Philippa Gregory 3-Book Tudor Collection 1 (191 page)

We are riding to London, to the palace of Westminster for the opening of parliament. But this riding back to London is not the same as when we were riding out. Something has happened. I feel as if I am an old hound, the pack leader, who can lift her grizzled head and smell the change in the wind. When we rode out, the king was between the queen and young Kitty Howard and anyone looking at them would have seen him distribute his smiles between his wife and her friend. Now, to me, perhaps only to me, the scene is quite different. Once again the king rides between the queen and her little favourite but this time his head is turned, all the time, to his left. It's as if his round face has swivelled on the fleshy neck and got stuck. Katherine holds his attention like a dancing mayfly holds the attention of the fat, gaping carp. The king is goggling at Katherine Howard as if he cannot take his eyes from her; and the queen, on his right, and even the Princess Mary on her other side, cannot divert him, cannot distract him, can do nothing but provide a shield for his infatuation.

I have seen this before – my God – so many times. I have been at Henry's court since I was a maid and Henry was a boy, and I know him: a boy in love, a man in love, and now an old fool in love. I saw him run after Bessie Blount, after Mary Boleyn, after her sister Anne, after Madge Shelton, after Jane Seymour, after
Anne Bassett, and now this: this pretty child. I know how Henry looks when he is besotted: a bull, ready to be led by the nose. He is at this point now. If we Howards want him, we have him. He is caught.

The queen reins back to speak with me, and leaves Katherine Howard, Catherine Carey, Princess Mary and the king riding together before us. They barely turn their heads to see that she has gone. She is becoming a cipher, a person of no significance.

‘The king likes Kitty Howard,' she observes to me.

‘And Lady Anne Bassett,' I say equably. ‘Young people make him merry. You have enjoyed the company of the Princess Mary, I think.'

‘No,' she says shortly, there is no diverting her. ‘He likes Katherine.'

‘No more than any other,' I persist. ‘Mary Norris is a favourite.'

‘Lady Rochford, be my friend: what am I to do?' she asks me simply.

‘Do? Your Grace?'

‘If he has a girl …' She breaks off to find the right word. ‘A whore.'

‘A lover,' I correct her rapidly. ‘Whore is a very bad word, Your Grace.'

She raises her eyebrows. ‘Ach, so? Lover.'

‘If he takes a lover, you must pay no attention.'

She nods. ‘This is what Queen Jane do?'

‘Yes indeed, Your Grace. She did not notice.'

She is silent for a second. ‘They do not think her a fool for this?'

‘They thought her queenly,' I say. ‘A queen does not complain of her husband the king.'

‘That is what Queen Anne do?'

I hesitate. ‘No. Queen Anne was very angry, she made much noise.' God spare us ever again from the storm that broke over our heads on the day that Anne found Jane Seymour squirming and giggling on the king's lap. ‘The king was then angry with her. And …'

‘And?'

‘It is dangerous to anger the king. Even if you are queen.'

She is silent at this, it has not taken her long to learn that the court is a death-trap for the unwary.

‘Who was the king's lover then? When Queen Anne made much noise?'

This is rather awkward to tell the king's new wife. ‘He was courting Lady Jane Seymour, who became queen.'

She nods. I have learned that when she looks most stolid and stupid it is then that she is thinking the most furiously.

‘And Queen Katherine of Aragon? She makes a noise?'

I am on firmer ground here. ‘She never once complained to the king. She always greeted him with a smile, whatever she had heard, whatever she feared. She was always a most courteous wife and queen.'

‘But he took a lover? Just the same? With such a queen at his side? Her, a princess that he had married for love?'

‘Yes.'

‘And was that lover Lady Anne Boleyn?'

I nod.

‘A lady in waiting? Her own lady in waiting?'

I nod again at the remorseless march of her logic.

‘So both his two queens were ladies in waiting? He see them in the queen's rooms? He meet them there.'

‘That is so,' I say.

‘He meets them while the queen watches. He dances with them in her rooms. He agrees that they should meet later?'

I cannot deny it. ‘Er, yes.'

She looks ahead to where Katherine Howard is riding close to the king and watches as he leans over and puts his hand on hers, as if to correct how she is holding the reins. Katherine looks up at him as if his touch is an honour she can hardly bear. She leans slightly towards him, yearning, we both hear her breathless little giggle.

‘Like that,' she says flatly.

I can think of nothing to say.

‘I see,' says the queen. ‘I understand now. And a wise woman say nothing?'

‘She says nothing.' I hesitate. ‘You cannot prevent it, Your Grace. Whatever comes of it.'

She bows her head and to my surprise I see a tear fall on to the pommel of her saddle and she covers it quickly with her gloved finger. ‘Yes, I can do nothing,' she whispers.

We have been settled in our apartments at Westminster for only a few days when I am summoned to the rooms of my kinsman the Duke of Norfolk. I go at midday, before we dine, and I find him pacing about his rooms, not his usual contained self at all. It is so unusual to see him disturbed that I am at once alert to danger. I do not enter the room but stay by the wall, as I would if I had opened the wrong door in the Tower and found myself among the king's lions. I stay by the door and my hand rests on the door knob.

‘Sir?'

‘Have you heard? Did you know? Cromwell is to be an earl? A damned earl?'

‘He is?'

‘Did I not just say so? Earl of Essex. Earl of bloody Essex! What do you think of that, madam?'

‘I think nothing, sir.'

‘Have they consummated the marriage?'

‘No!'

‘Do you swear? Are you certain? They must have done. He's got it up at last and he's paying his bawd. He must be pleased with Cromwell for something!'

‘I am utterly certain. I know they have not. And she is unhappy, she knows he is attracted to Katherine, and she is anxious about that. She spoke to me of it.'

‘But he is rewarding the minister who gave him the queen. He must be pleased with the marriage, something must have pleased him. He must have learned something, he must be turning from us for some reason. He is rewarding Cromwell, and Cromwell brought him the queen.'

‘I swear to you, my lord, I have held nothing back from you. The king has been coming to her bed almost every night since the end of Lent but it is no better than it was before. The sheets are clean, her hair is still in plaits, her nightcap straight every morning. She cries sometimes, during the day, when she thinks no-one is watching. This is not a well-loved woman, this is a hurt girl. I swear she is a virgin still.'

The duke rounds on me in his rage. ‘Then why would he make Cromwell Earl of Essex?'

‘It must be for some other reason.'

‘What other reason? This is Cromwell's great triumph, this alliance with the Protestant dukes and the king, this alliance against France and Spain, sealed with this marriage with the Flanders girl. I have an alliance with the King of France at my fingertips. I have filled the king's head with suspicions against Cromwell. Lord Lisle has told him that Cromwell favours reformers, has hidden heretics away in Calais. Cromwell's favourite preacher is to be accused of heresy. Everything is piling up against him but then he gets an earldom. Why is that? The earldom is his reward. Why would the king reward him if he is not pleased with him?'

I shrug my shoulders. ‘My lord uncle. How should I know?'

‘Because you are here to know!' he shouts at me. ‘You are put at court and kept at court and dressed and fed at court so that you shall know everything, and so that you shall tell me! If you know nothing, what is the point of you being here? What was the point of sparing you from the scaffold?'

I feel my face grow stiff with fear at his anger. ‘I know what goes on in the queen's rooms,' I say softly. ‘I cannot know what happens in the Privy Council.'

‘You dare to say that I should know? That I am remiss?'

Mutely, I shake my head.

‘How should anybody know what the king thinks when he keeps his own counsel and rewards the man whose face he has been slapping in public for the past three months? How should anyone know what is happening when Cromwell is blamed for the worst marriage the king has ever made and is now to lord it around us as earl, as damned Earl of damned-to-hell Essex?'

I find that I am pressed back against the wall and the silky feel of the tapestry is behind my outspread hands. I can feel the fabric grow damp with my cold sweat.

‘How is anybody to know what the hell is in the king's mind when he is by turns as cunning as a crow and as mad as a hare?'

I shake my head in silence. That he should name the king in the same breath as madness is as good as treason. I will not repeat it even here, safe in Howard rooms.

‘At any rate, you are sure that he still likes Katherine?' the duke says more quietly.

‘Hotly. There is no doubt in my mind.'

‘Well, tell her to keep him at arm's length. We gain nothing if she becomes his whore, but he stays married to the queen.'

‘There can be no doubt …'

‘I doubt everything,' he says flatly. ‘And if he beds her and then beds the queen and gets a son on her and thanks Cromwell for the addition to his nursery then we are ruined, along with the little slut.'

‘He will not bed the queen,' I say, returning to my only certainty.

‘You don't know anything,' he says rudely. ‘All you know is what can be gleaned from keyholes and privy chamber whispers, out of the chamber sweepings and the midden. You know everything that can be found in the dirt of life, you know nothing of policy. I tell you, he is rewarding Cromwell with rank beyond his dreams for bringing him the Cleves queen; and your plans and my plans are all thrown down. And you are a fool.'

There is nothing I can say to this so I wait for him to tell me to leave, but he turns to the window and pauses, looking out and gnawing his thumbnail. After a little while a page comes to tell him that he is required at the House of Lords and he goes out without another word to me. I curtsey, but I don't think he even sees me.

When he is gone, I should go too but, I do not leave. I walk around his room. When the room is quiet and no-one comes to the door, I draw back the chair. Then I sit behind his table in his big carved chair with the crest of the Howards, hard and uncomfortable behind my head. I wonder what it would have been like if George had lived and his uncle had died and George had been the great man of this family and I might have sat here, beside him, in my own right. We might have had matching chairs at this great table, and hatched our own plans, our own schemes. We might have made a great house of our own and raised our own children in it. We would have been brother and sister-in-law to the queen, our children would have been cousins to the next king. George would have been a duke for sure, I would have been a duchess. We would have been wealthy, the greatest family in the kingdom. We might have grown old together, he would have prized me for my advice and my fierce loyalty, I would have loved him for his passion and his good looks, and his wit. He would have turned to me, in the end he would surely have turned to me. He would have tired of Anne and her temper. He would have learned that a steady love, a faithful love, a wife's love is the best.

But George died, and so did Anne, both of them dead before they could learn to value me. And all that is left of the three of us is me, the only survivor, wishing for the Boleyn inheritance, perching in the Howard chair, dreaming that they are still alive and that there is greatness before us, instead of loneliness and old age, petty plots and disgrace and death.

I am on my way to the queen's rooms just before dinner when I feel a gentle hand on my sleeve. I think at once that it is John Beresby or Tom Culpepper and I turn with a laugh, to tell him to let me go, when I see that it is the king, and I swoop into a curtsey.

He says, ‘You know me then,' and I see that he is wearing a big hat and a big cape and thinks himself quite unrecognisable. I don't say: you are the fattest man at court, of course I know you. You must be the only man who is six feet tall and more than four feet round. You are the only man who stinks like mouldy meat. I say: ‘Your Grace, oh, Your Grace, I think I would know you at any time, anywhere.'

He steps forwards, out of the shadows, and there is no-one else with him, which is extraordinary. Usually he has half a dozen men with him wherever he is. Whatever he is doing. ‘How do you know me?' he asks.

I have a little trick now which is, whenever he speaks to me like this, I imagine it is Thomas Culpepper, the utterly delicious Thomas Culpepper, and I think how I would answer him to enchant him, and I smile as I would for Thomas, and I say the words I would use to him, to the king. So I say easily: ‘Your Grace, I dare not tell you,' thinking, ‘Thomas, I dare not tell you.'

And he says: ‘Tell me.'

And I say: ‘I cannot.'

And he says: ‘Tell me, pretty Katherine.'

This could go on all day, so I change the tune and say: ‘I feel so ashamed.'

And he says: ‘There's no need to feel ashamed, sweetheart. Tell me how you know me.'

And I say, thinking of Thomas: ‘It is a scent, Your Grace. It is a scent like a perfume, a goodly smell that I love, like a flower like jasmine or roses. And then there is a deeper smell, like the sweat of a good horse when it is hot from hunting, then there is a smell like leather, and then a sort of tang like the sea.'

‘I smell like this?' he asks and there is wonder in his voice, and I realise, with a little shock, that of course this will hit home since in truth he smells of pus from his leg, poor man, and often of farting since he is so costive, and this stink goes with him everywhere so that he has to carry a pomader all the time to block it out from his own nose, but he must know that to everyone he smells of decay.

‘You do to me,' I say faithfully, thinking hard of Thomas Culpepper and the clean smell of his brown curly hair. ‘There is a scent of jasmine and sweat and leather and salt.' I look down and lick my lips, just lightly, nothing bawdy. ‘I always know you by this.'

He takes me by the hand and he draws me to him. ‘Sweet maid,' he breathes. ‘Oh God, sweet maid.'

I give a little gasp as if I am afraid, but I look up at him as if I would be kissed. This is rather nasty, really. He is awfully like my step-grandmother's steward at Horsham – very old. Old enough to be my grandfather almost, and his mouth is trembling and his eyes are wet. I admire him because he is the king, of course. He is the greatest man in the world and I love him as my king. And my uncle has made clear that there are new dresses involved if I can lead him on. But it is not very nice when he holds me round the waist and
puts his mouth wetly on my neck, and I can feel his spittle cold on my skin.

‘Sweet maid,' he says again, and he nuzzles me with a moist kiss, which is like being sucked by a fish.

‘Your Grace!' I say breathlessly. ‘You must let me go.'

‘I will never let you go!'

‘Your Grace, I am a maid!'

This works wonderfully well, he lets me go a little way and I can step back and though he takes both my hands, at least I don't have him breathing down the front of my gown.

‘You are a sweet maid, Katherine.'

‘I am an honest maid, sire,' I say breathlessly.

He has tight hold of my hands and he draws me to him. ‘If I were a free man would you be my wife?' he asks simply.

I am so surprised by the speed of this, that I cannot say a word. I just look at him as if I were a complete milkmaid, and stupid as a dairy cow. ‘Your wife? Your wife, sire?'

‘My marriage is not a true one,' he says quickly, all the time he is pulling me closer, his hand sliding round my waist again. I think that the words are just to dazzle me while he backs me into the corner and gets a hand up my skirt, so I keep moving and he keeps talking. ‘My marriage is invalid. For several reasons. My wife was pre-contracted and not free to marry. My conscience warned me of this and for my soul's sake I cannot lie with her in a holy union. I know in my deepest heart that she is another man's wife.'

‘Is she?' Surely, he can't imagine I am fool enough to believe this for a moment.

‘I know it, my conscience warns me. God speaks to me. I know it.'

‘Does He? Do you?'

‘Yes,' he says firmly. ‘And so I did not fully consent at my wedding. God knew of my doubts then; and I have not lain with her. So the marriage is no marriage and I will soon be free.'

So he does think me fool enough, because he has fooled himself. Good God, what men can do to their brains when their cocks are hard. It is truly amazing.

‘But what will happen to her?' I ask.

‘What?' His hand, which is creeping up my stomacher to my breast, is halted at the thought.

‘What will happen to the queen?' I ask. ‘If she is no queen any more?'

‘How should I know?' he says, as if it is nothing to do with him. ‘She should not have come to England if she was not free to marry. She is a promise-breaker. She can go home again.'

I don't think that she will want to go home again, not to that brother of hers, and she has taken a liking to the royal children, and to England. But his hand is pulling urgently on my waist and he is turning me to face him.

‘Katherine,' he says longingly. ‘Tell me that I can think of you? Or is there another young man? You're a young woman, surrounded by temptation in a lascivious court, a dirty-minded, lustful court with many bad, filthy-headed boys, I suppose one of them will have taken your fancy? Promised you some fairing for a kiss?'

‘No,' I say. ‘I told you. I don't like boys. They are all too silly.'

‘You don't like boys?'

‘Not at all.'

‘So what do you like?' he asks. His voice is lilting with admiration of himself. He knows the reply in this song.

‘I daren't say.' His hand is creeping up from my waist again, in a moment he will be fondling my breast. Oh, Thomas Culpepper, I wish to God this was you.

‘Tell me,' he says. ‘Oh, tell me, pretty Katherine, and I will give you a present for being an honest girl.'

I snatch a quick breath of clean air. ‘I like you,' I say simply, and one hand clamps – smack – on my breast and the other pulls me towards him and his mouth comes down on mine, all wet and
sucking, and it is really very horrible; but on the other hand I have to wonder what present I get for being an honest girl.

He gives me the estates of two convicted murderers: that is, a couple of houses and some goods, and some money. I can't believe it. That I should have houses, two houses, and land, and money of my own!

I have never had such wealth in my life, and never any gift so easily earned. I have to acknowledge: it was easily earned. It is not nice to lead on a man who is old enough to be my father, almost old enough to be my grandfather. It is not very nice to have his fat hand rubbing at my breasts and his stinking mouth all over my face. But I must remember that he is the king, and he is a kind old man and a sweet, doting old man, and I can close my eyes most of the time and pretend that it is someone else. Also, it is not very nice to have dead men's goods, but when I say this to Lady Rochford she points out that we all have dead men's goods one way or another, everything is either stolen or inherited, and a woman who hopes to rise in the world can't afford to be particular.