The vegetation underfoot smelled sweet and damp, and he thought there must be something wrong with the place to make it so different from anything they had seen.

Ahead of them was the hum of machinery. It grew louder, angrier, and suggested the high-velocity spin of flywheels or electric turbines turning at impossible speed. They were entering a great hall of sound and power.

‘Bees!' he called out. He had to turn and say it again before they heard him. The air was already darker. He knew the lore well enough. If one stuck in your hair and stung you, it sent out a chemical message as it died and all who received it were compelled to come and sting and die at the same place. General conscription! After all the danger, this was a kind of insult. They lifted their great coats over their heads and ran on through the swarm. Still among the bees, they reached a stinking ditch of slurry which they crossed by a wobbling plank. They came up behind a barn where it was suddenly peaceful. Beyond it was a farmyard. As soon as they were in it, dogs were barking and an old woman was running towards them flapping her hands at them, as though they were hens she could shoo away. The corporals depended on Turner's French. He went forward and waited for her to reach him. There were stories of civilians selling bottles of water for ten francs, but he had never seen it. The French he had met were generous, or otherwise lost to their own miseries. The woman was frail and energetic. She had a gnarled, man-in-the-moon face and a wild look. Her voice was sharp.

‘C'est impossible, M'sieu. Vous ne pouvez pas rester ici.'

‘We'll be staying in the barn. We need water, wine, bread, cheese and anything else you can spare.'

‘Impossible!'

He said to her softly, ‘We've been fighting for France.'

‘You can't stay here.'

‘We'll be gone at dawn. The Germans are still…'

‘It's not the Germans, M'sieu. It's my sons. They are animals. And they'll be back soon.'

Turner pushed past the woman and went to the pump which was in the corner of the yard, near the kitchen. Nettle and Mace followed him. While he drank, a girl of about ten and an infant brother holding her hand watched him from the doorway. When he finished and had filled his canteen he smiled at them and they fled. The corporals were under the pump together, drinking simultaneously. The woman was suddenly behind him, clutching at his elbow. Before she could start again he said, ‘Please bring us what I asked for or we'll come in and get it for ourselves.'

‘My sons are brutes. They'll kill me.'

He would have preferred to say, So be it, but instead he walked away and called over his shoulder, ‘I'll talk to them.'

‘And then, M'sieu, they will kill you. They will tear you to shreds.'

Corporal Mace was a cook in the same RASC unit as Corporal Nettle. Before he joined he was a warehouseman at Heal's in the Tottenham Court Road. He said he knew a thing or two about comfort, and in the barn he set about arranging their quarters. Turner would have thrown himself down on the straw. Mace found a heap of sacks and with Nettle's help stuffed them to make up three mattresses. He made headboards out of hay bales which he lifted down with a single hand. He set up a door on brick piles for a table. He took out half a candle from his pocket.

‘Might as well be comfy,' he kept saying under his breath. It was the first time they had moved much beyond sexual innuendo. The three men lay on their beds, smoking and waiting. Now they were no longer thirsty their thoughts were on the food they were about to get and they heard each other's stomachs rumbling and squirting in the gloom, and it made them laugh. Turner told them about his conversation with the old woman and what she had said about her sons.

‘Fifth columnists, they would be,' Nettle said. He only looked small alongside his friend, but he had a small man's sharp features and a friendly, rodent look, heightened by his way of resting the teeth of his upper jaw on his lower lip.

‘Or French Nazis. German sympathisers. Like we got Mosley,' Mace said.

They were silent for a while, then Mace added, ‘Or like they all are in the country, bonkers from marrying too close.'

‘Whatever it is,' Turner said, ‘I think you should check your weapons now and have them handy.'

They did as they were told. Mace lit the candle, and they went through the routines. Turner checked his pistol and put it within reach. When the corporals were finished, they propped the Lee-Enfields against a wooden crate and lay down on their beds again. Presently the girl came with a basket. She set it down by the barn door and ran away. Nettle fetched the basket and they spread out what they had on their table. A round loaf of brown bread, a small piece of soft cheese, an onion and a bottle of wine. The bread was hard to cut and tasted of mould. The cheese was good, but it was gone in seconds. They passed the bottle around and soon that was gone too. So they chewed on the musty bread and ate the onion.

Nettle said, ‘I wouldn't give this to my fucking dog.'

‘I'll go across,' Turner said, ‘and get something better.'

‘We'll come too.'

But for a while they lay back on their beds in silence. No one felt like confronting the old lady just yet.

Then, at the sound of footsteps, they turned and saw two men standing in the entrance. They each held something in their hands, a club perhaps, or a shotgun. In the fading light it was not possible to tell. Nor could they see the faces of the French brothers.

The voice was soft. ‘Bonsoir, Messieurs.'

‘Bonsoir.'

As Turner got up from his straw bed he took the revolver. The corporals reached for their rifles. ‘Go easy,' he whispered.

‘Anglais? Belges?'

‘Anglais.'

‘We have something for you.'

‘What sort of thing?'

‘What's he saying?' one of the corporals said.

‘He says they've got something for us.'

‘Fucking hell.'

The men came a couple of steps closer and raised what was in their hands. Shotguns, surely. Turner released his safety catch. He heard Mace and Nettle do the same. ‘Easy,' he murmured.

‘Put away your guns, Messieurs.'

‘Put away yours.'

‘Wait a little moment.'

The figure who spoke was reaching into his pocket. He brought out a torch and shone it not at the soldiers, but at his brother, at what was in his hand. A French loaf. And at what was in the other hand, a canvas bag. Then he showed them the two baguettes he himself was holding.