Before I Fall (37 page)

“Why didn’t you say anything?” I ask, even though I already know the answer. My voice comes out hoarse from the effort of swallowing back tears.

Juliet shrugs. “She was my best friend, you know? She was always so sad back then.” Juliet makes a noise that could be a laugh or a whimper. “Besides,” she says more quietly, “I thought it would pass.”

“Juliet—” I start to say.

She shakes her shoulders like she’s brushing off the weight of everything, the conversation, the past. “It doesn’t matter now,” she says quickly, and just like that she snaps the door open and slips out.

“Juliet!”

There’s a huge clot of people standing by the door, and when I come out I’m pressed backward momentarily as two juniors scuffle for the bathroom, both of them yelling, drunk. “I was here first!” “No, I was!” “You just got here!” A few people give
me dirty looks, and then Bridget McGuire charges past all of them, face red and blotchy and tear-streaked. When she sees me she sobs out, “You—” but she doesn’t finish her sentence, just swoops around the juniors and locks herself in the bathroom.

“Jesus Christ, not again,” someone yells.

“I’m going to pee my pants,” one of the juniors moans, crossing her legs and hopping up and down.

Alex Liment is right behind Bridget. He pushes up to the bathroom door and begins rapping on it, calling for her to come out. I still haven’t moved. I’m pressed up against the wall, penned in by people, paralyzed by how wrong everything is. I remember a story I once heard about drowning: that when you fall into cold water it’s not that you drown right away but that the cold disorients you and makes you think that down is up and up is down, so you may be swimming, swimming, swimming for your life in the wrong direction, all the way toward the bottom until you sink. That’s how I feel, as though everything has been turned around.

“You’re really unbelievable.”

I’m suddenly aware that Alex is talking to me. His lips are curled back, showing all his teeth.

“You know what you are?” He puts one hand on either side of my head so he’s blocking me in. I can see sweat on his forehead and smell weed and beer on his breath. “You, Samantha Kingston, are a bitch.”

Hearing that jolts me, wakes me up. I have to focus. Juliet is off somewhere in the woods, in the cold. She’s probably making for the road. I can still find her, talk to her, get her to
see
.

I put both hands on Alex’s chest and shove him. He stumbles backward.

“I’ve heard it before,” I say. “Trust me.”

I force my way through the hallway and am halfway down the stairs when someone calls my name. I stop dead so that the people behind me bump each other like dominoes and start cursing at me.

“Jesus Christ,
what
?” I whirl around and see Kent, who leapfrogs over the banister and swings down onto the stairs, nearly taking out Hanna Gordon.

“You came.” He lands two stairs above me, a little out of breath. His eyes are bright and happy. His hair is falling over his forehead, picking up light from the Christmas bulbs strung everywhere, bits of it the color of chocolate and some of it caramel. I have an almost uncontrollable urge to reach over and push it back behind his ears.

“I said I would, didn’t I?” There’s a dull pain unfurling in my stomach. All I wanted all night—all day—was to be standing this close to him. And now I have no time. “Listen, Kent—”

“I mean, I thought you were probably here when I saw Lindsay, et al. You guys usually travel in packs, you know? But then I was looking for you—” He stops himself, blushes. “I mean, not
actively
looking. Really just kind of perusing the
crowd, you know, as I was walking around socializing. That’s what you’re supposed to do when you host. Socialize. So I was just keeping an eye out—”

“Kent.” My voice comes out sharp, mean, and I close my eyes just for a second, imagining what it felt like to lie with him in total darkness, imagining the touch of his hand on mine. It suddenly occurs to me how impossible all of this is—with me and him. When I open my eyes he’s just standing there, waiting, a little crease in his forehead: so adorable and normal, the kind of guy who deserves the kind of girl who wears cashmere sweaters and is really good at crossword puzzles, or plays the violin, or volunteers at soup kitchens. Someone nice and normal and honest. The pain in my stomach intensifies, as though something’s caught in there, snapping away at my insides. I could never be good enough for him. Even if I lived the same day into infinity, I could never be good enough.

“I’m sorry,” I force myself to say. “I—I can’t talk to you right now.”

“But—” He tucks his hands into the cuffs of his shirt, looking uncertain.

“I’m sorry.” It’s better, I almost say, but I figure there’s no point. I don’t look back, either, even though I can feel him watching me.

Outside I pull on my fleece, zipping it all the way up to my chin. The rain drives down my neck and spots my leggings immediately. At least tonight I’m wearing flats. I stick to the
driveway. The pavement is icy and I have to reach out and brace myself against the cars as I pass. The cold tears at my lungs, and it’s so strange, but in the middle of all this I have the stupidest, simplest thought—
I should really jog more
—and as soon as I think it I almost come undone, torn with the dual desire to laugh and to cry. But the thought of Juliet crouching by Route 9, watching the cars whiz past, waiting for Lindsay, keeps me going.

Eventually the sounds of the party drop away, and then it’s silent except for the driving rain, like thousands of tiny shards of glass falling on the pavement, and my footsteps ringing out. It’s dark, too, and I have to slow down, moving from one car to the next with my hands, the metal so cold under my fingers it feels hot. When I find the Tank, hulking above all the others, I fish through my bag until my fingers close around cold metal and a rhinestone-encrusted key chain that reads
BAD GIRL
. Lindsay’s car keys. I blow air out of my cheeks. This, at least, is a good thing. There’s no way Lindsay can leave without me. Her car won’t be on the road tonight, no matter how long Juliet waits. Still, I lock and double-lock the doors.

Then the cars drop away, too, and I shuffle forward at a crawl, mentally cursing myself for not bringing a flashlight, cursing February 12, cursing Juliet Sykes. I see now that the roses were a stupid idea, an insult, even. I think of Juliet and Lindsay all those years ago in a tent, when Lindsay raised a finger and pointed, terrified, humiliated, and it all began.
And for years Juliet kept Lindsay’s secret.
I thought it would pass
.

At the same time the more I think about it—the rain beating furiously—the angrier I get. This is my
life
: the whole big, sprawling mess of my life in all its possibilities—first kisses and last kisses and college and apartments and marriage and fights and apologies and
happiness
—brought to a point, a second, an edge of a second, razored off in that final moment by Juliet’s last act: her revenge against us, against me. The farther I get from the party, the more I think,
No
.
It can’t happen this way. No matter what we did, it can’t happen this way.

Then the driveway opens up suddenly, and Route 9 is there, shining ahead of me like a river, liquid silver lit up by pools of light. I don’t even realize I’ve been holding my breath until I exhale and I’m gasping, grateful for the light.

I wipe the rain out of my eyes and turn left, scanning the edge of the woods for Juliet. A little part of me is hoping that talking to me did make her feel better—maybe she went home, after all, maybe it meant something. At the same time, the way that she spoke in that low, flat voice comes back to me, and I know that wherever she was in that bathroom, it wasn’t with me. She was lost somewhere, trapped in a fog, maybe of memories, maybe of all the things that could have happened differently.

A car roars behind me, making me jump. On the landing I
lose my footing and go on hands and knees to the ice as the car speeds by, followed closely by a second car, its engine as loud as thunder. Then honking, waves of sound rolling toward me, getting louder and louder. I look up and see the headlights of a car bearing down on me. I try to move and can’t. I try to scream and can’t. I’m frozen, the headlights growing as big as moons, floating there. At the last second the car swerves a little, passing so close to me I can feel the heat of the engine and smell the exhaust and hear a line of music pumping from the radio.
Light it, blaze it, tear it up
. Then it’s gone, still honking, passing away into the night as the bass from the speakers grows dimmer and dimmer, a distant pulse.

My palms are cut up from the pavement, and my heart is pounding so quickly I’m pretty sure it’s going to leap out of my chest. Slowly, shaking, I stand up. Another car passes on the other side of the road, this one at a crawl, water from its tires pinwheeling in both directions.

And then, fifty feet ahead of me, I see a figure in white emerge from the woods, unfolding from a crouch like a long, pale flower. Juliet. I start going toward her, slowly now, trying to avoid the slick patches of dark ice. She stands there, perfectly still, like she doesn’t even feel the rain. At a certain point she even lifts up her arms, parallel to the ground, as though preparing to take a dive off the high board. There’s something beautiful and terrifying about seeing her in that position. It reminds me of when I was little and we would go to church on
Christmas and Easter, and I was always afraid to look at the pulpit, where there was a wooden statue of Jesus mounted on the cross.

“Juliet!”

She doesn’t respond; I’m not sure if she doesn’t hear or is just ignoring me. I’m fifteen feet away, then ten. There’s a low rumbling behind me. I turn and see a big truck bearing down through the darkness. Again I have a random thought—
he should totally have his license suspended, he’s going way too fast
—and when I turn around again I see that Juliet is staring up the road, tensed, arms at her thighs, and she reminds me of something, but it takes me a second to realize what it is, just like it takes me a second to realize what’s going on—
she looks like a dog about to go after a bird
—and then everything clicks together, and as she begins to move, a white blur, I’m moving too, running as fast as I can and closing the distance between us as she’s sprinting out across the nearest lane. The truck blasts its horn, a sound so large it seems to fill the air with vibration, and then I slam into her with all my weight, and we roll, tumbling, backward into the woods. I’m screaming and she’s screaming and pain blooms in my shoulder. I roll over onto my back, the black branches overhead a thick net.

“What are you
doing
?” Juliet’s yelling, and when I sit up her face has finally lost its composure and is twisted with anger. “What the hell are you doing?”

“What am
I
doing?” My anger flares up too. “What are
you
doing? Jumping in front of random trucks—I thought the whole
point
was to wait for Lindsay—”

“Lindsay? Lindsay Edgecombe?” Juliet’s anger drops away and she looks completely confused. She brings her hands up to her head, squeezing. “I don’t know what you’re talking about.”

I’m suddenly uncertain. “I—I thought. You know, like this was your big revenge—”

Juliet laughs, but there’s no humor in it. “Revenge?” She shakes her head, and again that veil seems to drop over her face. “Sorry, Sam. For once this isn’t about you.” She stands up, not bothering to wipe off the thick tracks of mud and leaves that are clinging to her. “Now please leave me alone.”

My head is spinning and I’m having trouble focusing on her, like we’re separated by miles instead of a few feet. The rain is coming down harder now, jagged pellets of it. Little snatches of things are whirling around in my head: Lindsay patting the hood of the Tank proudly, saying, “I could go head-to-head with an eighteen-wheeler and never feel it” the owner of Dunkin’ Donuts calling out, “That’s not a car, it’s a truck” the randomness of things, the way everything can change in a second; the right place at the right time, or at the wrong time; time; that enormous truck coming at us, its big metal grill shining like teeth, the impression of lights and hugeness. The only thing you can see: headlights, size, a sense of power. Not revenge. Chance. Stupid, dumb, blind chance. Just a part of the strange
mechanism of the world, with its fits and coughs and starts and random collisions.

“But why…?” I struggle to my feet. “Why did you come here? What was the point?”

She doesn’t look at me, but she shrugs slightly. “There was no point, really. I just wanted to say it. I was always afraid to say it before—what I really thought of you. I’m not afraid anymore. Of you, of anybody, of anything. I’m not even afraid of—” She breaks off, but I know what she was going to say.
Not even afraid of dying.

But I know what she’s saying isn’t totally true. Her decision to come to the party was more than that. Things are clicking into place, making a horrible kind of sense: she needed us here, needed that final push. I close my eyes against the memory of a wet and stumbling Juliet being shoved from person to person like a pinball. And tonight, I guess, she just needed to tell her story—needed to remember how bad things have been. I wonder if the day when we all slept over at Lindsay’s—the day that things ended differently for her, the day that they ended alone, with a gun—it took her longer to work up the courage. If she came to the party, unnoticed, ignored, and found she didn’t have the strength to go through with it. If later that night she sat and stared at the gun in her lap, and conjured up the faces of all the people who’d tormented her over the years.

Vicky Hallinan’s face hovers in the darkness suddenly,
twisted into a grimace, and I snap my eyes open. Maybe before you die it’s your ghosts that you see.

“This isn’t the way,” I say weakly, feeling like the rain has seeped into my brain and made it soggy and useless. I can’t remember anything I was planning to say to her. I repeat it a little louder. “This isn’t the way.”