A Dream of Ice (17 page)

He stood upright and was about to step forward to search for the origin of the breeze when an inner voice stopped him. Over the years, he had learned to listen to that voice. This time, though, it insisted. He stayed by the wall and looked around for whatever was causing the internal alarm.

Just over an arm's length away was a mass of olivine tiles placed in the wall roughly at eye level, and a small bubble of rock like those he'd seen in the chamber. The olivine was glowing. With half of his body still edged to the wall, he stepped to the mosaic. To the right he saw an arched entrance, clearly a designed opening and not a lava crack. However, the opening was sealed shut with a mass of basaltic stone—hardened magma.

That didn't make sense, though.

If lava flowed over the tunnel, it should have kept flowing, poured down, and filled much more of this space. Instead, it simply stopped with a curious edge as if heaped against something—but there was nothing to heap against.

Maybe there was a barrier that has since collapsed?
he thought.
But what kind of structure could have withstood volcanic heat, other than volcanic rock itself?

The olivine mosaic was just as mysterious—not just its chemistry but its design. Given the position of the tiles on the wall, Mikel thought they bore a distinct resemblance to an exit sign in a theater—a cautionary or emergency notice of some kind. Could it have been put there by the mysterious Source-tapping Technologists just in case something went wrong? He was habitually on guard against the unscientific impulse to assume one's own culture could automatically explicate another. But upon closer examination the drawings etched into the olivine clearly showed
gestures
. If he was interpreting the drawings correctly, it looked as though the viewer or reader should retrieve something from the bubble of rock and put it on their face.

Mikel touched a small quartz panel on the bubble of rock. The arched entrance immediately opened like the door of a cabinet. Inside, he found a row of hooks holding four sagging, beige bits of what appeared to be remarkably well-preserved cloth masks. He set his teeth against the cold and pulled off a glove to touch one. It didn't feel like fabric. The swatch had an unrecognizable smoothness, definitely not plastic. He would have compared it to skin but it didn't move like skin when he lifted it. Somehow it felt flexible and then oddly structured, but the structure disappeared as soon as he moved it again.

Technologist gear?
he wondered.

As Mikel pulled down his balaclava and cautiously placed the mask to his face, its edges cinched themselves to his skin. With some effort he could pry it loose again, but it was designed to be airtight, and suddenly
Mikel felt why. His lungs felt full and remained that way, holding a flex like a bodybuilder ballooning a muscle. The mask hadn't appeared to
do
anything—yet what else could have caused this?

He tried to stay calm, rational, as he contemplated the truly foreign technology . . . something so alien it was beyond his ability to analyze or understand. He reminded himself that he was here to catalog and move on. Perhaps the larger picture would help to explain these magnificent parts.

The olivine mosaic provided no other clues. Their pulse seemed slightly faster than before, but he had no way of quantifying that. Mikel carefully turned to face the tunnel again. He could see that several feet ahead there was a larger, closet-size panel with the same olivine design, yet this mosaic was dark and could not be read. Inching himself along the wall, he reached out to open it and discovered within upright stacks of what looked like bobsleds made of Persian rugs, ribbed with some kind of wicker.

Flying carpets
, he thought jokingly, reaching for one of them. But who could say whether or not this was where the legend began—carried away by surviving Galderkhaani?

He tugged on it several times, putting real muscle into it, but the contraptions were stuck fast. He shined his light all around them and fumbled between them and around to the back. Although his fingertips sensed protrusions from the wall, there were no vises or hooks. Apparently these could not be obtained as easily as the masks. Perhaps they'd been considered more valuable or, considering that the mosaic wasn't lit, less crucial.

Mikel spent a good ten minutes trying to figure out the attachment mechanism, wiggling the contraptions in every direction but coming up with nothing. Finally, with a grunt of frustration, he gave up. The ancient locks, whatever they were, had worked. He was starting to feel like a bit of an idiot, like an alien discovering New York City, and spending all its time fooling with a broom closet. He closed the panel and turned back to the tunnel.

So
, he thought as he shone his head lamp down the corridor in one direction, then the other.
Which way?

He looked up at the place where he'd entered and calculated that to head toward the continent he wanted to turn to his left.

He took two steps forward and was blown off his feet.

Snapped into survival mode, Mikel hunched into a fetal form as a rush of air rocketed him down the tunnel. The airstream was steady only in velocity, not in dynamics. With no warning it would suddenly twist viciously, then again and again. Several times it slammed him into the wall. He'd fall and then with no respite the wind would pick him up again and hurtle him onward. He wished he hadn't taken off his helmet but so far his arms were enough protection. Then he was slammed especially hard. His head lamp smashed and broke and the tunnel went instantly utterly dark.

A second later the airstream flipped him over and blasted him toward the ceiling, face-first. He kicked out to let his feet take the brunt of the impact and felt the jolt all the way up his spine.

Jesus Christ—

He needed a way out of this. He looked around for anything he could cling to.

Another flip, and then he noticed that he was primarily slamming into the wall on the left. To get back to center, he tried pulling his arms tightly to his sides, straightening his legs. The airstream responded with a push. He must have overshot slightly because he was whipped right out of the airstream directly into another one that slammed him into the opposite wall. Quickly he ducked his head back in the original direction, crossed what he sensed was the centerline, and slammed into the left wall again at an angle that would leave a bruise on his arm from elbow to shoulder.

He tried again directing himself toward the middle with a hell of a lot more caution. He was right, in the exact center of the tunnel the airstream smoothed out and lost some of its turbulence. He caught the sweet spot and stayed there, keeping his head bowed to shield his
face. He was moving in the direction he wanted to go and there were no more collisions. For the first time he was able to draw a real breath, as opposed to panicked gasps.

The pneumatic airstream was propelling him at what felt like the speed of a car. Obviously this tunnel had been designed for humans inside contraptions of some kind.
The magic carpets?
But just in case there was some kind of accident, just in case air pressure became a threat, the designers had provided protection for the body.
The mask!
he thought suddenly, and almost laughed with the marvel of it. Mikel had felt his lungs firm up but now he realized that his eardrums must have been protected against increased air pressure too; an eardrum would rupture long before a lung collapsed. Perhaps even his bones and muscles had received a boost, which might explain why he hadn't fractured anything yet. The effects of the mask could have been giving his whole body extra resilience.

Magnificent technology
, he thought, humbled, and it would fit in his pocket if he ever headed home. He suddenly felt overwhelmed with the realization that he was plugged into both history and legend. This airstream was Aeolus, the Greek keeper of the wind. Here it was—real, not myth. Undetected by the outside world, perhaps only just revived, and Mikel was in it.

Suddenly, he was weeping.

The tears came fast and puddled inside his goggles, steaming the insides—not that he could see anything anyway. It had finally hit him, after so many close calls. He probably would not make it home. He was underground, in the dark, in one of the most remote spots on Earth. Worse, he was the only person to know one of the secret wonders of the world
and he was going to die in it
.

Eventually his tears stopped and the profound sense of loneliness froze within him. He was plunging through a pneumatic system that was not designed for human bodies and he didn't see how he was going to come to a stop except catastrophically. Whatever resilience
the mask had given him, it would not help him survive a full stop at a dead end.

Mikel had always thought that if he saw his life flashing before his eyes, it would be the result of an involuntary spasm, but now he felt that he was choosing to do it, seeing his crazy Basque grandmother, then school, university, grad school, Flora and the Group, the scientists—more than one—whom Mikel had stolen artifacts from. With most of his family either deceased or self-absorbed, he didn't think there was one person on Earth who would mourn him—except maybe Siem, but that would be more a function of feeling overwhelmed by tragedies. Even Flora. She had seemed distraught over the way Arni died and also by his absence—but mourning? No. Mikel couldn't imagine her grieving for him.

Suddenly, Mikel realized that there might be a way through this. The quartz-and-olivine panels he'd left behind: perhaps they were set in terminals. There might be a way to pinpoint the next one, if there was one.

He listened carefully to see if there was any change in the sound of the wind. His senses on high alert, he wondered how long he'd been suffering the now-painful howling. But then he heard it: a slightly hollow sound, deeper than the shrieking in the rest of the tunnel, nearly a full octave lower.

It came and went and then a minute later it came again, passing him faster than he could make a move. But now he knew what to listen for and when the next one came, he was ready.

Damn it
, he missed. But he had the rhythm. Timing it out from memory, he anticipated when he would feel the next sound beside him and jackknifed toward it.

Whipping across the airstream into an opening on the side of the tunnel, his body dropped heavily to the ground as the air support disappeared, but it was not nearly as bad as a crash.

Collecting his wits and his breath, Mikel could not believe he was still alive and in one piece. He waited for the tingling and fear to stop
shaking him, then he finally got to his knees and then to his feet. The new space welcomed him like Prospero's beach in a tempest, sheltering him from the hell of sound and wind.

Still in total darkness, he felt all around the space and realized it was quite small, with no entrance for lava to have spewed through, but it did have what he recognized as another quartz panel. Once again it popped open under his fingertips and just as he'd predicted, it was one of the “bobsleds.” Almost praying, he fumbled around the back of the contraption, trying to free it. Nothing. It was as mysteriously secure as the others.

Many attempts and long minutes later, Mikel cursed and drove his fist into the rock. Feeling claustrophobic and trapped, he began to pry the mask off his face so he could get one damned breath of fresh air. Then, as soon as the mask was in his hands, the area flashed with an extraordinarily bright light. A millisecond later the light was gone. Purple and green afterimages flooded across his eyes. Mikel reached out to feel the niche again to see if he could locate the source of the flash. He was interrupted by a sharp knock on his knee. With a crisp sound like wicker snapping, one of the contraptions had dropped out of the niche and hit his leg, then toppled onto the floor. Mikel had the sudden impression that he'd just been photographed—and approved.

He picked up the sled, praying it hadn't cracked when it was released.

“Let's hope you know what to do.”

With one hand on the stone wall to guide him, he stepped back into the tunnel but stopped short of the airstream. He restored the mask to his face, then carefully climbed into the surprisingly firm contraption placing his head in what he saw as a cobra-like hood. He suspected it would fill with wind when he stepped back into the airstream, to carry him along like a sail.

“God I hope I've got this right.”

His heart slamming hard, he shuffled to where the sound told him
the winds began. Then, like a sledder on a mountainside, he turned ninety degrees and dropped flat into the wind flow.

Incredibly, the slightly concave shape of the struts caused the wind to raise the little vehicle from the floor. There was some initial wobbling, which he corrected by positioning his body in the center. As disconcerting as it was to be moving at this speed in the dark, it wasn't half as bad as going without. The hood protected his ears, fed on the wind, and he was not uncomfortable. And because he was finally using the mechanism that must have been designed for the tunnel, he felt safe.

There was nothing for him to do except stay still, and because his last dose of REM was incomprehensibly long ago and far away, Mikel actually drifted to sleep. He dreamed of a hand stretched toward his bowed head, the fingers pointing at the nape of his neck . . .

He woke to a strange sensation. Still floating in the air, he was moving much more slowly. The sound of the air changed again as well, lower than before. It was as if he was being invited to stop.

“
Yes
,” he answered. “
Yes!
”

Mikel angled his body toward the wall and the nose of the sled went with him, effectively pinwheeling a quarter turn so it was facing into what he presumed was another niche. His weight, held forward, caused it to lurch in a little farther and stop.

Smiling at the simple beauty of the system, Mikel gratefully stood and moved in the direction where he imagined the wall should be, but he doubled over something thigh-high and very hard. He landed on rippled and rocky stone. Crawling forward, his hands found an arched doorway in the wall that was, like the other, sealed shut by a long-solidified lava flow. Mikel pushed against the wall to stand and feeling his way along it, discovered another set of mosaic tiles under his hands, but these weren't glowing either. Exhausted by the thought of having to make one more intense decision, he impulsively pressed hard against the tiles.