Last Act in Palmyra (49 page)

‘He was in your company. When I came to offer you the goat, I asked him where you were. He said you'd gone into town, and in return for that he asked me directions to the pools of the Maiuma.'

‘What did he look like?'

‘Blow me if I know. He had no time to stop; he was dashing off on a camel.'

‘Young? Old? Tall? Short?
Can you see him here now?'

The man looked panicky. Unused to describing people, he was fumbling for anything to say. It was no use pressing him. Not even with one possible murderer – Tranio – standing ten feet from us waiting to go on-stage. The witness was unreliable. Too much time had passed. Now if I offered suggestions he would agree with them instantly to escape his quandary. This loon held the answer to everything, but I would have to let him go.

I said nothing. Patience was my only hope. Alexander was slyly consuming the sleeve of my tunic; seeing it, his owner biffed him between the ears. Striking the goat's head reminded him of something: ‘He wore a hat!' I had heard that before.

While I was catching my breath, the goat's owner voluntarily described the Gerasa specimen. ‘It was one of them knitted things, with a flopped-over top.'

That was nothing like the wide-brimmed, round-crowned Greek hat that Musa had been sent from Petra by Shullay. But I knew where I had seen this. ‘A Phrygian cap? Like the sun-god Mithras wears?'

‘That's right. One of them long floppy ones.'

Grumio's collection cap.

So Ione's killer was Grumio. I had given him an alibi myself, based on the bad premise that I had seen him several times in the same place. I never dreamt that in between he might have galloped off somewhere else.

Looking back, my confidence had been ridiculous. Of course he had taken a break from his act. He could never have sustained that sparkling performance all night. If he had stood on that barrel for the whole evening, by the time Musa and I returned from the Temple of Dionysus he would have been hoarse and completely exhausted. That had not been his condition when he dragged me up for abuse and the near-fatal ‘accident' using my own knife. He had been alert, in control, exhilarated,
dangerous.
And I had missed the obvious.

Grumio had done two turns on the barrel. In between, he had ridden to the pools and killed the girl.

*   *   *

Had he acted alone? And had he killed Heliodorus too? It was hard to work out. My mind was a mess. Sometimes it is better to have twenty suspects than a mere two. I wanted to consult Helena. Unluckily I had trapped her in the commander's private box.

*   *   *

I walked to the arena entrance. Grumio was no longer there. He and Chremes had slipped into the arena ready to make their entrances from one side. They were hiding in one of the niches. Davos was concealed on-stage, ready to pop out as the ghost. The rest of the cast had been waiting for me.

Ribes was still enjoying himself with the lyre. Luckily Syrians liked minstrels. Ribes fancied himself rotten, and since no one had signalled him to end the overture, he was working it up in frenzied improvisation.

Tranio was by the gate. I walked up to him casually. ‘You'll be glad to know I found Grumio's ring.'

‘His ring?'

‘Blue stone. Could be lapis; might just be sodalite…' He had absolutely no idea what I was talking about.

‘As I thought – he even lied about that!' I grabbed Tranio by the elbow and yanked him closer.

‘What's the game, Falco?'

‘Tranio, I'm trying to decide whether you're foolishly loyal – or just a complete fool!'

‘I don't know what you mean –'

‘It's time to stop protecting him. Believe me, he's tried quite happily to implicate you! Whatever you think you owe him, forget it now!'

Other people were listening: Thalia, Musa, many of the cast. Tranio's eyes flickered towards those present.

‘Let them hear,' I said. ‘We can do with witnesses. Own up. What was the pledge you gave to Heliodorus, then had the row about?'

‘Falco, I have to go on –' Tranio was panicking.

‘Not yet.' I gripped his costume by the neck and jerked it tight. He could not tell whether I was really angry, or just playing him along. ‘I want the truth!'

‘Your play, Falco –'

‘Stuff my play.'

For a moment I felt things were getting away from me. Help came from an unexpected quarter: ‘The pledge was a scroll.' It was Philocrates who spoke. He really must be worried that he would be blamed for the crimes himself. ‘It was Grumio's; his collection of terrible old jokes.'

‘Thanks, Philocrates! All right Tranio, you've got some fast answers to provide! First, were you really with Afrania the night Ione died?'

He gave up. ‘Yes.'

‘Why did you ask her to pretend otherwise?'

‘Stupidity.'

‘Well that's honest! And were you conscious or in a stupor in Petra the afternoon Heliodorus was killed?'

‘Paralytic.'

‘What about Grumio?'

‘I thought he was the same.'

‘Are you certain he was?'

Tranio dropped his eyes. ‘No,' he admitted. ‘I passed out. He could have done anything.'

I let go of him. ‘Tranio, Tranio, what have you been playing at? If you are not the killer, why protect the man who was?'

He shrugged helplessly. ‘It was my fault. I'd lost him his scroll.'

I would never entirely understand it. But I was a writer, not a performer. A comedian is only as good as his script. A writer never has to grieve too long for lost material. Unluckily for the reading and viewing public, writers can easily rattle off more.

I despaired of Tranio. In the arena Ribes had been covering the unexpected pause with his rapid plectrumming but the audience was tired of it. I could see he was starting to feel desperate as he wondered why Tranio was failing to enter. I took a swift decision. ‘We'll have to discuss this later. Get out on-stage. Don't warn Grumio, or you'll be arrested too.'

Released from my furious grip, Tranio pulled on a sparse two-tone wig, then strode in through the gate. Free members of the cast, together with Thalia, Musa and myself, all crowded around to watch.

*   *   *

Looking out at ground level, the elliptical space seemed immense. Musa and Thalia stared at me curiously as I wondered what to do. On-stage, Tranio began carrying on as the hectic cook. He seemed to be safely sticking to his lines. Soon he was berating the less sophisticated Grumio, playing a farm boy who had brought meat for the feast. Chremes rushed on to give them orders, made some jokes about voracious women wanting sex night and day, then rushed off again.

To one side, Philocrates as my hero, Moschion, interjected adolescent bile, sitting on a costume basket covered in a blanket to represent a couch. Davos, the ghost, was concealed in a portable oven. From time to time he leant out to address Moschion – the only person who could ‘see' him. The ghost then became worried because Tranio was about to light a fire in the oven: sophisticated stuff. You can see why I had been proud of it. Not that the play mattered to me now. I was about to confront the killer; I had bile in my mouth.

Being set on fire was nothing to what I intended for Tranio for frustrating my enquiries. As for Grumio, I noted with relish that in provincial locations criminal executions usually take place in the local arena. I glanced up at the garrison commander. I wondered if he held the right to award the death penalty. Probably not. But the governor, Ulpius Traianus, would.

*   *   *

Davos let out a terrific shriek, which most characters on-stage ignored. Clutching the seat of his ghostly robe, he ran off through the gate as if alight. The crowd really loved seeing a character in pain. The atmosphere was excellent.

‘Falco, what's going on?' Davos exclaimed. While squashed in the oven he had had more reason than most to notice the long pause before we began.

‘Crisis!' I said tersely. Davos looked startled, but evidently realised what sort of crisis it must be.

On-stage, Phrygia and Byrria had appeared from the far gate entrance. They were shooing away the two ‘slaves' in order to have a sly chat in the kitchen about young Moschion. Tranio and Grumio ran off, according to my stage directions, in opposite directions; fortuitously, that put them one in each side niche, unable to confer.

Moschion was hiding behind the oven so he could overhear his mother and girlfriend discussing him. It was meant to be a very funny scene. While the women tossed wit around, I breathed slowly to calm down.

Soon, however, the clowns were back on-stage again. Suddenly I began to worry that I had misjudged Tranio. I had made a mistake.

I muttered to Musa, ‘This isn't going to work…'

I had to choose: whether to stop the performance in mid-scene, or wait. We had a large group of unruly soldiers who had paid for a spectacle. If they were disappointed, we could expect a riot.

My fears were well founded. ‘You're going to catch it!' the Clever Cook warned the Country Clown as they bantered on-stage. This was not in the script. ‘If I were you I would leg it while you can!'

Davos, quicker-witted than most people, grasped the point and muttered
‘Shit!'

*   *   *

Tranio's exit was back into the side niche, but Grumio came our way. Maybe he thought Tranio had just been improvising lines. At any rate, he was still in character.

Musa glanced at me. I decided to do nothing. In the play, Philocrates was discovered hiding by his mother, had a quarrel with his girlfriend, and was exiled to the country for the usual complicated plot reasons. My drama moved fast.

Philocrates left the stage and arrived among us looking uneasy. I gave him a discreet nod; the play would continue. I noticed Thalia grab Davos by the arm. I saw her mouth in his ear, ‘Next time you're on-stage, give that Tranio a thump!'

Musa went forward to hand Grumio the reins of Philocrates' mule, ready for the next scene. Both Philocrates and Grumio had flung on travelling cloaks; it was a very quick costume change. Philocrates as the young master swung on to his mule. Grumio for one was paying little attention to those of us standing around.

Just as they set off back on-stage for a short scene journeying to a farm, Musa stepped forward again to Grumio. Grumio, leading the mule, was on the verge of passing into view of the audience. Quite unexpectedly, Musa rammed a hat upon his head. It was a wide Greek hat with a string beneath the chin. I saw Grumio go pale.

The hat was bad enough. But my faithful accomplice had devised a further trick: ‘Don't forget to whistle!' Musa commanded cheerfully. It sounded like a stage direction, but some of us knew otherwise.

Before I could stop him, he clapped the mule on its rump, so it skidded out into the arena, dragging Grumio.

‘Musa! You idiot. Now he knows we know!'

‘Justice must be done,' said Musa calmly. ‘I want him to know.'

‘Justice won't be done,' I retorted, ‘if Grumio escapes!'

On the far side of the arena, the other gate gaped wide. Beyond it a clear vista of the desert was stretching endlessly.

LXXI

I saw Grumio glance back at us. Unluckily for him, the sturdy figure of Philocrates was holding forth on the mule so there was no chance of bringing the scene to a premature end. Moschion had a lengthy speech about women, which Philocrates enjoyed giving. No wonder. The character was an ignorant bastard; the speech based on himself.

Spinning around, I gripped Davos by his arm. ‘I'll need your help. First, Musa! Get around to the end of the amphitheatre, and if it's not too late, slam those gates shut!'

‘I'll do that,' said Thalia quietly. ‘He's caused enough trouble!' She was a girl for action. She ran for a camel left outside by one of the audience, and within seconds was haring off in a cloud of dust.

‘Right, Davos. Go up the back of the arena, and down the steps to the tribunal. Whisper to the commander we've got at least one killer out there, and possibly an accomplice.' I was not forgetting Tranio, currently holed up in a side niche. I had no idea what he might be planning. ‘Helena's there. She'll back you up. Tell the man we're going to need some arrests.'

Davos understood. ‘Someone will have to fetch that bastard off-stage…' Without hesitation, he threw his stage mask at a bystander, stripped off his white ghost's costume, and dropped it over my head. Wearing only a loincloth, he ran off towards the commander. I was given the mask.

I found myself shrouded in long folds of material that flapped strangely on my arms – and in darkness. The ghost was the only character we were playing in a mask. We rarely used them. I knew why the minute I had this one rammed over my face. Suddenly excluded from half of the world, I tried to learn how to look through the hollow eyes, while scarcely able to breathe.

A bothersome presence was grabbing my elbow.

‘He's guilty then?' It was Congrio. ‘That Grumio?'

‘Get out of my way, Congrio. I've got to confront the clown.'

‘Oh I'll do that!' he exclaimed. The certainty in his tone carried a familiar echo of Helena's brisk style. He was her pupil, one she had clearly led astray. ‘Helena and I have thought up a plan!'

I had no time to stop him. I was still trying to master my costume. Adopting a curious sprint (his idea of great acting, apparently), Congrio raced into the arena ahead of me. Even then I still expected to hear the one line I had written for him: ‘Madam! The young lady has just given birth to twins!'

Only he did not say the line.

He was not playing the part I had written him, but the traditional Running Slave: ‘Gods above, here's a pickle –' He ran so fast he caught up the travellers on their mule. ‘I'm wearing myself out. Moschion turned out of doors, his mother in tears, the roast on fire and the bridegroom furious, and now this girl – hold on, I'll tell you all about the girl when I get round to it. Here's a pair of travellers! I'll stop for a chat with them.'