A Cowboy in Manhattan (18 page)

“I have a plan,” he said.

“Do tell.”

“The baker. The tailor. And the limo guy. They all have the same problem, great little businesses, solid work ethic, and short-term cash-flow issues.”

“Oh, Reed, no.” Not the limo business, too.

“They’re good guys, family businesses that have been around for generations. I make a few more of these small investments, and when they pay off, I reinvest the profits in the next person.”

“And what if there are no profits? What if you lose? Reed, this is a very big city. Con artists are everywhere.”

“In a small bake shop in Brooklyn with a broken-down delivery truck, just waiting for a guy like me to come along and bail him out?”

Okay, that did sound far-fetched for a sting operation. But it didn’t mean these guys weren’t opportunistic.

“I’m not going to lose, Katrina,” said Reed. “I’m willing to bet people are people just about anywhere. Some good, some bad, most just trying to get by.”

“I didn’t know they taught philosophy at Lyndon Valley High School.”

His jawline set, and his eyes turned to charcoal, and she knew she’d gone too far. Then, his voice went hard as steel “Well, I’d already guessed they taught snobbery at the Upper Cavendar Dramatic Arts Academy.”

Regret shot through her. “Reed, I didn’t—”

“We’re docking,” he pointed out, turning on his heel to head for the gangway.

Sitting in row G, center orchestra, in the opulent Emperor’s Theater, Reed’s anger had long since disappeared. Katrina’s ballet performance had blown him away, and he felt like the biggest jerk in the world for barking at the ethereal angel who’d held the audience enthralled throughout the evening. He wondered how quickly the well-heeled crowd would turn on him if they knew how he’d behaved.

Mere minutes into the performance, he’d found himself transferring his anger to her family. Why had he never heard she was this good? Why weren’t they shouting it from the rooftops and dropping everything to rush to New York City and watch her dance?

Supported by rows of other dancers, she was the center of attention, all ribbons and tulle. Her skirt was gauzy mauve, her hair neatly upswept, woven with flowers and jewels as she spun gracefully across the stage, toes pointed, arms outstretched, all but floating to her partner, who lifted her as the orchestra built the music to a final crescendo.

Reed held his breath through the leaps and turns and lifts, until they finally held their position. The orchestra cut, and the crowd burst into thunderous applause.

The company gracefully repositioned themselves on the stage, lining up for a bow. Katrina’s chest was rising and falling with deep breaths as she smiled at the audience. Her bright blue gaze seemed to stop on Reed’s, and emotion shot through his own chest. It was all he could do not to leap from his seat and carry her off in his arms.

But the curtain came down. The applause finally died, and the audience made their way toward the aisles on either side of him. He sat still for a long moment, wondering if he was still invited backstage. After the harbor cruise, he’d fumed in the cab all the way to the Emperor’s Theater, where he’d dropped Katrina off in midafternoon.

She’d tried to apologize numerous times, but he’d cut her off. He wasn’t sensitive about his education or his background. What he hated was when she reminded him of their vastly different lifestyles. Still, he sure didn’t have to be such a jerk about it.

She was probably still angry with him, and rightly so. Then again, was he going to let that stop him? She’d invited him backstage. She hadn’t uninvited him. He could easily play dumb and show up, and then apologize for his behavior and hope she’d forgive him.

All he had to do was figure out exactly where backstage was in this huge place.

He glanced around at the rapidly emptying theater, looking for an usher. Instead, he spotted Elizabeth Jeril down near the front, in a conversation with a man. The seats beside him were empty, so he quickly exited the row and made his way down to her.

“Reed.” Elizabeth greeted him with a wide, welcoming smile.

The stranger next to her turned to give Reed a suspicious once-over.

Elizabeth showed no such hesitation. She reached out her arms and all but floated toward him in her full-length silver gown. “I hope you enjoyed the performance.”

Reed gently returned the hug. “Very much,” he told her honestly.

“Are you coming backstage to see Katrina?”

“I’d like to.”

“Good. Reed, this is one of our major donors and a member of the board of directors, Quentin Foster.”

Reed’s senses went on instant alert. But he schooled his features and faced the man.

“Quentin,” Elizabeth continued, oblivious. “This is Reed Terrell. Reed is a friend of Katrina’s.”

“A close friend,” Reed added, holding out his hand to shake, meeting the muddy gaze of Quentin’s light brown eyes square on.

Foster was slightly short, slightly balding, with a narrow nose and a haughty, supercilious smile. He held out his own hand, pale and thin-skinned.

“A pleasure,” he told Reed in a tone that said it was anything but.

Reed squeezed a little too firmly. “Katrina’s spoken of you,” he told Quentin.

Quentin’s nostrils flared for a split second, uncertainty crossing his expression before he quickly withdrew his hand. “Katrina’s dancing is coming along nicely.”

“She looked great to me,” said Reed.

“You’re an aficionado?” Quentin challenged.

“I know what I like,” Reed returned evenly.

Quentin gave a fake laugh. “The subtleties of the ballet are usually lost on the masses.”

Reed dropped the conversation and spoke to Elizabeth. “Can you point the way?”

“Absolutely.” She linked her arm with Reed’s and led him along the front of the stage to a small door, subtly recessed into the wall paneling.

They passed through single file to a dimly lit narrow hallway and staircase.

Reed kept his footsteps and his tone measured as he chatted inconsequentially about the weather and the sights of New York City. Inside his head, he was cataloging his instincts.

Now that he’d met Foster, every fiber of his being told him to protect Katrina. Slamming the man into the nearest wall and reading him the riot act seemed like an excellent start. But he restrained himself as they passed through another door and came out into a wide, bustling corridor.

“There she is,” said Elizabeth, gesturing down the hallway.

Reed’s attention immediately fixed on Katrina as she emerged from a doorway. She’d changed into a simple black sheath dress with black leggings, high-heeled shoes and a short purple open cardigan. Her hair was in a wavy ponytail, and her face was free of makeup.

“Thanks,” he told Elizabeth absently, already winding his way through the performers and crew clogging the hall.

When he appeared next to her, Katrina was startled, obviously surprised to see him. But he didn’t pause to talk, simply slipped an arm around her waist, and gently eased her into a walk in the direction opposite to Foster.

“You ready to go?” he asked.

“Where are we going?”

“I don’t care. Is this the way out?”

She settled in to his pace. “Aren’t you still mad at me?”

“I was never mad.”

“Liar.”

“Okay, a little bit mad. But I shouldn’t have been mad. I guess I’m psychologically delicate. Are we going the right way?”

“As if,” she scoffed. “Take the next right.”

He steered them around a corner into an empty hallway.

The other voices disappeared behind them, and he noticed they were alone. He impulsively backed her into the wall. He searched her expression, finding her more beautiful than ever. “You were amazing out there.”

A genuine smile grew on her face. “You liked the performance?”

“I can’t wait to watch you dance again.”

Still grinning, she scoffed, “There’s no need to go overboard, Reed.”

Instead of responding, he cupped her chin, stilling her motion. He leaned in. “I’m hooked,” he whispered, a split second before his lips touched hers.

Their kiss was instantly passionate, and he pressed his body to hers. Her arms wound around his neck, and he pulled her into a tight full-body hug.

“Reed?” she gasped, clearly struggling for breath.

He forced himself to let her go. He hadn’t meant to maul her in public. “Sorry.”

“It’s okay.”

“Are you hungry?” he asked, dredging up some manners.

She had to have used up a lot of energy out there tonight.

“I am.” She nodded.

“What do you want to eat?” He’d take her anywhere. They could do anything she wanted, as long as it was together.

She blinked once, her dark lashes covering her deep blue eyes, momentarily expanding her pupils. “Room service?”

Everything inside him stilled, then his hand sought hers, tugging her away from the wall, leading her farther down the corridor.

At first, they walked in silence.

“You really liked the performance?” Her tone was slightly hesitant. “Like, truly?”

“I truly loved it,” he answered.

“As in, you’d watch another ballet?”

“If you were in it.” Then he shrugged. “Or if you came to watch with me.”

Though it wasn’t something he’d ever given a moment’s thought to, he’d honestly enjoyed the ballet. He admired the dancing, the choreography, the lighting, the costumes. He liked to think he recognized hard work when he saw it.

“What about the opera?” she asked.

“I’ve never been to the opera.”

“Would you try one?”

“Is this some kind of a test? Are you setting me up for a joke?”

She frowned at him. “Not at all. I like opera.”

“Why?”

They made their way up a back staircase, and a door came into view at the end of a short hallway.

“The music, the pageantry, the stories.”

“Aren’t they in Italian?”

“It doesn’t matter.”

“I don’t speak Italian.”

“Quello è sfavorevole.”

He tugged her against his side. “You are
such
a showoff.”

“Unlike you? Who turned my bike into an exercise machine and laughed at me because I was afraid of chickens?”

He paused a beat. “Being afraid of chickens is pretty comical.”

She tipped her head sideways against his shoulder. “You sure you want to mock the woman who’s coming back to your hotel room?”

He leaned down to whisper in her ear. “Let me tell you exactly what I want to do to the woman who’s coming back to my hotel room.”

Nine

E
very time Reed thought Katrina couldn’t possibly get any more beautiful, she surprised him. Even tonight, at the Liberty Ballet fundraising gala, among the richly dressed, she stood out like a beacon.

Across the room, her updo was smooth, her honey-toned shoulders bare, her slender arms ringed in delicate white sapphire bangles. She wore a matching necklace, gold inset with a trail of tiny white sapphires, while small studs sparkled in her ears. Her dress was snow-white, with a tight bodice liberally trimmed in deep purple piping. It topped a generous tulle skirt adorned with purple appliqué that made her look even more like his princess, or maybe his bride.

He let that image swim around his brain. It was preposterous, of course, but he couldn’t help liking it.

“Enjoying the party?” Elizabeth asked, standing by his side.

“Very much,” said Reed, telling the truth. He’d met a lot of interesting people, many from New York City, but a surprising number from other parts of the country. All seemed well-traveled, and some had visited Colorado.

Reed took advantage of the opportunity. “I heard Katrina had trouble with a ballet shoe.”

“Terrible luck that,” said Elizabeth. “I’m glad she’s healed so fast. It was a bizarre accident, but we’re not taking any chances.”

“How so?” Reed prompted, determined to catalog whatever information he could gather.

“We’ve changed the standards, shortened the wear period.”

“Katrina told me she had a dozen pairs of ballet shoes.” Reed would love to get his hands on the others. If Katrina was right, and there was no way to know which pair she’d choose on any given night, then Foster might have sabotaged more than one.

“We replaced them all.”

Destroyed the evidence. “And whose idea was that?”

“A board recommendation. Overkill in my opinion, but I suppose it’s a PR move if you need one. You don’t have a drink.”

“I’m pacing myself.”

She linked an arm with his. “An admirable quality.”

He glanced down to where her fingertips trailed flirtatiously along his bicep. “You know you don’t mean that.”

Her laughter tinkled. “Sorry. Ingrained habit.” She disentangled her arm. “You can catch more flies with honey than with vinegar.”

“You catching flies tonight?”

“Liberty Ballet doesn’t survive without donations. No offense to your gender, Reed. But men are more likely to pull out their checkbook for a vivacious woman.”

“Do you ever get tired of doing that?”

“Of course not.”

“Liar.”

She shrugged. “It’s my job.” Then she pointed with her champagne glass. “See that man over there, white hair, glasses, laughing?”

“I see him.”

“He donated a substantial sum last year. His business manager called today to say they’ll have to cut that in half. My job tonight is to change his mind.”

“Good luck with that,” Reed offered.

“Thanks.”

“I could probably intimidate him for you.”

Elizabeth’s laughter tinkled again. “That would certainly be a change in tactics.”

“Can’t flirt with him though,” Reed noted.

She looked him up and down. “There is one wealthy widow here tonight, Mrs. Darwin Rosamine—”

“Not a chance,” said Reed.

Elizabeth shrugged. “You look very sexy in a tux. Seems a shame to waste it.”

“What about Foster?” Reed put in. He’d spotted the man a couple of times, and he was waiting for an opportunity to confront him.

“Quentin? I don’t think we should send Quentin to flirt with Mrs. Rosamine.”

“I meant his donation.”

“He donates every year.”

“A lot?”

“One of our top donors.”

“Would you be willing to give me a number?”

Elizabeth drew back, her expression changing from animated to thoughtful as she considered Reed. “That would be unethical.”

He returned her level gaze. “And?”

“And I could get in a lot of trouble for revealing that kind of information.”

Reed waited, but she didn’t cave. He had to admire that. “Hypothetically speaking, a ballpark number, what would you consider to be a top donor to Liberty Ballet?”

Elizabeth’s even, white teeth came down on her bottom lip, and she smiled as she shook her head. “Hypothetically speaking, I consider a top donor to be in the range of two hundred to three hundred thousand a year.”

Reed nodded. “That’s a lot of money.”

She took a sip of her champagne. “I can smile through almost anything for that kind of money.”

“Are you saying you have problems with Quentin?”

“Nothing serious.” She glanced from side to side and lowered her voice. “The biggest problem I have with him is that he’s boring. He’s way too fond of the sound of his own voice, and tends to corner me at parties.”

“Boring how?”

“Loves to name-drop and brag about all the important events he’s attended. For a skinny man, he’s fairly obsessed with menus—who served which caviar, that the shrimp was overdone, that the Kobe beef wasn’t, and that the pastry chef was subpar.”

Reed nodded. It was annoying, but nothing compared to what Quentin had done to Katrina.

“By the way—” Reed took the opportunity “—if you ever need a good bakery, I know a great one in Brooklyn.”

“I don’t entertain much in Brooklyn.”

“They do deliver.” Reed signaled a passing waiter and chose a glass of red wine. “If I could get you a discount, would you be willing to try someone new?”

She arched a sculpted brow. “Are you serious?”

“I am. I own a small percentage of one that would like to break into the upscale catering market.”

Elizabeth gave a small shrug. “Send me the information. We can talk.”

“I’ll have them send you some samples. Thanks.”

“No problem.” She nodded across the room. “I see Katrina’s wearing Asper Emily tonight.”

Reed watched Katrina laugh with two tuxedo-clad guests. He tried not to let jealousy creep in. “Is she securing donations?”

“One never knows who will decide to participate financially.” Elizabeth paused. “You know, Katrina has a fantastic future ahead of her with Liberty.” She took a sip of her champagne. “Assuming she stays in New York City.”

Confused, Reed asked, “What makes you think she won’t?”

Elizabeth’s smile was sly. “You.”

Reed laughed at that.

“I’ve seen the way she looks at you.”

“Don’t worry about it. She hates Colorado a whole lot more than she likes me.”

“She must really hate Colorado then.” Elizabeth wound her arm through his once more. “Walk me over to the piano. I need to speak with Samuel Wilcox, and I don’t want Quentin to snag me along the way.”

“Yes, ma’am.”

Several people greeted Elizabeth from a distance as they walked, but none approached her directly. Reed could see Foster out of the corner of his eye, tracking their progress across the ballroom.

“Thank you,” said Elizabeth as Reed handed her off to Samuel Wilcox.

Reed didn’t wait for an introduction, but quickly withdrew and made his way to where Foster stood alone near one of the bars. He ditched the wineglass on the way, wanting both hands free.

“Foster.” He nodded, coming to a halt.

The man’s dirt-brown eyes narrowed. “Have we met?”

Reed scoffed out a laugh. “Right.” If that’s the way the guy wanted to play it, fine by him.

Reed put his back to the polished bar and set his tone low, though nobody was particularly close by. “My message is short. I know you propositioned Katrina. I know about the shoes. And I know where you live—”

“I haven’t the faintest idea what you’re talking about,” Foster sputtered. But his face had flushed ruddy.

“I can also easily access your social calendar.” Reed straightened, noting the bead of sweat that had formed on Foster’s brow. “If you hurt Katrina, if you threaten Katrina, if you lift one finger to harm her career, I will hunt you down and wipe you off the face of this planet.”

Foster pulled himself taller, his voice going shrill. “Even if I did know what you were talking about, I do
not
respond to threats.”

“Yeah? Well, you might want to make an exception in this case.”

“Uncivilized thug,” Foster spat.

“When it comes to Katrina, absolutely. You’d be smart to remember that, too.” Message delivered, Reed walked away.

Katrina was determined to avoid Quentin. The last thing she wanted was to be forced to rebuff him all over again. He’d been watching her for several minutes now, and he was headed her way. She started for the other side of the ballroom, deciding avoidance was her best strategy.

She couldn’t help but wish Reed was at her side. But last time she’d seen him, he was engaged in what had looked like a serious conversation with Elizabeth. Katrina had to admit, she was rather surprised at how adroit Reed seemed to be at managing the party without much help from her. She’d never had a date give her so much space before.

She saw a chance and entered a conversation with another dancer and two of the guests, hoping it would keep Quentin at bay. Unfortunately, they were just saying good-night, and she was quickly on her own again. And her stop had given Quentin a chance to get closer.

She skirted along the edge of the ballroom toward the back, thinking Reed might have gone to one of the bars for a drink.

She didn’t make it.

“Katrina?” Quentin called to her.

Caught, she heaved a sigh and pasted a polite smile on her face. “Hello, Quentin.”

“You look lovely tonight.” Though he uttered the words, there was a distinct insincerity to his tone.

His smile was there, if a bit fake. And there was a tenseness in his posture, a tightness at the corners of his mouth. Like he had a right to be angry with her. If anything, it ought to be the other way around.

“Thank you,” she responded calmly, letting her smile fade. It was one thing to be cordial if he was trying to keep up appearances, but if he wasn’t even going to make the effort, she certainly saw no reason to pretend.

His gaze moved insolently from her face, to her breasts and down the length of her body. “Putting it out for someone special tonight?”

She ignored the rude question and started to leave. “Excuse me. But I’m on my way to get a drink.”

But as she began to move, he grabbed her by the arm. His grip was tight enough to be painful.

Before she could react, he stepped up close, his voice a growl. “You call him off.”

“What? Let go of me.” Had he lost his mind?

“That pit bull of a junkyard dog—”

Suddenly, Reed appeared. He grabbed a handful of Quentin’s shirtfront and pushed him backward ten full paces, slamming him into the wall.

“Reed,”
Katrina gasped.

“Did you think I was bluffing?” Reed demanded in a harsh voice that carried.
“Did you?”

Quentin’s mouth moved, but no sounds came out.

Katrina moved swiftly toward them, praying nobody else was paying attention. “Reed,
stop.
” She could handle this herself, discreetly and quietly. The last thing in the world Liberty Ballet needed was a sordid scene played out in full view of their donors.

But he only pushed Quentin harder against the wall. “I meant every word I said.”

Quentin gasped for breath.

“Let him go,” Katrina begged, glancing around.

Instead, Reed pointed a stiff finger close to Quentin’s nose. “Every word.”

“Security!” somebody called out from behind her.

Katrina groaned in mortification.

Quentin managed a pained but triumphant smile. “Better let me go.”

“It’ll take them at least five minutes to get here,” Reed warned. “I can do a lot of damage in five minutes.”

“You’ll go to jail,” Quentin wheezed.

“Do I look like I care?”

“Reed,” Katrina pleaded, her panic growing.

He glanced her way. “You don’t need to see this.”

“
Everybody’s
seeing this.”

He turned back to Quentin, his enunciation slow and deliberate. “What’s it going to be?”

The two men glared daggers at each other.

Finally, Quentin glanced away, giving a tight nod of acquiescence.

Reed abruptly let him go, stepping back just as the security guards came into view. Reed backed off farther, straightening his jacket. Then he turned and walked casually toward her, while Katrina stared at him in abject horror.

She felt dozens of pairs of eyes come to rest on her. This story was going to race through the dance world like wildfire. Katrina would be a laughingstock. Whatever Quentin might have done to try to harm her career, Reed had outdone the effort and then some.