At the Midway (27 page)

The seated marines would have preferred lounging on Eastern, but--theoretically at least--they were guarding the building behind them.  Small and white with a red tile roof.  "Look's like an Italian outhouse," was Depoy's comment when he first saw it.  Situated on the northern end of Sand Island, it was owned by the Commercial Pacific Cable Company.

And protected by the United States Marine Corps.

When Commercial Pacific arrived on the island, the only human residents were a group of thirty Japanese fishermen.  More Japanese were imported to work on the relay station that marked the halfway point of the submarine cable that stretched from San Francisco to Shanghai.

The Japanese not only proved industrious workers, but busied themselves with slaughtering the wildlife on the island.  The feathers of many of the birds were strikingly beautiful and drew good prices in the home country.  Midway was already recognized as paradise for birds.  Over the last hundred years, however, experience had shown such sanctuaries could quickly become abattoirs.  The United States decided Midway would not become synonymous with extinction.  In addition to the relay station, the marines were sent in to protect the rookeries.
More to the point, the Japanese and Germans held most of the strategic 'line' atolls along the Pacific equator.  Midway was a rare item: a strategic gem that was already owned by the Americans.

Thus the marines landed.

The original detachment contained twenty men under Second Lieutenant Clarence Owen. Because of the workers' unruly habit of getting drunk on saki and shooting up precious equipment, as well as feathered friends, the lieutenant's first act was to confiscate all the Japanese guns.  Stop shooting birds and start pouring concrete, he commanded.

Once the station and auxiliary buildings were completed, most of the construction workers were shipped back home.  The dozen or so who'd become acclimated to the Americans' odd behavior remained behind as laborers and cooks.

Over the years, it was realized that the extreme isolation of the Midway post produced behavioral oddities in the garrison that were noticeable even to the tolerant Japanese.  This was rectified by relieving the men at two-year intervals.  Still, two years of isolation, reinforced in many cases by a nearly complete ignorance of English, could make a man behave in some pretty strange ways.

Out of boredom, the men in the shadow of the relay station now turned their attention to one of those strange manifestations.  Private Lieber, stripped naked (there wasn't a woman within twelve hundred miles), was rowing back and forth across the lagoon in search of his favorite prey.

1713 Hours

One thing certain to raise Lieber's hackles was to be called 'Fritz.'  As a consequence, everyone on the island called him 'Fritz.'  Except the Japanese, who called him 'Flitz.'

Heinrich
Lieber was the son of Rudolf Lieber, tanner, pamphleteer, would-be anarchist.  In 1897 Rudolf penned an imprudent letter to an acquaintance in Parma in which he discussed Wilhelm II's upcoming trip to Jerusalem.  Rudolf listed the many excellent opportunities there would be to assassinate the Kaiser and mentioned Haifa as a particularly good spot.  Rather than follow this advice, the Italian tried to kill his own despot, King Humbert, but he failed and Rudolf's letter was discovered in his apartment.

News of the assassination attempt in Rome reached the Liebers before the police did.  Rudolf fled with his family to Hamburg, thence to New York.  Young Heinrich did not understand why the story of the escape had to be repeated to him again and again, seeing as he had lived it.

He left home to escape poverty, only to find more of it on the streets.  He worked as a garbage collector, a bill collector, and a dead horse collector.  Meanwhile, his thoughts ranged across the injustices of the world.

One could not grow up with an anarchist without some of it rubbing off.  Assassination had been a worldwide vogue in his youth.  Empress Elizabeth of Austria, wife of Franz Joseph, had been stabbed in the heart while walking down the Quai Mont Blanc in Geneva.  Premier Canovas of Spain had been shot while on holiday at the spa in Santa Agueda.  A bomb had killed five policemen in the Rue des Bons Enfants and the next year another was tossed directly into the Chambre des Deputes.  Of course, the crown went to the six inches of steel thrust into the stomach of President Carnot of France in 1894.

It seemed to Heinrich that injustice was the only justice for men without wealth or reputation.  Knocking about New York, his daydreams ranged variously from murdering the mayor, the governor, a senator or two, and the president.  The anarchist Leon Czolgosz beat him to the latter when he shot McKinley in 1901.  But there was always someone else to assassinate, because there was always someone else who ruled.

Meanwhile, he grew tired of collecting things and took a job as an actor at Coney Island.  This entailed switching roles as much as twelve times a day as he raced back and forth through the concessions to the various stages and 'living exhibits.'

By 1904 the amusement park at Coney Island was without doubt the largest of its kind in the world, spilling over onto Brighton and Manhattan Beaches.  One of its central exhibits was
The Boer War
, in which skirmishes between British troops and rebels were re
-
enacted.  Instead of shooting real political figures, Lieber found himself firing blanks at South African insurgents.  Charging blockhouses and revetments, he took a curious satisfaction in acting out the role.  Some of the other actors thought he flourished his bayonet with too much enthusiasm.  But surface cuts and powder burns aside, no one was harmed in the mock battles.  It provided an emotional release for the young German.  Not only that, it paid.

It also opened doors to other jobs in the area.  Over a period of two summers, he was a bit player in
The Creation
,
The Great Galveston Flood
, and
The Trip to the Moon
.  He also spelled as a barker for the Coney Island Steeplechase, which provided him as much amusement as it did the public.  Watching grown men rock on wooden horses as they raced opponents down the sloped track evoked roars of encouragement and laughter from the spectators.  The manager correctly predicted that Lieber, barking the ride with Teutonic, barely comprehensible authority, could lure even the most staid passersby into feats of mock
-
equine derring
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do.  Professors vied with illiterate stevedores, matrons challenged seamstresses, all for a little pink slip of paper
-
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the First Place prize that entitled them to a free ride.  Such scenes took place in Wilhelm's Germany only when the upper class grimly dared itself to mingle with the lower.  The longer Lieber lived in America, the more he began to see the land of his birth as twisted, unnatural.  Turn of the century German plays, opera and literature gushed with blood and sexual perversion.  Taking Darwin to heart, they believed this represented reality.  Still, in the land of blood and iron, everything had to fit in its proper place.  So the baggy, grisly Unknowns were given a rigid home in the fine arts.

But Americans!  They looked cockeyed at you, told you the world was theirs for the taking, that everything that could be known would be known, given time and native know
-
how
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and then institutionalized skewed perception in the freewheeling spirit of Coney Island.  There was the
Trip to the Moon
, where lunar dwarfs escorted you around extinct volcanos;
Hell Gate
, which took you through manmade rapids into the infernal regions; '
Bumps
,' where people were tossed about like popcorn on tin; the moving
-
picture machines
-
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which cost a penny to view, but which drew large crowds nonetheless because of Anthony Comstock's protest that they seduced public morality.

Lieber's personal favorite was the
Foolish House
, a huge maze of mirrors that left him gasping with the confusion mere reflections could cause.  He would spot the exit
-
-
only to have it resolve as a reflection of the exit.  There was Lieber
-
-
yet only a reflection of his reflection.  Sometimes he would stand before a mirror and see nothing
-
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walking forward, though, he would hit clear glass.  Strangers appeared alarmingly intimate
-
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yet whirling, Lieber would see only himself.

This was America at its best.  Taking common tricks of the cosmos, unmasking their rich complexity, then converting them into simple amusements.  Not a denial, but an admission.  By no means could one laugh at God.  But one could sometimes enjoy the Joke with Him.

None of Lieber's stage duties required much in the way of the spoken word.  Unlike the steeplechase proprietor, the theatrical directors saw no charm in his accent.  He was a sturdy lad who made a good
-
looking prop.  His career at Coney would have ended with the season had he not proved himself handy with tools
-
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a legacy from his hated father, who did carpentry on the side.  He spent the winter building new sets, repairing storm damage, helping redesign shopworn spectacles.  The pay was meager but the life amusing, if not entirely fulfilling.

Then came the day an entrepreneur approached management with a sensational plan for a new exhibit:
The Fall of Port Arthur
.

While scholars and interested amateurs gleaned their history from books, visitors to Coney Island learned from vivid reenactments.  Biblical and historical recreations were highly popular.  Best attended were the battles. 
The Boer War
played to packed open
-
air houses. 
The Fall of Port Arthur
promised the same.

It was a wonderful undertaking.  Models of Japanese warships five times as large as a man were made to seem even bigger using illusions of perspective and realistic backdrops.  Smoke poured from their funnels as they stormed up the channel, firing broadside after broadside.  All of which would have been impressive enough.  What made
The Fall
truly awesome, however, was the cinematic screen hidden behind the backdrop.  Explosions, soldiers landing and storming the heights, Russian volleys tearing through their ranks, were all projected from behind the screen.  Used in conjunction with live sound effects, it was the most impressive display Lieber had ever seen.  And he helped to build it.  When finished, and summer came, it was mobbed by amazed spectators.

Lieber returned to his role
-
playing duties.  Yet as he dashed from Dreamland to New Walk, across Neptune Avenue and down Coney Island Avenue, past the Scenic Railway or through Luna Park, scraping off greasepaint from one show and slapping on pancake for another, he nearly always found a way to pause by the Port Arthur panorama.  It was not the ships so much as the martial air that captivated him.  The old Prussian blood coming up.  He had learned during his long ocean voyage between Hamburg and New York that he was not made for the sea. The health inspector at Ellis Island had kept him in isolation for a week, convinced he was contagious, when he was really only seasick.

So if he could not join the Navy
-
-
what?

There was the East Side Army recruitment center, but it was closed much of the time.  Even when open, the recruiters seemed so dull and dismal you'd have thought you were enlisting in Sing Sing.

The great change in Lieber's life came when he ran into a group of marines at the Port Arthur Exhibit.  He was startled to discover he could clearly understand what they were saying.

Why... they were Germans!

Thus, he waded into their conversation--and into the Corps.

It was heaven on earth.  Compensation for the rigors of Parris Island came in the form of his drill instructor; he was from Eschwege, a town on the Werra, practically dead center of the Fatherland.  Teutonic in thought and action, he made Lieber feel as though the South Carolinians were the aliens, not the other way around.  A multitude of nationalities, in addition to German, were scattered throughout the barracks.  The Marine Corps seemed to be nothing less than a Foreign Legion smack in the American southland.

Lieber earned high praise from the sergeant from Hesse, as well as from the
Kommandant
.  He seemed destined for a great career in the Corps.

Then came disaster.

A month out of boot camp, he drew a unique historical assignment.  Just over a hundred years earlier, Admiral John Paul Jones had gone to the great spinnaker in the sky.  He was interred in the country where he died, France.  It seemed a crime that America's first great naval hero should be entombed in a foreign land, so preparations were made to transfer the body to a crypt in a new chapel in Annapolis.  This was a major public relations event for the Navy.  Only the snappiest, handsomest sailors and marines were chosen for the honor guard.

An atavistic thrill darted through Lieber when he joined the detail for the voyage to Paris.  The nightmarish passage from Hamburg was forgotten.  He suffered not a single moment of queasiness on the journey over, and decided his awful experience on the immigrant ship had been due to the overcrowded, despicable conditions in steerage.  Sadly, he was only half right.