Ngaio Marsh Her Life in Crime (54 page)

BOOK: Ngaio Marsh Her Life in Crime
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‘It was the fourth member of our family’, Ngaio wrote of Marton Cottage; and it exists today because of the efforts of some outstanding and magnanimous people. To walk around the terraced gardens and then in the front door is to walk into Ngaio’s life. For a biographer this is a dream, so I thank sincerely Ngaio
Marsh House and Heritage Trust members, Dr Bruce Harding, Colin McLachlan, Pamela and John Wilson, and Eve Harding, for their years of volunteer work to secure public access and preservation, and John Dacres-Mannings for his generosity in leaving so many of Ngaio’s treasures intact.

In my research I have had been assisted by friends and significant people who have helped the project along the way. I would like to offer my heartfelt thanks especially to Linda Tyler for her vision and support over the years and of this project, to Suzanne Marshall, who shared my fever and researched tirelessly, to Patti Gurekian for her research in the United States, and to Dr Carole Shepheard, Dr Peter Lineham, Dr Mike Austin, Priscilla Pitts, Tonia Geddes, Brit Bunkley, Andrea Gardener, Susan Kano, Belynda De Mayo, Alison MacDuff, Mike Geraghty, Lorraine Shannon, Alison Gernhoefer, Sue McBride, Liz and Ian Rivers, Doug and Carolyn Ironside, Richard and Sarah Laycock, Julia, Philip and Richard Mottram, Mary and Barry Loe, Morrin Rout, Ruth Todd, Cilla McVeigh, David Harcourt, Steve Woodside, Dr Miriam Saphiro, Dr Richard Smith and Albert Chan, Cathy Hartles and Liz Nicolson, Sue Thompson, Sheryn Bennett, Ralph Knowles, Ann Rolinson, Leslie and Rick Land, Peter and Genevieve Packer, Graeme Ell and Sarah Hillary (who kept me running).

My thanks go to those who gave permissions, and to colleagues in libraries, galleries and educational institutions around New Zealand. I would like to extend my thanks especially to the Hon. Judith Tizard
MP,
Penny Carnaby, Margaret Calder, Chris Szekely, Phillip Rainer, Colleen Slater, David Colquhoun, Amy Watling, Cathy Bentley, Mary Cobeldick, Jill Goodwin, Linda Evans, Alison Laurie, Glenda Gale, Barbara Brownlie, Jocelyn Chalmers, Roger Swanson, John Sullivan, Joan McCracken, Diane Woods, Tania Connelly, David Jones, Susan Bartel, Emerson Vandy, Rachel Underwood, Rebecca Perkins, Amanda Brown, Tim Jones, Chris Bourke, Alison Lloyd-Davies, Jeny Curnow, Malcolm Ott, Matthew Wright, and Rob Osman. I would like to offer a special thank you, also, to Denis Welch, who put me onto some very fruitful
Listener
leads.

I am grateful to the staff of the following institutions for their cooperation and assistance in accessing archives, images and information: Radio New Zealand Sound Archives, Christchurch Art Gallery Te Puna o Waiwhetu, E.H. McCormick Research Library—Auckland Art Gallery Toi o Tamaki, Christchurch Polytechnic, Christchurch Public Library, Auckland Public Library, Wellington Public Library, Victoria University of Wellington Library University, of Sydney Library, National Library of Scotland, HarperCollins Archive
(Glasgow), British Library; BBC Sound Archives, British Theatre Library (Victoria and Albert Museum), British Theatre Museum, Mugar Memorial Library Boston, Princeton University Libraries, National Library of Scotland, University of Glasgow Archives, Wodehouse Library in Dulwich, Friends of the Alexander Turnbull Library, St Mary’s College (Wellington), and Westlake Girls’ High (Auckland). I would like to offer special thanks to the staff of St Margaret’s College (Christchurch), particularly to Jillian Kerr, Geraldine Pickles, Diana White and Robyn Gosset, who were so generous in their assistance.

My grateful thanks goes to the administration, library and Long Black staff at UNITEC who have kindly supported me in my writing of this book. I am also grateful to Dr David Hawkins, Cassandra Barnett, Kathy Barry, Mary-Louise Browne, Dorina Jotti, Gina Ferguson, and Donna Salmon.

My warmest thanks to Lorain Day, for her vision in taking this project on, and to Kate Stone, Sandra Noakes, Shona Martyn and all the staff at HarperCollins working on this book, and especially to editor Anna Rogers—thank you for sure and steady support, and for your criticism, encouragement and inspiration. At HarperCollins in the London and Glasgow offices, I would like to thank, especially, David Brawn and Felicity Windmill.

Without the love and support of my family, this book would never have been written. Thank you for your patient acceptance of the sacrifices required. I would like to thank my mother Patricia Drayton, Paul Drayton, Chrissie Thomas and Guy Drayton, Megan Jamieson, and our children Jeremy Thomson and Katherine and Jason Lovelock.

Copyright

HarperCollins
Publishers

First published 2008

This edition published 2010

by HarperCollins
Publishers
(New Zealand) Limited

P.O. Box 1, Auckland

Copyright © Joanne Drayton 2008

Joanne Drayton asserts the moral right to be identified as the author of this work.

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publishers.

HarperCollins
Publishers

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31 View Road, Glenfield, Auckland 0627, New Zealand

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2 Bloor Street East, 20th floor, Toronto, Ontario M4W 1A8, Canada

10 East 53rd Street, New York NY 10022, USA

National Library of New Zealand Cataloguing-in-Publication Data

Drayton, Joanne.

Ngaio Marsh : her life in crime / Joanne Drayton.

Includes bibliographical references.

ISBN 978-1-86950-635-3 (pbk.)

ISBN: 978-0-730-44566-1 (epub)

1. Marsh, Ngaio, 1895-1982. 2. Women authors, New Zealand
—20th century—Biography. 3. Authors, New Zealand—20th
century—Biography. 4. Women theatrical producers and
directors—New Zealand—Biography. 5. Theatrical producers
and directors—New Zealand—Biography. 6. Detective and
mystery stories—Authorship. I. Titles.

NZ823.2

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BOOK: Ngaio Marsh Her Life in Crime
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