Galt as a TT employee. Either: night watchman for TT’s research laboratory ; or track walker; or switchman on lonely division; or plain laborer in the repair yard, which is connected with the laboratory; or terminal worker in the underground tunnels of the main terminal in New York. (If this last—then their first love scene is in the underground tunnels that vibrate with the motion of the great city above.)
Galt’s reason for being an obscure TT employee: he chose TT for the same reason I did, as the crucial blood system that gives him access to the whole economy of the country; by stopping TT and the key industries connected with it, he can stop the world. But while working on TT, he has fallen in love with Dagny Taggart, long before she meets him (he knows all about her activities and her character, and he has seen her in person many times).
That
is his conflict. He knows that he is her worst enemy, in her terms, her secret destroyer—but he knows that he must go on. (This is reflected in his attitude toward her in the valley—but we actually learn it much later, when she does, in Part II.)
Bits for Part I
Chapter II:
“The Theme.” Dagny on the train—listening to the “Heroic Concerto.” The young porter—his evasive answers. The railroad incident where we learn who she is. When they reach the underground terminal in New York—the sense of exaltation returns to her. As she gets off the train, she is whistling the Concerto. She feels someone looking at her—turns—the younger porter is staring at her tensely.
This music is then used twice again: when Dagny approaches the houses of the valley—and at the very end. (Unless the strikers use it for a code signal.)
([Note added some time later:]
“The Concerto of Deliverance.”)
The gold dollar sign placed by Francisco d‘Anconia at the entrance to the valley.
The oil man whose wells are “nationalized” (directly or indirectly) quits and sets fire to the wells. One gusher—the best—cannot be extinguished. It remains flaming for years, to the end of the story. (The constant reflection of the red glow—the reminder, like the calendar.) At the end—
this
is the stubborn fire which Galt sees in the distance. (“Wyatt’s torch.”)
July 9, 1946
Notes for Part II
(Tentative)
Galt and Dagny
He is the lowest kind of track laborer in the underground tunnels of the Taggart Terminal.
They meet when she is called there because the signal-switch system has broken down; there is no one to repair it—and no one takes the initiative on what to do. (This occurs after a sequence where Dagny was in despair over her inability to find intelligence and competence.)
The love affair in the underground tunnels.
She learns that he has loved her for years—and that he is her worst enemy. (She tries to stop him from “getting” someone—perhaps Rearden.)
The scene where Dagny and important leaders (Mr. Jones) are held up in a train stalled in the Taggart Terminal tunnels. They are discussing important collectivist measures to come. She glances out of the window. Galt is standing by the switch, holding a red lantern.
After the broadcast, Dagny returns to her own ofnce—and finds Galt waiting for her. He tells her that she must leave with him—hell is going to break loose now. She wants to remain. Then, he will remain, too; all the others have left; but he will save her—or go down with her. He tells her she can always find him at his job—and leaves.
After the desperate search for him—Dagny comes to Galt’s garret. She begs him to help them, to save TT—the temptation through love. He refuses. She asks him to escape—or she will betray him. He hands her the phone.
July 10, 1946
Notes for Part I: The “Three Main Lines ”
I.
The gradual disappearance of the creators.
Galt “gets”:
Railroad men:
Dagny’s Operating (?) Manager (which causes traffic snarl).
Dagny’s Freight Manager (which causes loss of crucial freight).
Dagny’s Traffic Manager (which causes death of section).
Chief Engineer (loss of tunnel and bridge).
Inventor or young engineer (resorting to old engines).
Shippers and suppliers:
Oil man—lack of fuel which [leads to the] end of diesels. (The burning well—near the future dead section.)
Lumber man—lack of ties, cars, terminal buildings.
Utility man (electricity)—New York loses electricity near the end (tie with Taggart surrendering power plant to “the city”).
III.
“What is wrong with the world? ”
The music (“Heroic Concerto”).
The book (part of a book, found by Dagny, “published nowhere”).
The flashlight: the small gadget with immense significance. This is a good example of the fact that technical civilization is an end product of intellectual civilization. (Have d‘Anconia make some crack about this, such as: “Who made this flashlight? The idea that a table is a table.”)
The way the key people quit.
The actions of Francisco d‘Anconia.
The incident of Ragnar Danneskjöld’s refusal.
The cigarettes.
July 12, 1946
Here is the state of TT at beginning of Part II:
The system has shrunk to little more than a single transcontinental line
—largely useless (because the productive areas on its route have been killed) and unable to pay its own cost.
The desperate need for Rearden Steel rails
—the track is hopelessly worn out.
Schedules are hopelessly mixed—nobody now expects a train to be on time. Therefore, people (producers and shippers) are not counting on trains any longer. (Breakdowns of signals, equipment, and lack of supplies.) Trains are expensive, dangerous, uncomfortable, unreliable.
Most of TT’s main shippers are gone.
The Taggart Bridge is in a desperately precarious condition.
Refrigerator cars and tank cars are gone. Sleepers and heating are eliminated at the end of Part I. Air-conditioning is long since gone. (Water and lighting go in Part II.)
Diesels are gone
—Old steam locomotives are run with coal—and there is a first return to the use of plain wood (if this is technically feasible).
The Taggart “research laboratory ” is gone.
Possible line:
Dagny is searching desperately for the genius who invented the motor. She is searching also for the mysterious enemy who is destroying TT. When she traps the enemy, to deliver him to those who will destroy him, she discovers that he is the genius who designed the motor, the man she wanted.
July 17, 1946
For Part I
The ending: Either the freight car manufacturer has quit, or Dagny is afraid he will; he is the last good man left in that line and something has just happened to “put the burden on him.” Dagny hurries to stop him. She arrives too late; she sees his plane taking off at the airport. She follows.
Before that: she hurries by train, but this is “the frozen ride,” so she can’t make it. She escapes from the abandoned train, steals or buys someone’s plane, and goes on to the small town of the car manufacturer.
The “frozen ride”: wrong signals, wrong switches, burned-out brakes—every kind of lesser sabotage. It ends with the train being abandoned in the middle of a plain at night. Half an hour or more passes before Dagny finds out that they are abandoned. Nobody else cares. (This is a complete example, “in a teaspoon,” of a frozen, parasite society.)
The “freeze” [Directive 10-289] is applied because Taggart and the other parasites cannot find people to take positions of responsibility, and there is a wave of quitting and pleas for demotion. This happens because of the double-cross.
The “double-cross” is that Taggart’s executive assistant (a deliberately chosen patsy) and a train engineer are blamed for the tunnel catastrophe and convicted of manslaughter.
The tunnel catastrophe: a parasite, who is in charge at a station where a diesel engine breaks down, sends a passenger train into the tunnel with an old steam engine. The tunnel is in bad condition; its ventilation system doesn’t work. The engine cannot quite handle the grade in the tunnel—the passengers begin to choke—a fool panics and pulls the brake-cord—the train cannot get started again. A freight train, loaded with explosives, is speeding through the tunnel (because of the poor ventilation) and smashes into the stalled train. The explosion wrecks the tunnel for good. (After this, Dagny has to organize the “return to pre-tunnel days,” using the old track.)
The oil sequence.
A single successful oil man buys a whole section of country. (This is a mountain region, not too far from the valley.) He is using, for shipping, the efficient railroad of Taggart’s competitor. Taggart whines that his branch line would be all right ( it is losing money) if it weren’t for the “destructive” competition. Taggart has a law passed (or a railroad association vote) about “duplication” and “seniority.” His line is the oldest, so he remains and the competitor is forced out. The oil man goes frantic with Taggart’s poor service: endless delays and uncertainty, no cars when needed, lost cars, accidents. (Accidents are always claimed to be “acts of God.” Here someone remarks: “Funny how active God’s getting to be lately,” and is answered: “He always is when man isn’t.”) The oil man loses a great deal of business (and industries are forced to close) because he cannot deliver the oil on time. (Taggart’s poor freight service makes prices rise in the oil town. The workers demand a raise, and the oil man is ordered to grant it, while not being allowed to raise the price of oil. Or—the oil man wants to build his own railroad line, and he is not allowed to, on grounds of “monopoly.”) He quits, setting fire to his wells.
Less than a year later, Taggart has to close his branch line because there is no business in this section; the industries supported by and dependent on the oil-field have closed or moved away. This is the “death of a section”—the small farmers, shop owners, and workers are left behind and find themselves without transportation to the outside world. (These are the people who believe that small private property is all right, but big fortunes should be limited.)
The young man who wants to organize a “pony express.” He is asked: “So you want to make money on the community misfortune?” The community passes rules: special rates on babies’ milk, priorities on food, free rides for the unemployed, etc. That evening, a stranger comes to town. He is present at the town meeting. In the morning, the young man has disappeared with the stranger.
There are earlier references to “dead sections.” The first one we see is when Dagny goes to the abandoned motor factory. (So later, in the above sequence, the readers know what is in store for the inhabitants of the town.)