Appointment in Samarra

��APPOINTMENT IN SAMARRA JOHN O'HARA With an Afterword by Arthur Mizener A SIGNET CLASSIC Published by The New American Library Copyright, 1934, by John O Hara JOHN O HARA was born in Pottsville, Pennsylvania, in 1905, the son of a respected local physician. After graduating from Niagara Preparatory School, he passed his college entrance examinations, but his father s death required that he go to work. After a variety of jobs in Pennsylvania and then in New York, Mr. O Hara published Appointment in Samarra, his first novel, in 1934; this book was clear indication of his penetrating knowledge of American society and the direct factual style that characterizes his work. Though he has spent time in Hollywood and successfully ventured onto Broadway in 1940 to write the book for the musical adaptation of his story Pal Joey, O Hara s literary production has continued unabated over the years. His novels include Butterfield 8 (1935), A Rage to Live (1949), the National Book Award winner Ten North Frederick (1955), From the Terrace (1958), and The Big Laugh (1962). His short-story collections include The Doctor s Son and Other Stories (1935), Assembly (1960), and The Cape Cod Lighter (1962). At present, Mr. O Hara lives near Princeton, New Jersey, where he continues to write. DEATH SPEAKS: There was a merchant in Bagdad who sent his servant to market to buy provisions and in a little while the servant came back, white and, trembling, and said, Master, just now when I was in the market-place I was jostled by a woman in the crowd and when I turned I saw it was Death that jostled me. She looked at me and made a threatening gesture; now, lend me your horse, and I will ride away from this city and avoid my fate. I will go to Samarra and there Death will not find me. The merchant lent him his horse, and the servant mounted it, and he dug his spurs in its flanks and as fast as the horse could gallop he went. Then the merchant went down to the market-place and he saw me standing in the crowd and he came to me and said, Why did you make a threatening gesture to my servant when you saw him this morning? That was not a threatening gesture, I said, it was only a start of surprise. I was astonished to see him in Bagdad, for I had an appointment with him tonight in Samarra. W. Somerset Maugham To F.P.A. CHAPTER 1 OUR STORY opens in the mind of Luther L. (L for LeRoy) Fliegler, who is lying in his bed, not thinking of anything, but just aware of sounds, conscious of his own breathing, and sensitive to his own heartbeats. Lying beside him is his wife, lying on her right side and enjoying her sleep. She has earned her sleep, for it is Christmas morning, strictly speaking, and all the day before she has worked like a dog, cleaning the turkey and baking things, and, until a few hours ago, trimming the tree. The awful proximity of his heartbeats makes Luther Fliegler begin to want his wife a little, but Irma can say no when she is tired. It is too much trouble, she says when she is tired, and she won t take any chances. Three children is enough; three children in ten years. So Luther Fliegler does not reach out for her. It is Christmas morning, and he will do her the favor of letting her enjoy her sleep; a favor which she will never know he did for her. And it is a favor, all right, because Irma likes Christmas too, and on this one morning she might not mind the trouble, might be willing to take a chance. Luther Fliegler more actively stifled the little temptation and thought the hell with it, and then turned and put his hands around his wife s waist and caressed the little rubber tire of flesh across her diaphragm. She began to stir and then she opened her eyes and said: My God, Lute, what are you doing?

Merry Christmas, he said. Don t, will you please? she said, but she smiled happily and put her arms around his big back. God. you re crazy, she said. Oh, but I love you. And for a little while Gibbsville knew no happier people than Luther Fliegler and his wife, Irma. Then Luther went to sleep, and Irma got up and then came back to the bedroom, stopping to look out the window before she got into bed again. Lantenengo Street had a sort of cottony silence to it. The snow was piled high in the gutters, and the street was open only to the width of two cars. It was too dark for the street to look cottony, and there was an illusion even about the silence. Irma thought she could yell her loudest and not be heard, so puffily silent did it look, but she also knew that if she wanted to (which she didn t) she could carry on a conversation with Mrs. Bromberg across the way, without either of them raising her voice. Irma chided herself for thinking this way about Mrs. Bromberg on Christmas morning, but immediately she defended herself: Jews do not observe Christmas, except to make more money out of Christians, so you do not have to treat Jews any different on Christmas than on any other day of the year. Besides, having the Brombergs on Lantenengo Street hurt real estate values. Everybody said so. The Brombergs, Lute had it on good authority, had paid thirty thousand for the Price property, which was twelve thousand five hundred more than Will Price had been asking; but if the Brombergs wanted to live on Lantenengo Street, they could pay for it. Irma wondered if it was true that Sylvia Bromberg s sister and brother-in-law were dickering for the McAdams property next door. She wouldn t be surprised. Pretty soon there would be a whole colony of Jews in the neighborhood, and the Fliegler children and all the other nice children in the neighborhood would grow up with Jewish accents. Irma Fliegler had hated Sylvia Bromberg since the summer before, when Sylvia was having a baby and screamed all through a summer evening. She could have gone to the Catholic hospital; she knew she was having a baby, and it was awful to have those screams and have to make up stories to tell the nice children why Mrs. Bromberg was screaming. It was disgusting. Irma turned away from the window and went back to bed, praying that she would not get caught, and hating the Brombergs for moving into the neighborhood. Lute was sleeping peacefully and Irma was glad of the warmth of his big body and the heavy smell of him. She reached over and rubbed her fingers across his shoulder, where there were four navel-like scars, shrapnel scars. Lute belonged on Lantenengo Street, and she as his wife belonged on Lantenengo Street. And not only as his wife. Her family had been in Gibbsville a lot longer than the great majority of the people who lived on Lantenengo Street. She was a Doane, and Grandfather Doane had been a drummer boy in the Mexican War and had a Congressional Medal of Honor from the Civil War. Grandfather Doane had been a member of the School Board for close to thirty years, before he died, and he was the only man in this part of the State who had the Congressional Medal of Honor. Lute had the French Croix de Guerre with palm for something be said he did when he was drunk, and there were a couple of men who got Distinguished Service Crosses and Distinguished Service Medals during the War, but Grandfather Doane had the only Congressional Medal of Honor. Irma still thought she was entitled to the medal, because she had been Grandfather Doane s favorite; everyone knew that. But her brother Willard and his wife, they got it because Willard was carrying on the name. Well, they could have it. It was Christmas, and Irma did not begrudge it to them as long as they took care of it and appreciated it. Irma lay there, fully awake, and heard a sound: cack, thock, cack, thock, cack, thock. A car with a loose cross-chain banging against the fender, coming slowly up or down Lantenengo Street, she could not make out which. Then it came a little faster and the sound changed to cack, cack, cack, cack-cack-cack-cack. It passed her house and she could tell it was an open car, because she heard the flapping of the side curtains. It probably was a company car, a Dodge. Probably an accident at one of the mines and one of the bosses was being called out in the middle of the night, the night before Christmas, to take charge of the accident. Awful. She was glad Lute did not work for the Coal & Iron Company. You had to be a college graduate, Penn State or Lehigh, which Lute was not, to get any kind of a decent job with the Coal & Iron, and when you did get a job you had to wait for someone to die before you got a decent promotion. And called out at all hours of the day and night, like a doctor, when the pumps didn t work or something else happened. And even your ordinary work on the engineering corps, you came home dirty, looking like an ordinary miner in short rubber boots and cap and lunch can. A college graduate, and you had to undress in the cellar when you came home. Lute was right: he figured if you sell two Cadillacs a month, you make expenses, and anything over that is so much gravy, and meanwhile you look like a decent human being and you re not taking chances of being crushed to death under a fall of top rock, or blown to hell in an explosion of black damp. Inside the mines was no place for a married man, Lute always said; not if he gave a damn about his wife and children. And Lute was a real family man. Irma shifted in bed until her back was against Lute s back. She held her hand in back of her, gently clasping Lute s forearm. Next year, according to Hoover, things would be much better all around, and they would be able to do a lot of things they had planned to do, but had had to postpone because of this slump. Irma heard the sound of another loose cross-chain, fast when she first heard it, and then slow and finally stopping. The car was getting a new start, in low gear. Irma recognized it: Dr. Newton s Buick coach. Newton, the dentist, and his wife Lillian who had the house two doors below. They would be getting home from the dance at the country club. Ted Newton was probably a little plastered, and Lillian was probably having her hands full with him, because she had to get home early on account of being pregnant. Three months gone, or a little over. Irma wondered what time it was. She reached out and found Lute s watch. Only twenty after three. Good Lord, she thought it was much later than that. Twenty after three. The country club dance would just be getting good, Irma supposed. The kids home from boarding school and college, and the younger marrieds, most of whom she knew by their first names, and then the older crowd. Next year she and Lute would be going to those dances and having fun. She could have gone to the one tonight, but she and Lute agreed that even though you knew the people by their first names, it wasn t right to go down to the club unless you were a member. Ever time you went, whoever you were the guest of had to pay a dollar, and even at that you were not supposed to go under any circumstances more than twice in any quarter of the year. That was the rule. Next year she and Lute would be members, and it would be a good thing, because Lute would be able to make better contacts and sell more Cadillacs to club members. But as Lute said: We ll join when we can afford it. I don t believe in that idea of mixing your social life with your business life too much. You get signing checks for prospects down at the country club, and you wind up behind the eight-ball. We ll join when we can afford it. Lute was all right. Dependable and honest as the day is long, and never looked at another woman, even in fun. That was one reason why she was content to wait until they could really afford to join the club. If she had married, say, Julian English, she would be a member of the club, but she wouldn t trade her life for Caroline English s, not if you paid her. She wondered if Julian and Caroline were having another one of their battle royals. II The smoking room of the Lantenengo Country Club was so crowded it did not seem as though another person could get in, but people moved in and out somehow. The smoking room had become co-educational; originally, when the club was built in 1920, it had been for men only, but during many wedding receptions women had broken the rule against their entering; wedding receptions were private parties, and club rules could be broken when the whole club was taken over by one party. So the feminine members had muscled in on the smoking room, and now there were as many females as males in the room. It was only a little after three o clock, but the party had been going on forever, and hardly anyone wondered when it would end. Anyone who wanted it to end could go home. He would not be missed. The people who stayed were the people who belonged on the party in the first place. Any member of the club could come to the dance, but not everyone who came to the dance was really welcome in the smoking room. The smoking room crowd always started out with a small number, always the same people. The Whit Hofmans, the Julian Englishes, the Froggy Ogdens and so on. They were the spenders and drinkers and socially secure, who could thumb their noses and not have to answer to anyone except their own families. There were about twenty persons in this group, and your standing in the younger set of Gibbsville could be judged by the assurance with which you joined the nucleus of the smoking room crowd. By three o clock everyone who wanted to had been in the smoking room; the figurative bars were let down at about one-thirty, which time coincided with the time at which the Hofmans and Englishes and so on had got drunk enough to welcome anyone, the less eligible the better. So far nothing terrible had occurred. Young Johnny Dibble had been caught stealing liquor from someone s locker and was kicked in the behind. Elinor Holloway s shoulder strap had slipped or been pulled down, momentarily revealing her left breast, which most of the young men present had seen and touched at one time or another. Frank Gorman, Georgetown, and Dwight Ross, Yale, had fought, cried, and kissed after an argument about what the team Gorman had not made would have done to the team Ross was substitute halfback on. During one of those inexplicable silences, Ted Newton was heard to say to his wife: I ll drink as much as I God damn please. Elizabeth Gorman, the fat niece of Harry Reilly, whose social-climbing was a sight to behold, had embarrassed her uncle by belching loud and unashamed. Lorimer Gould III, of New York, who was visiting someone or other, had been told nine times that Gibbsville was dull as dishwater the year round, but everyone from out of town thought it was the peppiest place in the country at Christmas. Bobby Herrmann, who was posted for non-payment of dues and restaurant charges, was present in a business suit, gloriously drunk and persona grata at the inner sanctum (he was famous for having said, on seeing the golf course without a person playing on it: The course is rather delinquent today ), and explaining to the wives and fianc�s of his friends that he would like to dance with them, but could not because he was posted. Everyone was drinking, or had just finished a drink, or was just about to take one. The drinks were rye and ginger ale, practically unanimously, except for a few highballs of applejack and White Rock or apple and ginger ale, or gin and ginger ale. Only a few of the inner sanctum members were drinking Scotch. The liquor, that is, the rye, was all about the same: most people bought drug store rye on prescriptions (the physicians who were club members saved scrips for their patients), and cut it with alcohol and colored water. It was not poisonous, and it got you tight, which was all that was required of it and all that could be said for it. The vibrations of the orchestra (Tommy Lake s Royal Collegians, a Gibbsville band) reached the smoking room, and the youngest people in the room began to hum Something To Remember You By. The young men addressed the girls: Dance? and the girls said: Love to, or Sa-well, or Uh-huh. Slowly the room became less crowded. A few remained around one fairly large table in a corner, which by common consent or eminent domain or something was conceded to be the Whit Hofman-crowd s table. Harry Reilly was telling a dirty story in an Irish brogue, which was made slightly more realistic or funny by the fact that his bridgework, done before the Reillys came into the big money, did not fit too well, and Harry as a result always whistled faintly when he spoke. Reilly had a big, jovial white face, gray hair and a big mouth with thin lips. His eyes were shrewd and small, and he was beginning to get fat. He was in tails, and his white tie was daintily soiled from his habit of touching it between gestures of the story. His clothes were good, but he had been born in a tiny coal-mining village, or patch, as these villages are called; and Reilly himself was the first to say: You can take the boy out of the patch, but you can t take the patch out of the boy.