A Dirty Job (Grim Reaper #1) (43 page)
Read A Dirty Job (Grim Reaper #1) Online
Authors: Christopher Moore
Charlie knew he should kick down the door, but then, it was a really big door, and although he had watched a lot of cop shows and movies where door kicking had been done, he was inexperienced himself. Another option was to pull his pistol and blast the lock off the door, but he didn’t know any more about lock blasting than he did door kicking, so he decided to ring the doorbell.
The scurrying noises increased and he could hear heavier footsteps inside. The door swung open and the pretty brunette he knew as Elizabeth Sarkoff—Esther Johnson’s fake niece—stood in the doorway.
“Why, Mr. Asher, what a pleasant surprise.”
It won’t be for long, sister,
said his inner tough guy. “Mrs. Sarkoff, nice to see you. What are you doing here?”
“I’m the receptionist. Come in, come in.”
Charlie stepped into the foyer, which opened up to a staircase and had sliding double doors on either side. He could see that straight back the foyer led to a dining room with a long table, and beyond that a kitchen. The house had been restored nicely, and didn’t really have the appearance of a public building.
The inner tough guy said,
Don’t try to run your game on me, floozy. I’ve never hit a dame before, but if I don’t get some straight talk quick, I’m willing to give it a try, see
. Charlie said, “I had no idea you were a Buddhist. That’s fascinating. How’s your Aunt Esther, by the way?”
He had her now, didn’t even have to slap her around
.
“Still dead. Thanks for asking, though. What can I do for you, Mr. Asher?”
The sliding door to the left of them opened an inch and someone, a young man’s voice, said, “Master, we need you.”
“I’ll be right there,” said the alleged Mrs. Sarkoff.
“Master?” Charlie raised an eyebrow.
“We hold receptionists in very high regard in the Buddhist tradition.” She grinned, really big and goofy, like she didn’t even believe it herself. Charlie was totally charmed by the laughter and open surrender in her eyes. Trust there, with no reason for it.
“Good God, you’re a bad liar,” he said.
“Guess you could see right through my moo-poo, huh?” Big grin.
“So, you are?” Charlie offered his hand to shake.
“I am the Venerable Amitabha Audrey Rinpoche.” She bowed. “Or just Audrey, if you’re in a hurry.” She took two of Charlie’s fingers and shook them.
“Charlie Asher,” Charlie said. “So you’re not really Mrs. Johnson’s niece.”
“And you’re not really a used-clothing dealer?”
“Well, actually—”
That’s all Charlie got out. There was a crashing sound from straight ahead, glass and splintering wood. Then he saw the table go over in the next room and Minty Fresh screamed “Freeze!” as he leapt over the fallen table and headed toward them, gun in hand, oblivious, evidently, to the fact that he was seven feet tall and that the doorway, built in 1908, was only six feet eight inches high.
“Stop,” Charlie shouted, about a half second too late, as Minty Fresh drove four inches of forehead into some very nicely finished oak trim above the door with a thud that shook the whole house. His feet continued on, his body swinging after, and at one point he was parallel to the floor, about six feet off the ground, when gravity decided to manifest itself.
The chrome Desert Eagle clattered all the way through the foyer and hit the front door. Minty Fresh landed flat and quite unconscious on the floor between Charlie and Audrey.
“And this is my friend Minty Fresh,” Charlie said. “He doesn’t do this a lot.”
“Boy, you don’t see that every day,” said Audrey, looking down at the sleeping giant.
“Yeah,” Charlie said. “I don’t know where he found raw silk in moss green.”
“That’s not linen?” Audrey asked.
“No, it’s silk.”
“Hmm, it’s so wrinkled, I thought it must be linen, or a blend.”
“Well, I think maybe all the activity—”
“Yeah, I guess so.” Audrey nodded, then looked at Charlie. “So—”
“Mr. Asher.” A woman’s voice to his right. The doors on Charlie’s right slid open, and an older woman stood there: Irena Posokovanovich. The last time he’d seen her he was sitting in the back of Rivera’s cruiser, in handcuffs.
“Mrs. Posokov…Mrs. Posokovano—Irena! How are you?”
“You weren’t so concerned about that yesterday.”
“No, I was. I really was. Sorry about that.” Charlie smiled, thinking it was his most charming smile. “I hope you don’t have that pepper spray with you.”
“I don’t,” Irena said.
Charlie looked at Audrey. “We had a little misunderstanding—”
“I have this,” Irena said, producing a stun gun from behind her back, pressing it to Charlie’s chest and sending a hundred and twenty-five thousand volts surging through his body. He could see animals, or animal-like creatures, dressed in period finery, approaching him as he convulsed in pain on the floor.
“Get them both tied up, guys,” Audrey said. “I’ll make tea.”
T
ea?” Audrey said.
So, for the second time in his life, Charlie Asher found himself tied to a chair and being served a hot beverage. Audrey was bent over before him, holding a teacup, and regardless of the awkwardness or danger of the situation, Charlie found himself staring down the front of her shirt.
“What kind of tea?” Charlie asked, buying time, noticing the cluster of tiny silk roses that perched happily at the front clasp of her bra.
“I like my tea like I like my men,” Audrey said with a grin. “Weak and green.”
Now Charlie looked into her eyes, which were smiling. “Your right hand is free,” she said. “But we had to take your gun and your sword-cane, because those things are frowned upon.”
“You’re the nicest captor I’ve ever had,” Charlie said, taking the teacup from her.
“What are you trying to say?” said Minty Fresh.
Charlie looked to his right, where Minty Fresh was tied to a chair that made him look as if he’d been taken hostage at a child’s tea party—his knees were up near his chin and one of his wrists was taped near the floor. Someone had put a large ice pack on his head, which looked vaguely like a tam-o’-shanter.
“Nothing,” Charlie said. “You were a great captor, too, don’t get me wrong.”
“Tea, Mr. Fresh?” Audrey said.
“Do you have coffee?”
“Back in a second,” Audrey said. She left the room.
They’d been moved to one of the rooms off the foyer, Charlie couldn’t tell which. It must have been a parlor for entertaining during its day, but it had been converted into a combination office and reception room: metal desks, a computer, some filing cabinets, and an array of older oak office chairs for working and waiting.
“I think she likes me,” Charlie said.
“She has you taped to a chair,” Minty Fresh said, pulling at the tape around his ankles with his free hand. The ice pack fell off his head and hit the floor with a loud thump.
“I didn’t notice how attractive she was when I met her before.”
“Would you help me get free, please?” Minty said.
“Can’t,” Charlie said. “Tea.” He held up his cup.
Clicking noises by the door. They looked up as four little bipeds in silk and satin scampered into the room. One, who had the face of an iguana, the hands of a raccoon, and was dressed like a musketeer, big-feathered hat and all, drew a sword and poked Minty Fresh in the hand he was using to pull at the duct tape.
“Ow, dammit. Thing!”
“I don’t think he wants you to try to get loose,” Charlie said.
The iguana guy saluted Charlie with a flourish of his sword and pointed to the end of his snout with his free hand, as if to say,
On the nose, buddy
.
“So,” Audrey said, entering the room carrying a tray with Minty’s coffee, “I see you’ve met the squirrel people.”
“Squirrel people?” Charlie asked.
A little lady with a duck’s face and reptilian hands wearing a purple satin evening gown curtsied to Charlie, who nodded back.
“That’s what we call them,” Audrey said. “Because the first few I made had squirrel faces and hands, but then I ran out of squirrel parts and they got more baroque.”
“They’re not creatures of the Underworld?” Charlie said. “You made them?”
“Sort of,” Audrey said. “Cream and sugar, Mr. Fresh?”
“Please,” Minty said. “You make these monsters?”
All four of the little creatures turned to him at once and leaned back, as if to say,
Hey, pal, who are you calling monsters
.
“They’re not monsters, Mr. Fresh. The squirrel people are as human as you are.”
“Yeah, except they have better fashion sense,” Charlie said.
“I’m not always going to be taped to this chair, Asher,” Minty said. “Woman, who or what the hell are you?”
“Be nice,” Charlie said.
“I suppose I should explain,” Audrey said.
“Ya think?” Minty said.
Audrey sat down on the floor, cross-legged, and the squirrel people gathered around her, to listen.
“Well, it’s a little embarrassing, but I guess it started when I was a kid. I sort of had this affinity for dead things.”
“Like you liked to touch dead things?” asked Minty Fresh. “Get naked with them?”
“Would you please let the lady talk,” Charlie said.
“Bitch is a freak,” Minty said.
Audrey smiled. “Why, yes; yes, I am, Mr. Fresh, and you are tied up in my dining room, at the mercy of any freaky thing that might occur to me.” She tapped a silver demitasse spoon she’d used to stir her tea on her front tooth and rolled her eyes as if imagining something delicious.
“Please go on,” said Minty Fresh with a shudder. “Sorry to interrupt.”
“It wasn’t a freaky thing,” Audrey said, glancing at Minty, daring him to speak up. “It was just that I had an overdeveloped sense of empathy with the dying, mostly animals, but when my grandmother passed, I could feel it, from miles away. Anyway, it didn’t overwhelm me or anything, but when I got to college, to see if I could get a handle on it, I decided to study Eastern philosophy—oh yeah, and fashion design.”
“I think it’s important to look good when you’re doing the work of the dead,” Charlie said.
“Well—uh—okay,” Audrey said. “And I was a good seamstress. I really liked making costumes. Anyway, I met and fell in love with a guy.”
“A dead guy?” Minty asked.
“Soon enough, Mr. Fresh. He was dead soon enough.” Audrey looked down at the carpet.
“See, you insensitive fuck,” Charlie said. “You hurt her feelings.”
“Hello, tied to a chair here,” Minty said. “Surrounded by little monsters, Asher. Not the insensitive one.”
“Sorry,” Charlie said.
“It’s okay,” Audrey said. “His name was William—Billy, and we were together for two years before he got sick. We’d only been engaged a month when he was diagnosed with an inoperable brain tumor. They gave him a couple of months to live. I dropped out of school and stayed with him every moment. One of the nurses from hospice knew about my Eastern studies course and recommended we talk with Dorje Rinpoche, a monk from the
Bardo Thodrol,
what you know as the Tibetan
Book of the Dead
. He helped prepare Billy to transfer his consciousness into the next world—into his next life. It took our focus off of the darkness and made death a natural, hopeful thing. I was with Billy when he died, and I could feel his consciousness move on—really feel it—Dorje Rinpoche said that I had some special talent. He thought I should study under a high lama.”
“So you became a monk?” Charlie asked.
“I thought a lama was just a tall sheep,” said Minty Fresh.
Audrey ignored him. “I was heartbroken and I needed direction, so I went to Tibet and was accepted at a monastery where I studied
Bardo Thodrol
for twelve years under Lama Karmapa Rinpoche, the seventeenth reincarnation of the bodhisattva who had founded our
p’howa
—the transference of the consciousness at the moment of death.”
“So you could do what the monk had done for your fiancé?” Charlie asked.
“Yes. I performed
p’howa
for many of the mountain villagers. It was a sort of a specialty with me—along with making the robes for everyone in the monastery. Lama Karmapa told me that he felt I was a very old soul, the reincarnation of a superenlightened being from many generations before. I thought perhaps he was just trying to test me, to get me to succumb to ego, but when his own death was near and he called me to perform the
p’howa
for him, I realized that this was the test, and he was trusting the transference of his own soul to me.”
“Just so we’re clear,” said Minty Fresh. “I would not trust you with my car keys.”
The iguana musketeer poked Minty in the calf with his little sword and the big man yelped.