Acceptance: A Novel (The Southern Reach Trilogy) (8 page)

BOOK: Acceptance: A Novel (The Southern Reach Trilogy)
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“Go home. Once you’ve finished.” He couldn’t put words to it, but he wanted her far away from the lighthouse right now. Charlie would’ve called him irrational, emotional, said he wasn’t thinking straight. But in the confluence of the fire, the lens damage, and Suzanne’s strange mood … he just didn’t want Gloria there.

But Gloria held on to her stubbornness, like it was a kind of gift she’d been given along with the candy bar.

“Saul, you’re my friend,” she said, “but you’re not the boss of me.” Matter-of-fact, like something he should’ve already known, that didn’t need to be said.

He wondered if Gloria’s mother had said that—more than once. Wryly, he had to admit that it was true. He wasn’t the boss of Henry, either, or, apparently, anyone. The tedious yet true cliché came to mind.
Tend to your own garden.

So he nodded, admitting defeat. She was going to do whatever she wanted to do. They all would, and he would just have to put up with it. At least the weekend was approaching fast. He’d drive to Bleakersville with Charlie, check out a new place called Chipper’s Star Lanes that a friend of Charlie’s liked a lot. It had the miniature golf Charlie enjoyed and he didn’t mind the bowling, although what Saul liked most was that they had a liquor license and a bar in the back.

*   *   *

Only an hour later, Henry and Suzanne were downstairs again—he noticed first the creaking of their steps and then through the kitchen window their repetitive pacing as they roved across the lighthouse grounds.

He would have stayed inside and left them to it, but a few minutes later Brad Delfino, a volunteer who sometimes helped out around the lighthouse, pulled in to the driveway in his truck. Already, even before he’d come to a stop, Brad was waving to Henry, and somehow Saul didn’t want Brad talking to the Light Brigade without him there. Brad was a musician in a local band who liked to drink and talked a lot, to anyone who’d listen. Sometimes he got into trouble; his spotty work at the lighthouse was what passed for community service on the forgotten coast.

“You heard about the fire?” Brad said as Saul headed him off in the parking lot.

“Yes,” Saul said curtly. “I heard about it.” Of course Brad knew; why else would he have come out?

Now he could see that Henry and Suzanne were ceaselessly snapping shots of every square inch of the grounds inside the fence. Adding to the chaos, Gloria had noticed him and was bounding toward him making barking noises like she sometimes did. Because she knew he hated it.

“Know what’s going on?” Brad asked.

“Not any more than you do. Fire department says there’s no problem, though.” Something in his tone changed when he talked to Brad, a kind of southern twang entering, which irritated him.

“Can I go up and look through the telescope anyway?” As eager as Gloria to get a peek at the only excitement going on today.

But before Saul could respond to that, Henry and Suzanne bore down on them.

“Photo time,” Suzanne said, smiling broadly. She had a rather bulky telephoto lens attached to her camera, the wide strap around her neck making her look even more childlike.

“Why do you want a photo?” Gloria asked.

That was Saul’s question, too.

“It’s just for our records,” Suzanne said, with a wide, devouring smile. “We’re creating a photo map of the area, and a record of the people who live here. And, you know, it’s such a beautiful day.” Except it was a little overcast now, the encroaching gray from clouds that would probably rain inland, not here.

“Yes, how about a photograph of you, your assistant—and the girl, I guess,” Henry said, ignoring Gloria. He was studying Saul with an intensity that made him uncomfortable.

“I’m not sure,” Saul said, reluctant if for no other reason than their insistence. He also wanted to find a way to extricate himself from Brad, who wasn’t anything as formal as an “assistant.”


I’m
sure,” Gloria muttered, glaring at them. Suzanne tried to pat her head. Gloria looked at first as if she might bite that hand, then, in character, just growled and leaned away from it.

Henry stepped in close to Saul. “What would a photograph of the lighthouse be without its keeper?” he asked, but it wasn’t really a question.

“A better picture?”

“You used to be a preacher up north, I know,” Henry said. “But if you’re worrying about the people you left behind, don’t—it’s not for publication.”

That threw him off-balance.

“How do you know that?” Saul said.

But Brad had gotten a kick out of this revelation, waded in before Henry could answer. “Yeah, that Saul, man. He’s a real desperado. He’s wanted in ten states. If you take his picture, it’s all over for him.”

Did a picture really matter? Even though he’d left unfinished business up north, it wasn’t like he’d fled, exactly, or as if this photo would wind up in the newspapers.

The wind had taken to gusting. Rather than argue, Saul pulled his cap out of his back pocket, figured wearing it might disguise him a bit, although why did he need a disguise? An irrational thought. Probably not the first irrational thought from a lighthouse keeper on the forgotten cost.

“Say ‘cheese.’ Say ‘no secrets.’ Count of three.”

No secrets?

Brad had decided to assume a stoic pose that Saul supposed might be a way of poking fun at him. Gloria, seeking the dramatic, made them wait while she drew the hood of her jacket over her head and then ran to the rocks as her protest, certain Suzanne wouldn’t be able to get her in the frame. Once at the rocks, she climbed away from them, and then turned around and began to climb back, shrieking with delight and shouting, for no good reason, “I’m a monster! I’m a monster!”

The count of three came, Suzanne grown still and silent, bending at the knees as if she were on the deck of a ship at sea. She gave the signal.

“No secrets!” Brad said prematurely, with an enthusiasm he might regret, given his drug record.

Then came the flash from the camera, and in the aftermath black motes drifted across the edges of Saul’s vision, gathered there, lingered for longer than seemed normal.

 

0005: CONTROL

They had exploded through and up out of that terrible corridor between the world and Area X into a lack of air that had shocked Control, until the solid push of Ghost Bird’s body against his, the weight of his backpack pulling him down, forced him to fight against the slapping pressure of what his burning eyes, strangled throat, told him was salt water. He had managed to shut his mouth against his surprise, to ignore the rush of bubbles pushing up and around the top of his head. Managed to clamp down on both his panic and his scream, to adjust as well to the ripping feel of a thousand rough-smooth surfaces against him, too much like the door that had become a wall cutting through his fingers, slashing against his arms, his legs, sure he had materialized into the middle of a tornado of shining knives—Whitby and Lowry and Grace and his mother the spy, the whole damned congregation of the Southern Reach calling out the word
Jump!
through those thousand silvery reflections. Even as his lungs flooded with water. Even as he struggled to lose the treacherous knapsack but still hold on to Whitby’s document inside it, grappling, flailing for the pages, some of which exploded out into the water, the rest plummeting into the murk below with the knapsack: a slab of pulp, a soggy tombstone.

Ghost Bird, he recognized dimly, had already shot up and past him, toward a kind of glistening yellow egg of a reflected halo that might, or might not, be the sun. While he was still sucking water among the converging circles of the many swirling knives that stared at him with flat judgmental eyes. Confused by the swirl of pages that floated above or below, that stuck to his clothes, that came apart in miniature whirlpools to join the vortex. For a fading second, he was peering at a line of text and suffocating while blunt snouts bumped up against his chest.

Only when a true leviathan appeared did his oxygen-starved brain understand that they had emerged into a roiling school of some kind of barracuda-like fish now being disrupted by a larger predator. There came an awful free-falling emptiness … the quickly closing space where the enormous shark had sped through the vortex, annihilating fish in a crimson cloud. A megalodon of a kind. Lowry in yet another form … the air trickling out of his mouth like a series of tiny lies about the world that had decided to extinguish him.

“Lowry” left offal in its wake, so close to Control as he rose and it descended that the side of his face slid half raw against its gills. The frill and flutter sharper and harder than he could have imagined as it sculpted him, the expulsion of water a roaring, gushing piston in his ear, and the huge yet strangely delicate eye away to his left staring into him. Then his stomach was banging into its body, his bruised waist smacked by a swipe of the tail, and his head was ringing and he was drifting and he couldn’t keep his mouth from beginning to open, the dot of the sun smaller and smaller above him.
“Pick up the gun, Control,” said his grandfather. “Pick it up from under the seat. Then jump.”

Did Lowry, or anyone, have a phrase that could save him?

Consolidation of authority.

There’s no reward in the risk.

Floating and floating.

Paralysis is not a cogent analysis.

Except it was. And from the wash and churn, the thrashing around him, a familiar hand grasped his drifting wrist and yanked him upward. So that he was not just a swirl of confused memory, a bruised body, a cipher, but apparently something worth saving, someone in the process of being saved.

His feet had kicked out against nothing, like a hanging victim, while the fish again converged, his body buffeted by a hundred smooth-rough snouts as he rose, as he blacked out amid the torrent of upward-plunging bodies, the rough rebuke of continuous flesh that formed one wide maw from which he might or might not escape.

Then they were on the shore and Ghost Bird was kissing him for some reason. Kissing him with great, gulping kisses that bruised his lips, and touching his chest and, when he opened his eyes and looked up into her face, making him turn onto his side. Water gushed, then dribbled, from him, and he had propped himself up with both arms, staring down into the wet sand, the tiny bubbles of worm tunnels as the edge of the surf brushed against his hands and receded.

Lying there on his side, he could see the lighthouse in the distance. But as if she could tell his intent, Ghost Bird said, “We’re not going there. We’re going to the island.”

And just like that, he’d lost control.

*   *   *

Now, on their fourth day in Area X, Control followed Ghost Bird through the long grass, puzzled, confused, sick, tired—the nights so alive with insects it was hard to sleep against their roar and chitter. While in his thoughts, a vast, invisible blot had begun to form across the world outside of Area X, like water seeping from the bottom of a leaky glass.

Worse still, the gravitational pull Ghost Bird exerted over him, even as she was indifferent to him, even as they sometimes huddled together for warmth at night. The unexpected delicacy and delirium of that accidental touch. Yet her message to him, the moment he had crossed a kind of border and she’d moved away from him, had been unmistakable and absolute. So he’d retreated to thinking of himself as Control, from necessity, to try to regain some distance, some measure of the objective. To reimagine her in the interrogation room at the Southern Reach, and him watching her from behind the one-way glass.

“How can you be so cheerful?” he’d asked her, after she had noted their depleted food, water, in an energetic way, then pointed out a kind of sparrow she said was extinct in the wider world, an almost religious ecstasy animating her voice.

“Because I’m alive,” she’d replied. “Because I’m walking through wilderness on a beautiful day.” This with a sideways glance he took to mean that she wondered if he was holding up. One that made him realize that her goals might not be his, that they might converge only to diverge, and he had to be ready for that. Echoes of field assignments gone wrong. Of his mother saying, “The operational damage from an event can linger in the mind like a ghost.” While he wondered if even the more banal things she had said had a hidden meaning or agenda.

Freedom could take you farther from what you sought, not closer. Something he was learning out here, beyond any standard intel, in a wilderness he didn’t understand. About as prepared for Area X, he realized, as for Ghost Bird, and perhaps that was, in the end, the same thing. Because they existed alone together, walked a trail that threaded its way between reed-choked lakes that could be tar-black or as green as the reflected trees that congregated in islands among the reeds … and he was finally free to ask her anything he wanted to, but he didn’t. Because it didn’t really matter.

So, instead, he shoved his hand into his jacket pocket from time to time, clenched his fist around his father’s carving, taken from the mantel in the little house on the hill in Hedley. The smooth lines of it, the way the grain of the wood under the paint threatened a splinter, soothed him. A carving of a cat, chosen to remind him of long-lost Chorry, no doubt blissfully hunting rats among the bushes.

So, instead, he dove, resentful at their pull, into reexamining over and over his rescued Whitby pages, the “terroir pages,” although they were more personal than that. An anchor, a bridge to his memory of the rest of the manuscript, lost at sea. If he used those pages to talk to Ghost Bird, it was in part to bring relief or distraction from the closeness of her and the way that the endless reeds, the fresh air, the blue sky, all conspired to make the real world remote, unimportant, a dream. When it was the most important thing.

Somewhere back there his mother was fighting for her career at Central, that act synonymous with fighting against the encroachment of Area X. Somewhere, too, new fronts had opened up, Area X expanding in ways that might not even match its prior characteristics. How could he know? Planes might be falling from the skies, this non-mission, this
following
of his, already a failure.

BOOK: Acceptance: A Novel (The Southern Reach Trilogy)
11.01Mb size Format: txt, pdf, ePub
ads

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