A Scanner Darkly (3 page)

“No,” Donna said. “That’s irreversible.”

“The clinic people said they’d let me see him, and they said they believed he could work some, you know—” He gestured. “Not be—” Again he gestured; it was hard to find words for that, what he was trying to say about his friend.

Glancing at him, Donna said, “You don’t have speech-center damage, do you? In your—what is it called?—occipital lobe.”

“No,” he said. Vigorously.

“Do you have any kind of damage?” She tapped her head.

“No, it’s just … you know. I have trouble saying it about those fucking clinics; I hate the Neural-Aphasia Clinics. One time I was there visiting a guy, he was trying to wax a floor— they said he couldn’t wax the floor, I mean he couldn’t figure out how to do it … What got me was he kept trying. I mean not just for like an hour; he was still trying a month later when I came back. Just like he had been, over and over again, when I first saw him there, when I first went to visit him. He couldn’t figure out why he couldn’t get it right. I remember the look on his face. He was sure he’d get it right if he kept trying to flash on what he was doing wrong. ‘What am I doing wrong?’ he kept asking them. There was no way to tell him. I mean, they told him—hell, I told him—but he still couldn’t figure it out.”

“The receptor sites in his brain are what I’ve read usually goes first,” Donna said placidly. “Someone’s brain where he’s gotten a bad hit or like that, like too heavy.” She was watching the cars ahead. “Look, there’s one of those new Porsches with two engines.” She pointed excitedly. “Wow.”

“I knew a guy who hot-wired one of those new Porsches,”
he said, “and got it out on the Riverside Freeway and pushed it up to one seventy-five—wipe-out.” He gestured. “Right into the ass of a semi. Never saw it, I guess.” In his head he ran a fantasy number: himself at the wheel of a Porsche, but noticing the semi, all the semis. And everyone on the freeway—the Hollywood Freeway at rush hour—noticing him. Noticing him for sure, the lanky big-shouldered good-looking dude in the new Porsche going two hundred miles an hour, and all the cops’ faces hanging open helplessly.

“You’re shaking,” Donna said. She reached over and put her hand on his arm. A quiet hand that he at once responded to. “Slow down.”

“I’m tired,” he said. “I was up two nights and two days counting bugs. Counting them and putting them in bottles. And finally when we crashed and got up and got ready the next morning to put the bottles in the car, to take to the doctor to show him, there was nothing in the bottles. Empty.” He could feel the shaking now himself, and see it in his hands, on the wheel, the shaking hands on the steering wheel, at twenty miles an hour. “Every fucking one,” he said. “Nothing. No bugs. And then I realized, I fucking realized. It came to me, about his brain, Jerry’s brain.”

The air no longer smelled of spring and he thought, abruptly, that he urgently needed a hit of Substance D; it was later in the day than he had realized, or else he had taken less than he thought. Fortunately, he had his portable supply with him, in the glove compartment, way back. He began searching for a vacant parking slot, to pull over.

“Your mind plays tricks,” Donna said remotely; she seemed to have withdrawn into herself, gone far away. He wondered if his erratic driving was bumming her. Probably so.

Another fantasy film rolled suddenly into his head, without his consent: He saw, first, a big parked Pontiac with a bumper jack on the back of it that was slipping and a kid around thirteen with long thatched hair struggling to hold the car
from rolling, meanwhile yelling for assistance. He saw himself and Jerry Fabin running out of the house together, Jerry’s house, down the beer-can-littered driveway to the car. Himself, he grabbed at the car door on the driver’s side to open it, to stomp the brake pedal. But Jerry Fabin, wearing only his pants, without even shoes, his hair all disarranged and streaming—he had been sleeping—Jerry ran past the car to the back and knocked, with his bare pale shoulder that never saw the light of day, the boy entirely away from the car. The jack bent and fell, the rear of the car crashed down, the tire and wheel rolled away, and the boy was okay.

“Too late for the brake,” Jerry panted, trying to get his ugly greasy hair from his eyes and blinking. “No time.”

“ ‘S he okay?” Charles Freck yelled. His heart still pounded.

“Yeah.” Jerry stood by the boy, gasping. “Shit!” he yelled at the boy in fury. “Didn’t I tell you to wait until we were doing it with you? And when a bumper jack slips—shit, man, you can’t hold back five thousand pounds!” His face writhed. The boy, little Ratass, looked miserable and twitched guiltily. “I repeatedly and repeatedly told you!”

“I went for the brake,” Charles Freck explained, knowing his idiocy, his own equal fuckup, great as the boy’s and equally lethal. His failure as a full-grown man to respond right. But he wanted to justify it anyhow, as the boy did, in words. “But now I realize—” he yammered on, and then the fantasy number broke off; it was a documentary rerun, actually, because he remembered the day when this had happened, back when they were all living together. Jerry’s good instinct—otherwise Ratass would have been under the back of the Pontiac, his spine smashed.

The three of them plodded gloomily back toward the house, not even chasing the tire and wheel, which was still rolling off.

“I was asleep,” Jerry muttered as they entered the dark interior of the house. “It’s the first time in a couple weeks
the bugs let up enough so I could. I haven’t got any sleep at all for five days—I been runnin’ and runnin’. I thought they were maybe gone; they’ve
been
gone. I thought they finally gave up and went somewhere else, like next door and out of the house entirely. Now I can feel them again. That tenth No Pest Strip I got, or maybe it’s the eleventh—they cheated me again, like they did with all the others.” But his voice was subdued now, not angry, just low and perplexed. He put his hand on Ratass’s head and gave him a sharp smack. “You dumb kid—when a bumper jack slips get the hell out of there. Forget the car. Don’t ever get behind it and try to push back against all that mass and block it with your body.”

“But, Jerry, I was afraid the axle—”

“Fuck the axle. Fuck the car. It’s your life.” They passed on through the dark living room, the three of them, and the rerun of a now gone moment winked out and died forever.

“Gentlemen of the Anaheim Lions Club,” the man at the microphone said, “we have a wonderful opportunity this afternoon, for, you see, the County of Orange has provided us with the chance to hear from—and then put questions to and of—an undercover narcotics agent from the Orange County Sheriff’s Department.” He beamed, this man wearing his pink waffle-fiber suit and wide plastic yellow tie and blue shirt and fake leather shoes; he was an overweight man, overaged as well, overhappy even when there was little or nothing to be happy about.

Watching him, the undercover narcotics agent felt nausea.

“Now, you will notice,” the Lions Club host said, “that you can barely see this individual, who is seated directly to my right, because he is wearing what is called a scramble suit, which is the exact same suit he wears—and in fact must wear—during certain parts, in fact most, of his daily activities of law enforcement. Later he will explain why.”

The audience, which mirrored the qualities of the host in every possible way, regarded the individual in his scramble suit.

“This man,” the host declared, “whom we will call Fred, because this is the code name under which he reports the information he gathers, once within the scramble suit, cannot be identified by voice, or by even technological voiceprint, or by appearance. He looks, does he not, like a vague blur and nothing more? Am I right?” He let loose a great smile. His audience, appreciating that this was indeed funny, did a little smiling on their own.

The scramble suit was an invention of the Bell Laboratories, conjured up by accident by an employee named S. A. Powers. He had, a few years ago, been experimenting with disinhibiting substances affecting neural tissue, and one night, having administered to himself an IV injection considered safe and mildly euphoric, had experienced a disastrous drop in the GABA fluid of his brain. Subjectively, he had then witnessed lurid phosphene activity projected on the far wall of his bedroom, a frantically progressing montage of what, at the time, he imagined to be modern-day abstract paintings.

For about six hours, entranced, S. A. Powers had watched thousands of Picasso paintings replace one another at flash-cut speed, and then he had been treated to Paul Klees, more than the painter had painted during his entire lifetime. S. A. Powers, now viewing Modigliani paintings replace themselves at furious velocity, had conjectured (one needs a theory for everything) that the Rosicrucians were telepathically beaming pictures at him, probably boosted by microrelay systems of an advanced order; but then, when Kandinsky paintings began to harass him, he recalled that the main art museum at Leningrad specialized in just such nonobjective moderns, and decided that the Soviets were attempting telepathically to contact him.

In the morning he remembered that a drastic drop in the GABA-fluid of the brain normally produced such phosphene activity; nobody was trying telepathically, with or
without microwave boosting, to contact him. But it did give him the idea for the scramble suit. Basically, his design consisted of a multifaced quartz lens hooked to a miniaturized computer whose memory banks held up to a million and a half physiognomic fraction-representations of various people: men and women, children, with every variant encoded and then projected outward in all directions equally onto a superthin shroudlike membrane large enough to fit around an average human.

As the computer looped through its banks, it projected every conceivable eye color, hair color, shape and type of nose, formation of teeth, configuration of facial bone structure—the entire shroudlike membrane took on whatever physical characteristics were projected at any nanosecond, and then switched to the next. Just to make his scramble suit more effective, S. A. Powers programmed the computer to randomize the sequence of characteristics within each set. And to bring the cost down (the federal people always liked that), he found the source for the material of the membrane in a by-product of a large industrial firm already doing business with Washington.

In any case, the wearer of a scramble suit was Everyman and in every combination (up to combinations of a million and a half sub-bits) during the course of each hour. Hence, any description of him—or her—was meaningless. Needless to say, S. A. Powers had fed his own personal physiognomic characteristics into the computer units, so that, buried in the frantic permutation of qualities, his own surfaced and combined … on an average, he had calculated, of once each fifty years per suit, served up and reassembled, given enough time per suit. It was his closest claim to immortality.

“Let’s hear it for the vague blur!” the host said loudly, and there was mass clapping.

In his scramble suit, Fred, who was also Robert Arctor, groaned and thought: This is terrible.

Once a month an undercover narcotics agent of the county was assigned at random to speak before bubblehead gatherings such as this. Today was his turn. Looking at his audience, he realized how much he detested straights. They thought this was all great. They were smiling. They were being entertained.

Maybe at this moment the virtually countless components of his scramble suit had served up S. A. Powers.

“But to be serious for just a moment,” the host said, “this man here …”He paused, trying to remember.

“Fred,” Bob Arctor said. S. A. Fred.

“Fred, yes.” The host, invigorated, resumed, booming in the direction of his audience, “You see, Fred’s voice is like one of those robot computer voices down in San Diego at the bank when you drive in, perfectly toneless and artificial. It leaves in our minds no characteristics, exactly as when he reports to his superiors in the Orange County Drug Abuse, ah, Program.” He paused meaningfully. “You see, there is a dire risk for these police officers because the forces of dope, as we know, have penetrated with amazing skill into the various law-enforcement apparatuses throughout our nation, or may well have, according to most informed experts. So for the protection of these dedicated men, this scramble suit is necessary.”

Slight applause for the scramble suit. And then expectant gazes at Fred, lurking within its membrane.

“But in his line of work in the field,” the host added finally, as he moved away from the microphone to make room for Fred, “he, of course, does not wear this. He dresses like you or I, although, of course, in the hippie garb of those of the various subculture groups within which he bores in tireless fashion.”

He motioned to Fred to rise and approach the microphone. Fred, Robert Arctor, had done this six times before, and he knew what to say and what was in store for him: the assorted degrees and kinds of asshole questions and opaque stupidity.
The waste of time for him out of this, plus anger on his part, and a sense of futility each time, and always more so.

“If you saw me on the street,” he said into the microphone, after the applause had died out, “you’d say, There goes a weirdo freak doper.’ And you’d feel aversion and walk away.”

Silence.

“I don’t look like you,” he said. “I can’t afford to. My life depends on it.” Actually, he did not look that different from them. And anyhow, he would have worn what he wore daily anyhow, job or not, life or not. He liked what he wore. But what he was saying had, by and large, been written by others and put before him to memorize. He could depart some, but they all had a standard format they used. Introduced a couple of years ago by a gung-ho division chief, it had by now become writ.

He waited while that sank in.

“I am not going to tell you first,” he said, “what I am attempting to do as an undercover officer engaged in tracking down dealers and most of all the source of their illegal drugs in the streets of our cities and corridors of our schools, here in Orange County. I am going to tell you”—he paused, as they had trained him to do in PR class at the academy— “what I am afraid of,” he finished.